2017 SJ-200... advice needed!
#1
Posted 06 December 2017 - 11:12 AM
Here for a bit of advice if possible?
Having tried 6 different 2017 SJ-200’s, I've narrowed it down to 2 that are both superb, responsive, alive and balanced, just in slightly different ways!
The first is ever so slightly scooped in the mids sounding, with a low end that extends so deeply it’s addictive, and the guitar has a softer attack.
The second has excellent deep low end, but more midrange and is more even across the frequency range. This guitar has slightly more attack.
Both are great, but I’m wondering how J200’s age over time? Will the scooped sounding guitar develop more mids or become too boomy over time? Will the midrange rich guitar ‘mellow out’ and lose some mids over time, or will it become even stronger in that frequency?
Any advice or experience would be greatly appreciated.
Thanks everyone.
#2
Posted 06 December 2017 - 12:06 PM
The Big Fat Lady 02' Gibson J-150
The Squares 11' Hummingbird TV, 08' Dove
The Slopeys 11' Gibson SJ (Aaron Lewis), 02' AJ
The Pickers 43' Gibson LG-2, 09' Furch OM 32SM (custom) , 02' Martin J-40
The Beater 99' Cort Earth 100
The Lonely Electric: 95' Les Paul
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#3
Posted 06 December 2017 - 01:47 PM
Any other opinions?
Thanks:)
#4
Posted 06 December 2017 - 03:17 PM
The sound today is much better appreciated to my ears. Of course my ears have mellowed also so........
It's been a fine guitar from new to now.
I can say it has also been fun to experience the transition from a maple tree to a guitar all these years later.
This post has been edited by sjl200: 06 December 2017 - 03:18 PM
17 Gibson Doves-in-Flight Autumn Burst
12 Gibson J45 Purevoice
12 Gibson Sheryl Crow Model A Southern Jumbo Special edition
13 Gibson J45 Custom Mystic RW w/ Trance Audio Amulet MVT
12 Epiphone Allen Woody Bass
10 Gibson J45 Fullers Vintage Tri-burst
06 Gibson ES-335 DOT-Beale Street Blue
05 Takamine EGC 531SSC-12
98 Gibson SJ-200
86 Martin J-40M
61 Rickenbacker 450 Combo Fireglow
Bose Model II w/ B2 bass module and Tone Match
Music Man 212-sixty five
Fender Acoustic SFX
#5
Posted 06 December 2017 - 03:31 PM
Wow, tried six different SJ-200’s? ‘Bet that took some doing. How many of them in the same place? J/K; most shops don’t even have one laying around, let alone multiples. It also sounds like you’ve got fairly decent ear memory to try a daunting task such as comparing and remembering- I have a tough time if the subjects of the a/b of two similar guitars are more than 3 or 4 seconds apart.
A member here approaching 10 years- with your ability to distill tone evaluation as in the o.p., you should visit these parts more often; Big G would most likely appreciate it, too, as you’d probably sell more guitars for them as you randomly increase gas levels.
As far as how the sound of each of your SJ-200 contenders might age, there is much talk about how each guitar can age differently, even possibly depending on what kind of life it’s had, where it’s been kept, how it’s been played (“I once had a guitar owned by a little old lady- only played it in church on Sunday; C, F, G, etc. . . none of the devil’s music”). But surely some generalities out there I’ve seen ring true. The best wisdom I’ve read right here on these pages would say get the one that sounds best to you now- you and the guitar will both grow together.
#6
Posted 06 December 2017 - 07:07 PM
The only way to buy a guitar is based on how it sounds in the here and now. Way too many things impacting how wood ages. do applaud you for trying as many as you did. I cannot tell you how many folks I know jumped on the first guitar they stumbled upon (which they were more often as not told by the seller was the best he had ever played) only to find one a few months later on that they liked a whole lot better.
This post has been edited by zombywoof: 06 December 2017 - 07:10 PM
"I play so rough - I stomp 'em"
Bukka White
#7
Posted 06 December 2017 - 07:31 PM
H'Bird TV 2010
J45 Custom Koa 2013
#8
Posted 06 December 2017 - 08:39 PM
You need SlimT to jump in here. He has 70 of them if I remember correctly.
#9
Posted 07 December 2017 - 01:44 AM
Thanks so much for your replies - they’re all helpful and appreciated!
