Jump to content
Gibson Brands Forums

2017 SJ-200... advice needed!


guitman3

Recommended Posts

Hello everyone,

 

Here for a bit of advice if possible?

 

Having tried 6 different 2017 SJ-200’s, I've narrowed it down to 2 that are both superb, responsive, alive and balanced, just in slightly different ways!

 

The first is ever so slightly scooped in the mids sounding, with a low end that extends so deeply it’s addictive, and the guitar has a softer attack.

 

The second has excellent deep low end, but more midrange and is more even across the frequency range. This guitar has slightly more attack.

 

Both are great, but I’m wondering how J200’s age over time? Will the scooped sounding guitar develop more mids or become too boomy over time? Will the midrange rich guitar ‘mellow out’ and lose some mids over time, or will it become even stronger in that frequency?

 

Any advice or experience would be greatly appreciated.

 

Thanks everyone.

Link to comment
Share on other sites

Main difference is the sound will become softer, warmer and highly balanced. Maple is a hard wood and I would never buy a brand new maple guitar. I own a 2002 maple J-150 and a 2008 maple Dove, both sound warm, played in, responsive but also soft and well ... splendid.

Link to comment
Share on other sites

Hey, thanks for the reply! So maybe it would be better to get the guitar with the punchier midrange knowing that it will mellow (and the attack will soften) over time rather than getting a guitar that is already mellow and will only get warmer?

 

Any other opinions?

 

Thanks:)

Link to comment
Share on other sites

I bought a brand new 1998 SJ 200 and over the years it has mellowed

The sound today is much better appreciated to my ears. Of course my ears have mellowed also so........

It's been a fine guitar from new to now.

I can say it has also been fun to experience the transition from a maple tree to a guitar all these years later.

Link to comment
Share on other sites

Wow, tried six different SJ-200’s? ‘Bet that took some doing. How many of them in the same place? J/K; most shops don’t even have one laying around, let alone multiples. It also sounds like you’ve got fairly decent ear memory to try a daunting task such as comparing and remembering- I have a tough time if the subjects of the a/b of two similar guitars are more than 3 or 4 seconds apart.

 

A member here approaching 10 years- with your ability to distill tone evaluation as in the o.p., you should visit these parts more often; Big G would most likely appreciate it, too, as you’d probably sell more guitars for them as you randomly increase gas levels.

 

As far as how the sound of each of your SJ-200 contenders might age, there is much talk about how each guitar can age differently, even possibly depending on what kind of life it’s had, where it’s been kept, how it’s been played (“I once had a guitar owned by a little old lady- only played it in church on Sunday; C, F, G, etc. . . none of the devil’s music”). But surely some generalities out there I’ve seen ring true. The best wisdom I’ve read right here on these pages would say get the one that sounds best to you now- you and the guitar will both grow together.

Link to comment
Share on other sites

I can't tell you how it will sound down the road as I cannot for the life of me find my crystal ball.

 

The only way to buy a guitar is based on how it sounds in the here and now. Way too many things impacting how wood ages. do applaud you for trying as many as you did. I cannot tell you how many folks I know jumped on the first guitar they stumbled upon (which they were more often as not told by the seller was the best he had ever played) only to find one a few months later on that they liked a whole lot better.

Link to comment
Share on other sites

Hi everyone,

 

Thanks so much for your replies - they’re all helpful and appreciated!

 

Here in the south of the U.K. we have some amazing guitar stores all in close proximity to each other, so trying 6 was easy (3 different stores)... in fact I could have doubled that figure had I been interested in the sunburst models, but I really want the maple:)

 

Also, 3 of them were what I would consider poorer sounding examples. Very tight, small sounding with almost no low end for a guitar of that size. I’d read before that J200’s varied widely in tonal quality, and now I can see what everyone meant. 50% of the guitars I tried simply didn’t produce £2700 worth of quality sound, in my opinion. I guess it is luck of the draw with the wood used and how the guitar goes together. Plus, maybe those 3 would change over time in to amazing examples? Who knows?!

 

I definitely don’t have the ears of a bat, and would consider myself only an average guitar player considering my 25 years experience, but these tonal and dynamic differences in the guitars were both obvious and easy to distinguish, and I’m not laying down this kind of money without doing a bit of research and understanding as much as I can about J200’s first!

 

To be honest, if I took either of the 2 I’m interested in home with me, I’d be happy... I’ve just gotten to that annoying picky stage where they’re both really good - just in slightly different ways.

