Strings - Nut - Saddle - Pins - They are essential to TONE! Lets discuss the different brands and materials
#81
Posted 12 January 2013 - 08:27 PM
The saddle is a crucial link in the chain, the vibrations that drive the top pass directly through it. Assuming the nut is set up correctly for ease of play, it can only affect tone on open strings, and in my opinion the goal here is to match the tone of a fretted note. Nothing wrong with bone here, but composits can do a pretty good job here too. as for bridge pins, I believed for a long time that harder pins and more mass gave better sustain. it still makes sense to me to think more mass will have a drastic impact on tone-volume-sustain. But in my actual experience, not so much. I used brass pins for a long time on my dread, then someone told me that plastic pins would have less of a damping effect because they are lighter. I bought a set, and changed them last time I changed strings. I do not believe I could actually tell you the difference by sound alone. But then, I know this is not popular to admit.
All American II 1997
Ramirez R2 2006
#82
Posted 13 January 2013 - 11:33 AM
sboiir, on 26 December 2011 - 05:41 PM, said:

I would love to try a saddle out of this stuff on my classical. It sure looks beautiful.
All American II 1997
Ramirez R2 2006
#83
Posted 29 January 2013 - 01:54 AM
#84
Posted 12 February 2013 - 05:25 AM
gijs, on 04 January 2011 - 04:16 PM, said:
Any thoughts on that or experience in changing to bone on standard Birds?
Absolutely LOVE bone on my old 60s bird, brightens her up just right, can't speak for a newer one though, worth a try!?
#86
Posted 23 February 2013 - 02:00 PM
#87
Posted 24 February 2013 - 06:14 AM
ThemisSal, on 23 February 2013 - 02:00 PM, said:
Yep.
The Murph Channel
http://www.youtube.c...XH9qn-xLKCv4WOg
'03 J45 RW (ebony board/bridge)
1933 A-00 Mandolin (was Scotty Stonemans)
'07 Custom Shop ES-339
'08 Wine Red Studio Les Paul
'61 Double Cut Twin Pickup Melody Maker
'79 "The" SG
'91 American Tri-burst Tele
'00 Mexican Jazz Bass
Deering Goodtime banger
#88
Posted 09 March 2013 - 10:27 PM
https://www.youtube....iew=1&flow=grid
#89
Posted 12 March 2013 - 09:48 PM
onewilyfool, on 31 December 2010 - 04:24 PM, said:
Preaching to the choir....apparently I am related to the creatures in Alien as my pores exude corrosion causing enzymes.
2011 Gibson LP Traditional Honeyburst
2003 Larrivee L03RE
#90
Posted 26 March 2013 - 12:12 PM
I want to change the saddle ideally, its really sloppy in the slot and I have packed it so it sits vertically, but its a poor contact with the bridge and pick up I think as the volume seems well down.
So, it all original apart from the fishman and ideally I would like to order a saddle replacement that I can pretty much fit in after adjusting the height. I live in the UK so its not as easy as ordering from the usual excelent suppliers you guys have. Any thoughts on a new saddle and pins?
Also, I ahve been using 11's for quite a while, but they do lack power so I have changed them for some 12's until I get the saddle sorted. Any recomendations? Its sounds as dull as ditch water with Phoshor Bronze so I am looking to brighten it up a bit, I have 80/20 Martins in for now.
Any thoughts would be most welcome, I do play live quite a bit and I love the original tone of the Blues King, it always attracts comments but I am sure can sound a whole lot better.
Thanks
#91
Posted 31 March 2013 - 12:22 PM
stratplayer10, on 26 March 2013 - 12:12 PM, said:
I want to change the saddle ideally, its really sloppy in the slot and I have packed it so it sits vertically, but its a poor contact with the bridge and pick up I think as the volume seems well down.
So, it all original apart from the fishman and ideally I would like to order a saddle replacement that I can pretty much fit in after adjusting the height. I live in the UK so its not as easy as ordering from the usual excelent suppliers you guys have. Any thoughts on a new saddle and pins?
Also, I ahve been using 11's for quite a while, but they do lack power so I have changed them for some 12's until I get the saddle sorted. Any recomendations? Its sounds as dull as ditch water with Phoshor Bronze so I am looking to brighten it up a bit, I have 80/20 Martins in for now.
Any thoughts would be most welcome, I do play live quite a bit and I love the original tone of the Blues King, it always attracts comments but I am sure can sound a whole lot better.
Thanks
Hi and welcome. Try Bob Colosi for the pins and saddle. I think there is a link in the very first post of this thread. As many others here I am a big fan of bone for pins and saddle for enhancing tone. Bob is a real nice guy as well as helpful. You may have to do a little fitting but it's simple and well worth the time. Good Luck.
#92
Posted 09 May 2013 - 06:48 PM
EuroAussie, on 01 January 2011 - 05:22 AM, said:
Couple things i would add:
1) I find mediums work great on mahogany b/s dreads as they bring out the natural woody richness of the tone, while 12's are better for rosewood b/s guitars. I found 13's on rosewood dreads in particular chokes the sound.
I prefer non coated strings and i always put a new set of strings before a gig, hence it makes sense to use non coated ones as i reagularly change them. I just find its easier to play with new strings, and as I use DR Sunbeams they have a warm tone straight off the bat so dont have to worry about new string zip'.
Bone pins /saddle - Ive plaed Colossi bone pins / saddles in all my main 3 guitars and yes, i do hear a genuine difference. Its subtle but there, all for the better
Guitar picks - this is probably to me the one thing that can change the tone of a guitar more than anything. Its also the cheapest 'modification'. Thicker picks bring a really different tone compared to lighter ones. Its worth experimenting. Personally i tried numerous picks but i alway come back to the Orange Tortex picks, but if i play a track where there is a lot flat picking i gravitate to a thicker pick, as it makes picking really a lot easier.
OK, thats my 7cents worth.
cheers.
Always wondered about string gage. I have heard many folks say that size of the instrument has a lot to do with sting gage preference...and that the larger the instrument the greater the tension/gage in order to move the top. Nevertheless, I believe I will try some lights on my rosewoods and see if there is a difference. Right now I have all dreads, and they all have mediums/aj17 coated d'addarrios.

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