Here in the south of the U.K. we have some amazing guitar stores all in close proximity to each other, so trying 6 was easy (3 different stores)... in fact I could have doubled that figure had I been interested in the sunburst models, but I really want the maple:)
Also, 3 of them were what I would consider poorer sounding examples. Very tight, small sounding with almost no low end for a guitar of that size. I’d read before that J200’s varied widely in tonal quality, and now I can see what everyone meant. 50% of the guitars I tried simply didn’t produce £2700 worth of quality sound, in my opinion. I guess it is luck of the draw with the wood used and how the guitar goes together. Plus, maybe those 3 would change over time in to amazing examples? Who knows?!
I definitely don’t have the ears of a bat, and would consider myself only an average guitar player considering my 25 years experience, but these tonal and dynamic differences in the guitars were both obvious and easy to distinguish, and I’m not laying down this kind of money without doing a bit of research and understanding as much as I can about J200’s first!
To be honest, if I took either of the 2 I’m interested in home with me, I’d be happy... I’ve just gotten to that annoying picky stage where they’re both really good - just in slightly different ways.
Poor me eh?! Ha...
#10
Posted 07 December 2017 - 03:07 AM
guitman3, on 07 December 2017 - 01:44 AM, said:
Thanks so much for your replies - they’re all helpful and appreciated!
Here in the south of the U.K. we have some amazing guitar stores all in close proximity to each other, so trying 6 was easy (3 different stores)... in fact I could have doubled that figure had I been interested in the sunburst models, but I really want the maple:)
Also, 3 of them were what I would consider poorer sounding examples. Very tight, small sounding with almost no low end for a guitar of that size. I’d read before that J200’s varied widely in tonal quality, and now I can see what everyone meant. 50% of the guitars I tried simply didn’t produce £2700 worth of quality sound, in my opinion. I guess it is luck of the draw with the wood used and how the guitar goes together. Plus, maybe those 3 would change over time in to amazing examples? Who knows?!
I definitely don’t have the ears of a bat, and would consider myself only an average guitar player considering my 25 years experience, but these tonal and dynamic differences in the guitars were both obvious and easy to distinguish, and I’m not laying down this kind of money without doing a bit of research and understanding as much as I can about J200’s first!
To be honest, if I took either of the 2 I’m interested in home with me, I’d be happy... I’ve just gotten to that annoying picky stage where they’re both really good - just in slightly different ways.
Poor me eh?! Ha...
I’m in the south too, whereabouts are you based? The Guitar Store in Southampton was where I bought mine last year, and my Dove too. Jamie had four SJ200s in, two 2015s and two 2016s. All of them were good but the 2015 I bought was sensational, and is even better now! I got a killer deal on it too, as it was year-old NOS.
2015 SJ200 Standard
2015 Custom Shop Advanced Jumbo Maple (Ltd to 65)
2014 Custom Shop J180 Everly (Ltd to 65)
2005 Custom Shop Hummingbird 12 String (Ltd to 12)
1990 Hummingbird (Fullerplast and Paddle neck joint. Yuck...My favourite 6 string ever!)
1967 J45
2014 Epiphone IB '64 Texan
2001 Epiphone EL-00 (early L1 shape model)
2003 Takamine EAN20C
1998 Fender Classic Series '60s RI Telecaster
1998 Fender Strat Plus
#######
www.jinder.co.uk
www.facebook.com/jindermusic
#11
Posted 07 December 2017 - 04:45 AM
Jinder, on 07 December 2017 - 03:07 AM, said:
Wasn't sure where to stick this reply but Geography won in the end. I'm in Ashford Kent and own a 1994 Sunburst Maple, a 1994 J200-12 maple and a 2005 KOA. The KOA is perfection, the SB has really bedded in but perversely the 12 string still feels tight.
I am with EA in that I wouldn't go for a new maple, but then I wouldn't go for a new Gibson from choice preferring someone else to do all the hard work -

Having said that Jinder really rates his 2015 so I am sure that great new guitars exist
Good luck with your quest
94 Centennial SB J200
94 J200 12 string Anniversary
SWD 12 string
SJ200 KOA
ES335
J45
CSL Les Paul
Gretsch Rancher
G&L ASAT Telecaster
Fender Strat
Fender Telecaster Nashville
Cort precision bass
Cort 12 string
#12
Posted 08 December 2017 - 03:16 AM
So, I went to play both guitars again and have finally made a decision. The guitar with the slightly richer midrange came home with me, but not because it was actually better (they were both so good tonally, just in slightly different ways) but because the other guitar (upon closer inspection) had some issues that may have caused very big problems later on.
Firstly, the saddle had been set low with nowhere left to go later on. If this guitar belly’s then it might need the bridge shaving or neck resetting.
Secondly, the dark wooden strip running central down the neck was protruding slightly through the lacquer and the truss was fully tightened. Again no adjustment area to go, and also a potentially disastrous neck later on.