 

Poor me eh?! Ha...

Link to comment
Share on other sites

Hi everyone,

 

Thanks so much for your replies - they’re all helpful and appreciated!

 

Here in the south of the U.K. we have some amazing guitar stores all in close proximity to each other, so trying 6 was easy (3 different stores)... in fact I could have doubled that figure had I been interested in the sunburst models, but I really want the maple:)

 

Also, 3 of them were what I would consider poorer sounding examples. Very tight, small sounding with almost no low end for a guitar of that size. I’d read before that J200’s varied widely in tonal quality, and now I can see what everyone meant. 50% of the guitars I tried simply didn’t produce £2700 worth of quality sound, in my opinion. I guess it is luck of the draw with the wood used and how the guitar goes together. Plus, maybe those 3 would change over time in to amazing examples? Who knows?!

 

I definitely don’t have the ears of a bat, and would consider myself only an average guitar player considering my 25 years experience, but these tonal and dynamic differences in the guitars were both obvious and easy to distinguish, and I’m not laying down this kind of money without doing a bit of research and understanding as much as I can about J200’s first!

 

To be honest, if I took either of the 2 I’m interested in home with me, I’d be happy... I’ve just gotten to that annoying picky stage where they’re both really good - just in slightly different ways.

 

Poor me eh?! Ha...

 

I’m in the south too, whereabouts are you based? The Guitar Store in Southampton was where I bought mine last year, and my Dove too. Jamie had four SJ200s in, two 2015s and two 2016s. All of them were good but the 2015 I bought was sensational, and is even better now! I got a killer deal on it too, as it was year-old NOS.

Link to comment
Share on other sites

I’m in the south too, whereabouts are you based? The Guitar Store in Southampton was where I bought mine last year, and my Dove too. Jamie had four SJ200s in, two 2015s and two 2016s. All of them were good but the 2015 I bought was sensational, and is even better now! I got a killer deal on it too, as it was year-old NOS.

 

Wasn't sure where to stick this reply but Geography won in the end. I'm in Ashford Kent and own a 1994 Sunburst Maple, a 1994 J200-12 maple and a 2005 KOA. The KOA is perfection, the SB has really bedded in but perversely the 12 string still feels tight.

 

I am with EA in that I wouldn't go for a new maple, but then I wouldn't go for a new Gibson from choice preferring someone else to do all the hard work -:)

 

Having said that Jinder really rates his 2015 so I am sure that great new guitars exist

 

Good luck with your quest

Link to comment
Share on other sites

I’m actually in the depths of Surrey, so close enough to Anderton’s, Guitar Guitar, Guitar Village and GAK! Very lucky for guitar stores in these parts.

 

So, I went to play both guitars again and have finally made a decision. The guitar with the slightly richer midrange came home with me, but not because it was actually better (they were both so good tonally, just in slightly different ways) but because the other guitar (upon closer inspection) had some issues that may have caused very big problems later on.

 

Firstly, the saddle had been set low with nowhere left to go later on. If this guitar belly’s then it might need the bridge shaving or neck resetting.

 

Secondly, the dark wooden strip running central down the neck was protruding slightly through the lacquer and the truss was fully tightened. Again no adjustment area to go, and also a potentially disastrous neck later on.

 

Third, the factory installed LR Baggs was faulty.

 

What a shame eh? Wicked sounding guitar, riddled with issues...

Link to comment
Share on other sites

I’m actually in the depths of Surrey, so close enough to Anderton’s, Guitar Guitar, Guitar Village and GAK! Very lucky for guitar stores in these parts.

 

So, I went to play both guitars again and have finally made a decision. The guitar with the slightly richer midrange came home with me, but not because it was actually better (they were both so good tonally, just in slightly different ways) but because the other guitar (upon closer inspection) had some issues that may have caused very big problems later on.

 

Firstly, the saddle had been set low with nowhere left to go later on. If this guitar belly’s then it might need the bridge shaving or neck resetting.

 

Secondly, the dark wooden strip running central down the neck was protruding slightly through the lacquer and the truss was fully tightened. Again no adjustment area to go, and also a potentially disastrous neck later on.

 

Third, the factory installed LR Baggs was faulty.

 

What a shame eh? Wicked sounding guitar, riddled with issues...

 

it may just need to be rehydrated..

 

About the LR Baggs, I think Gibson would do well to move away from their electronics.

