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H & D...


Jim Wilson

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I notice that Huss & Dalton offer a Slope. I wonder how it compares to the standard Gibson J45. Who has had some picking time on the H & D?

 

Be advised, Jim...H&D's are *addicting*...I chose one of their smaller bodies-Crossroads-, outstanding!eusa_clap.gif Did an A/B with my BluesKing and decided it was time to get the H&D.

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Lovely guitars, brilliant build quality and consistency. Tonally they’re a bit too “clean” and “hi-fi” for my tastes though. Just a personal thing...sonically they’re like the lovechild of a vintage Martin and a high end Taylor.

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Played two that I recall and know a gal who has one. Initially, when I first had contact with them back around 2000 I thought they were the lightest guitars I'd ever played. Kind of made me doubtful about getting one and taking it to gigs. Sound-wise they were superb. They resonated. Similar to how I view my Dove. Since those early years, I now find Gibson and Martin also making very lightweight guitars. My Koa AJ is light-as-hell. Also very sturdy and has taken-away my concerns about a very lightweight guitar.....Not looking for a Huss & Dalton, but if one came along that I really liked and the price was decent, I just might. Top notch instruments.

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I notice that Huss & Dalton offer a Slope. I wonder how it compares to the standard Gibson J45. Who has had some picking time on the H & D?

 

 

Lovely guitars, brilliant build quality and consistency. Tonally they’re a bit too “clean” and “hi-fi” for my tastes though. Just a personal thing...sonically they’re like the lovechild of a vintage Martin and a high end Taylor.

 

Don't be fooled by the looks. I own and H&D DS-12 Custom slope and a Gibson J-45 Banner reissue and have played multiple several other 14 ftret H&D slopes and various j-45's. From my experiences you would be hard pressed to find two more tonally differing guitars. To me the J-45 is woody, thumpy and characterised by a thick mid-range, a dry fundamental tone and quick note decay. The H&D is a much more polished beast.

 

Like others have said they are incredibly light and resonate for days. Even though mine is mahogany it almost sounds like a rosewood guitar its so lush and creates a lot of overtones. To me the H&D slopes make wonderful fingerstyle and fingerpicking instruments (for folk but not blues) but are not that great for strumming or single line runs due to the sustain. My H&D is deep, dark and lush with great clarity. The crossroads versions are slightly more in the Gibson vein but still very far from the oringinal. Both oustanding instruments and I love both guitars but do not play the same pieces on them.

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Like others have said they are incredibly light and resonate for days. Even though mine is mahogany it almost sounds like a rosewood guitar its so lush and creates a lot of overtones. To me the H&D slopes make wonderful fingerstyle and fingerpicking instruments (for folk but not blues) but are not that great for strumming or single line runs due to the sustain. My H&D is deep, dark and lush with great clarity. The crossroads versions are slightly more in the Gibson vein but still very far from the oringinal. Both oustanding instruments and I love both guitars but do not play the same pieces on them.

 

Like some owners say..."ain't no one trick pony". The standard CrossRoads can come very close to a 30's Gibby with monels or D'addario nickels.

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