jsghome Posted March 29, 2009 Share Posted March 29, 2009 GILLIAN WELCH AND DAVID RAWLINGS Gillian Welch’s main guitar is a ca. 1956 Gibson J-50 with a factory-installed adjustable bridge. "It’s pretty much just like a J-45," she says. "It’s blond, and it’s got a big ugly pickguard on it." A couple of years ago, she picked up a five-string Vega Senator banjo, which she’s specially modified "with a little bit of bubble wrap shoved under the head." David Rawlings gets his signature, midrangey guitar sound from a 1935 Epiphone Olympic archtop with a carved top and plywood mahogany back and sides. He likens its sound to that of a resophonic guitar. "I bought it without a bridge," he says, "and had a one-piece mahogany bridge made for it. I think with a top this small it really behooves you to get as much stuff touching the top as you can, because the top doesn’t have that much flex to it." He says his guitar is unique in that every note on every string plays at the same volume. "It doesn’t have any dead spots or any high spots—which is very, very strange," he says. "It makes it fun to play lead, because you don’t have to worry where you’re at. It’s not much of a solo instrument, but I can’t really play by myself worth a darn, so it doesn’t make much of a difference." Welch and Rawlings switched their stage amplification rig in 1996 from pickups and DIs to external microphones. Rawlings explains that the change has made setting up for shows easier, although they do need to be a bit more hands-on during setup than they used to be. "We carry Shure SM-58s and SM-57s," Welch says. "Fancy microphones can be very difficult. The one thing that’s nice about the Shures is that their quality control is low enough that they are all different. They’re like snowflakes. If we carry a complement of eight microphones, we can go into a hall and find the right one for the room and the system. We play the microphone game; we swap them out." "And it’s easy to control volume by changing the proximity to the mics," Rawlings adds. Link to comment Share on other sites More sharing options...
Gilliangirl Posted March 29, 2009 Share Posted March 29, 2009 ......but I can’t really play by myself worth a darn..... Yeah, right. Who is he trying to kid? The guy's amazing! They do complement each other so well. I hope I get to see them play live someday. It's on my bucket list. Thanks for the info, Jsg! Link to comment Share on other sites More sharing options...
Rambler Posted March 30, 2009 Share Posted March 30, 2009 "I can’t really play by myself worth a darn" True, in way way. He essentially plays electric lead on that thing. And grimaces like Bruuuuce. Link to comment Share on other sites More sharing options...
Taylor Player Posted March 30, 2009 Share Posted March 30, 2009 My 14 year old daughter likes the way he "Dances" when he plays. I personally love the way his guitar adds to Gillians playing and singing. Link to comment Share on other sites More sharing options...
rustystrings Posted March 30, 2009 Share Posted March 30, 2009 One of the VERY best shows I ever caught was when they played the Handlebar in Greenville, SC several years back. A storm had knocked out the power, so they played the first half of the show in pure acoustic mode, totally focused. The (small but packed and reverential) house was utterly silent, early summer evening light coming in through the huge old windows - just exquisite. When the power came back on, they chased us all out, finished setting up, and then we all trooped back in for a more standard show. It was top notch then, but it wasn't as intense as the totally unplugged first half had been. Link to comment Share on other sites More sharing options...
Doc Posted March 30, 2009 Share Posted March 30, 2009 Such an amazing show. These two are the peanut butter and chocolate of Americana. Love their music. Gillain's first record changes my life. It opened my mind to different approaches to songwriting. Link to comment Share on other sites More sharing options...
Hoyt Posted March 30, 2009 Share Posted March 30, 2009 Saw them in a big old 1920s movie theater in Atlanta about a year ago, "opening" for Bright Eyes (or something like that). Jeeeeez Welch and Rawlings were great. In that old hall, the big Gibson was beautiful and full. The vocals really were like angels singing. Welch even commented how great it sounded in there. Most of the folks came for the headliner. Many around us asked who the two were? But even the uninitiated were impressed with the singing and guitars (and a few songs with banjo). Bright Eyes were good. But after three or four songs, it was an early exit for us old folks. Link to comment Share on other sites More sharing options...
Hoss Posted March 30, 2009 Share Posted March 30, 2009 I've seen them once-- David is a terrific guitarist. What I find interesting is that suddenly, this el-cheapo archtop model he uses is unavailable. If one turns up, it's already sold- and for a good price! Link to comment Share on other sites More sharing options...
asmith9509 Posted March 30, 2009 Share Posted March 30, 2009 Gillian's guitar sounds great- who says that the adjustable bridge J45/J50's don't have tone? Not wild about David's sound... just not an archtop guy I guess. I do like the approach of just mic'ing the guitars. Interesting comments from David about Shure 57's/58's... I have a whole box of them and any one is just like the next. I wouldn't usually use one for live mic'ing a guitar, but it seems to serve the purpose well. Link to comment Share on other sites More sharing options...
onewilyfool Posted March 30, 2009 Share Posted March 30, 2009 I wonder if they get paid the same for a concert? I mean, she's the headliner, but do they split the pot???? Link to comment Share on other sites More sharing options...
jsghome Posted March 30, 2009 Author Share Posted March 30, 2009 I've seen them once-- David is a terrific guitarist. What I find interesting is that suddenly' date=' this el-cheapo archtop model he uses is unavailable. If one turns up, it's already sold- and for a good price![/quote'] Just for example, here's one for only $2K http://cgi.ebay.com/1944-Epiphone-Zenith-Acoustic-Archtop-Near-Mint_W0QQitemZ260382715721QQcmdZViewItemQQptZGuitar?hash=item260382715721&_trksid=p3286.c0.m14&_trkparms=72%3A1205%7C66%3A2%7C65%3A12%7C39%3A1%7C240%3A1308%7C301%3A1%7C293%3A1%7C294%3A50 Link to comment Share on other sites More sharing options...
rscott4079 Posted March 30, 2009 Share Posted March 30, 2009 That's a 40's large body. His little Olympic is a small bodied 1934 model I believe. 13 5/8 inch across the bout I believe. Link to comment Share on other sites More sharing options...
Hoss Posted March 30, 2009 Share Posted March 30, 2009 Just for example, here's one for only $2K Sort of my Point--- this is/was a $650 guitar before Rawlings. I know someone who sells archtops on line, and he says these old cheap Epis have mostly disappeared- or tripled in price. Link to comment Share on other sites More sharing options...
Gilliangirl Posted March 30, 2009 Share Posted March 30, 2009 Good to see you again, OWF! Another thing that Gil and Dave have popularized is that vintage tweed case they carry to their shows. These things used to sell on eBay for $35.00 tops. Now, you're lucky if you can buy one for $$280.00! If you've got one of these in your attic or basement, you're smart to sell it on eBay right now..... Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.