 

When I bought my 1st J200 the Anthem had a grounding problem. When ever the guitar moved against your body, or you moved your arm across, as you would when playing, static pops would come thru the guitar. we're talking LOUD BOOMS when plugged in. Like some one dropped a string a firecrackers in the body and put a match to them.

 

That went back, and was replaced..

 

With in a year or so, on the second J200 the preamp module had loosened up from use (the volume and blend pots) and they would vibrate in sympathy with open notes (D, A, G) and that would also get picked up and sent through the pickup system. It dove me nuts.. I ripped it out, and installed a fisman infinity instead

 

LR Baggs replaced the Anthem module, and I promptly sold it on EBay to recoup the cost of the fishman which I admit, didn't sound QUITE as nice as the Anthem plugged in, but at the same time the guitar sounds 1,000 times better with out that stupid vibration sound.

 

anyway,, just thought I'd chime in on that.

 

Good luck with the new addition!

Link to comment
Share on other sites

Hope you can pace yourself - when I got mine, I got carried away and got blisters under my callouses! You'll surely fall in love with it - and if it's your first Gibson, it will become your "First Love" !

When I got mine - it clearly kept sounding better. I'm sure yours will too. G'Luck!

Link to comment
Share on other sites

Thanks everyone, really appreciate the replies and advice. Fantastic!

 

That’s very interesting to hear about the LR Baggs issues. It seems that the Anthem has a great reputation for sound but a poor one for quality. I’ll keep an eye on my one, but it works fine just now. The preamp is a big old unit though and I wonder whether it affects the tone at all?

 

Also, interrrsting to read about the guitar I rejected possibly needing to be rehydrated. Another reason for me not to want to get involved for sure...

Link to comment
Share on other sites

Guitman- 40Yrs might not have been saying that hydration issues would be a reason to reject a guitar that's being considered, as much as he might be suggesting that the SJ-200 in question wasn't able to represent itself as good as it could due to something simple, such as old strings, or under-humidification, which would cause the top to sink down, resulting in action that would not be ideal for the guitar's best tone.

 

Wonder how many guitars have been rejected for such simple things; vintage guitars that have been in a dealer's inventory for years, with ages-old strings, the top not having been vibrated, and the guitar just "went to sleep", etc.

Link to comment
Share on other sites

Guitman- 40Yrs might not have been saying that hydration issues would be a reason to reject a guitar that's being considered, as much as he might be suggesting that the SJ-200 in question wasn't able to represent itself as good as it could due to something simple, such as old strings, or under-humidification, which would cause the top to sink down, resulting in action that would not be ideal for the guitar's best tone.

 

Wonder how many guitars have been rejected for such simple things; vintage guitars that have been in a dealer's inventory for years, with ages-old strings, the top not having been vibrated, and the guitar just "went to sleep", etc.

 

I've been known to buy a dud and keep it in the case a couple years only opening it up to check the humidipaks and have a killer guitar afterwards

Link to comment
Share on other sites

Ah no, the top had ‘bellied up’ so the saddle is what had been lowered to an extreme in an attempt to try and compensate and get the action down. The strings were brand new. It actually sounded great, but there’s no way I could take it home not knowing what state it was likely to end up in, especially with the back of the neck having a protruding lamination. None of us have a crystal ball and know how a guitar might end up, but personally I could never buy a brand new guitar in that condition.

 

The guitar I took home sounded equally as good (just with a slightly different frequency response) and had no build issues at all.

 

I’m very happy, and strongly advise anyone interested in any acoustic purchase to try at least 4 or 5 of the same model first, if they can. The tone, feel and build quality of J200’s varied widely in my experience with just 6 different instruments, and I’m glad I took my time with it!

 

Thanks:)

Link to comment
Share on other sites

A wise choice. My first SJ200 (a 2003, my main stage guitar for eight years and much loved) had most of the problems you mentioned in the one you rejected. It was a learning experience...underset neck, very little saddle, a little neck twist and nowhere to go action wise. It played and sounded great, but all the issues made any action adjustments/setups very costly (fretboard planing, compression fretting, bridge shaving, neck resets).

 

Hydrating it just made the action higher and the top belly more. It was a build issue due to the neck angle. Thankfully my current SJ209 has no such issues, the action is low, plenty of saddle left to play with and no hydration or neck angle issues-just perfect.

 

You’re very right to advise shopping around, being handbuilt they are very variable instruments.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

×
×
  • Create New...