Third, the factory installed LR Baggs was faulty.
What a shame eh? Wicked sounding guitar, riddled with issues...
#13
Posted 08 December 2017 - 05:49 AM
guitman3, on 08 December 2017 - 03:16 AM, said:
So, I went to play both guitars again and have finally made a decision. The guitar with the slightly richer midrange came home with me, but not because it was actually better (they were both so good tonally, just in slightly different ways) but because the other guitar (upon closer inspection) had some issues that may have caused very big problems later on.
Firstly, the saddle had been set low with nowhere left to go later on. If this guitar belly’s then it might need the bridge shaving or neck resetting.
Secondly, the dark wooden strip running central down the neck was protruding slightly through the lacquer and the truss was fully tightened. Again no adjustment area to go, and also a potentially disastrous neck later on.
Third, the factory installed LR Baggs was faulty.
What a shame eh? Wicked sounding guitar, riddled with issues...
it may just need to be rehydrated..
About the LR Baggs, I think Gibson would do well to move away from their electronics.
When I bought my 1st J200 the Anthem had a grounding problem. When ever the guitar moved against your body, or you moved your arm across, as you would when playing, static pops would come thru the guitar. we're talking LOUD BOOMS when plugged in. Like some one dropped a string a firecrackers in the body and put a match to them.
That went back, and was replaced..
With in a year or so, on the second J200 the preamp module had loosened up from use (the volume and blend pots) and they would vibrate in sympathy with open notes (D, A, G) and that would also get picked up and sent through the pickup system. It dove me nuts.. I ripped it out, and installed a fisman infinity instead
LR Baggs replaced the Anthem module, and I promptly sold it on EBay to recoup the cost of the fishman which I admit, didn't sound QUITE as nice as the Anthem plugged in, but at the same time the guitar sounds 1,000 times better with out that stupid vibration sound.
anyway,, just thought I'd chime in on that.
Good luck with the new addition!
#14
Posted 08 December 2017 - 07:37 AM
When I got mine - it clearly kept sounding better. I'm sure yours will too. G'Luck!
H'Bird TV 2010
J45 Custom Koa 2013
#15
Posted 08 December 2017 - 12:48 PM
That’s very interesting to hear about the LR Baggs issues. It seems that the Anthem has a great reputation for sound but a poor one for quality. I’ll keep an eye on my one, but it works fine just now. The preamp is a big old unit though and I wonder whether it affects the tone at all?
Also, interrrsting to read about the guitar I rejected possibly needing to be rehydrated. Another reason for me not to want to get involved for sure...
#16
Posted 08 December 2017 - 05:41 PM
Wonder how many guitars have been rejected for such simple things; vintage guitars that have been in a dealer's inventory for years, with ages-old strings, the top not having been vibrated, and the guitar just "went to sleep", etc.
#17
Posted 08 December 2017 - 08:43 PM
62burst, on 08 December 2017 - 05:41 PM, said:
Wonder how many guitars have been rejected for such simple things; vintage guitars that have been in a dealer's inventory for years, with ages-old strings, the top not having been vibrated, and the guitar just "went to sleep", etc.
I've been known to buy a dud and keep it in the case a couple years only opening it up to check the humidipaks and have a killer guitar afterwards
#18
Posted 09 December 2017 - 02:02 AM
The guitar I took home sounded equally as good (just with a slightly different frequency response) and had no build issues at all.
I’m very happy, and strongly advise anyone interested in any acoustic purchase to try at least 4 or 5 of the same model first, if they can. The tone, feel and build quality of J200’s varied widely in my experience with just 6 different instruments, and I’m glad I took my time with it!
Thanks:)
#19
Posted 09 December 2017 - 03:14 AM
Hydrating it just made the action higher and the top belly more. It was a build issue due to the neck angle. Thankfully my current SJ209 has no such issues, the action is low, plenty of saddle left to play with and no hydration or neck angle issues-just perfect.
You’re very right to advise shopping around, being handbuilt they are very variable instruments.
2015 SJ200 Standard
2015 Custom Shop Advanced Jumbo Maple (Ltd to 65)
2014 Custom Shop J180 Everly (Ltd to 65)
2005 Custom Shop Hummingbird 12 String (Ltd to 12)
1990 Hummingbird (Fullerplast and Paddle neck joint. Yuck...My favourite 6 string ever!)
1967 J45
2014 Epiphone IB '64 Texan
2001 Epiphone EL-00 (early L1 shape model)
2003 Takamine EAN20C
1998 Fender Classic Series '60s RI Telecaster
1998 Fender Strat Plus
#######
www.jinder.co.uk
www.facebook.com/jindermusic