490R Humbucker, 498T Humbucker or Burstbucker Pro Humbuckers?
#1
Posted 11 April 2012 - 07:47 AM
I'm sure this is a question that has been asked many times before but here goes anyhow. What is the main differences between the 490R Humbucker/498T Humbuckers and the Burstbucker Pro Humbuckers? I would love to hear facts and opinions on the differences in the sound produced and the quality of the two products.
Thanks in advance.
#2
Posted 11 April 2012 - 08:00 AM
2010 Gibson LP Studio 50's Tribute GT - 2011 Gibson LP Classic Custom AN - 1978 Gibson LP Recording WB
2010 Fender FSR Standard Ash Telecaster Butterscotch Blonde (Baja modded)
Böhm-Regent amplification
VOX Wah V845 - Ibanez effects - Zoom MS-50G - Stereo Tremolo Pan
#3
Posted 11 April 2012 - 08:03 AM
aquat26, on 11 April 2012 - 07:47 AM, said:
I'm sure this is a question that has been asked many times before but here goes anyhow. What is the main differences between the 490R Humbucker/498T Humbuckers and the Burstbucker Pro Humbuckers? I would love to hear facts and opinions on the differences in the sound produced and the quality of the two products.
Thanks in advance.
Burst Bucker Pros (Previously known as BB5's) are the brightest Pickups gibson make, the other pro is they make the least Hum out of any pickup
490/498's are designed for METAL/ROCK and produces more lower range bite, these are the most common pickup used by Gibson and is especially used in SG's & "Designer" Guitars

Gibson Les Paul Studio GT Joe Bonamassa (Signed) Standard 08 DB Joe Bonamassa (Signed)
Traditional DB Gary Moore (PG Mod) / HCS Gary Moore #2
Epiphone Flying V 58 AW | Chapman Guitars ML-1 ASB
Fender Mustang 69 MH CAR | Jazz Bass 50th Anniversary 62 3TB (Japan)
#4
Posted 11 April 2012 - 09:41 AM

"If you don't stand for something, You'll fall for anything"
#5
Posted 11 April 2012 - 10:36 AM
I should note ultimately I had to swap out the volume pots and added a treble bleed circuit. The stock pots and wiring didn't seem to be all that compatible with the Duncan pickups, too much high end loss, and too steep a roll off on the volume. After I had completed the replacing of the pots, and installed the TB circuit, that axe is a tonal killing machine now. Maybe the Duncan pickups would work for you? I LOVE the sound of my 95 with the stock 490/498s but when it comes to how the 02 sounded then and now, I'd definitely do it again!
#6
Posted 11 April 2012 - 03:24 PM
btoth76, on 11 April 2012 - 08:00 AM, said:
Thanks for that. This might be a silly question but which would you recommend for playing blues or jazz style tunes? Thanks once again.
#7
Posted 11 April 2012 - 03:31 PM
aquat26, on 11 April 2012 - 03:24 PM, said:
For Blues & Jazz you could use anything but mellow pickups are usually the best and these are 57 Classics

Gibson Les Paul Studio GT Joe Bonamassa (Signed) Standard 08 DB Joe Bonamassa (Signed)
Traditional DB Gary Moore (PG Mod) / HCS Gary Moore #2
Epiphone Flying V 58 AW | Chapman Guitars ML-1 ASB
Fender Mustang 69 MH CAR | Jazz Bass 50th Anniversary 62 3TB (Japan)
#8
Posted 11 April 2012 - 07:00 PM
#9
Posted 12 April 2012 - 01:14 AM
aquat26, on 11 April 2012 - 03:24 PM, said:
Hello Aquat26! You are welcome! I completely agree with Gary Moore Tribute and Dg77. The '57 Classics are great for those styles. Cheers... Bence
2010 Gibson LP Studio 50's Tribute GT - 2011 Gibson LP Classic Custom AN - 1978 Gibson LP Recording WB
2010 Fender FSR Standard Ash Telecaster Butterscotch Blonde (Baja modded)
Böhm-Regent amplification
VOX Wah V845 - Ibanez effects - Zoom MS-50G - Stereo Tremolo Pan
#10
Posted 12 April 2012 - 06:17 AM
btoth76, on 11 April 2012 - 08:00 AM, said:
Checkout the gibson site, store, pickups for details. The 490 and 498 do not have ceramic mags, the 490 is alnico II and the 498 is alnico V. The 490 is close to a vintage style pu, the 498 is a very fat sounding pu, plenty of mids and high output. The BB also has a alnico V mag for increased output and a mid bump compared to a 57 a very clear pu.
Gibson Angus Young SG Ebony (57 & Angus Young)
Gibson SG Standard LTD Robot Metallic Green (490R & 498T)
Gibson SG 61 RI Heritage Cherry (57 & 57)
Gibson SG 61 RI Satin Ebony (SD Chrome Blackouts)
Gibson SG Diablo Premium Plus Ice Tea (BB pro's)
Gibson SG Standard Honey Burst Coil-Splitting (BB1 & BB3)
Gibson SG Standard 24 AMS Limited Edition Ebony (Firebird X Mini & Dirty Fingers)
Gibson 50th Anniversary Pete Townshend SG Alpine White (P90 & P90)
Gibson SG Classic P90's Heritage Cherry (P90 & P90)
Gibson Melody Maker SG Satin Blue (491T)
Gibson Les Paul Traditional PRO Wine Red (57 & 57)
Gibson Les Paul Studio LTD Robot Metallic Green (490R & 498T)
Washburn IDOL WI64
Brownsville IS700
Angelica 940 Acoustic
Brownsville BatFlame Bass
Laguna LAB5CEBUB Acoustic Bass
Marshall Vintage Modern 2 x 12 50 watt combo 2266CB
Marshall JCM2000 TSL601 2 x 12 60 watt combo
Marshall JCM2000 DSL40C 1 x 12 40 watt combo
Marshall JMP-1C (1 watt combo)
Marshall Class 5H
Marshall TSLC212 2x12 extention cab Marshall/Celestion Heritage and Vintage
Marshall 425A 4x12 G12C's (Jimi Hendrix special greenbacks)
VHT Special 6 Ultra 12" Combo
Digitech RP1000
THD Yellow Jackets converters with EL84's (converts any Class AB amp to Class A)
#11
Posted 12 April 2012 - 06:38 AM
aquat26, on 11 April 2012 - 03:24 PM, said:
Not a silly question. I chose the Seymour Duncan SH2 jazz neck & the SH4 JB bridge & I'm very satisfied w/the cleans & overdrive tones I'm getting. The JB is actually higher output though. Other manufacturers have similar products. I'd say look for something w/vintage or PAF design in mind. My main complaint w/my 490r was that it didn't clean up as much as I wanted. Still, I wouldn't call it a bad PUP. Good luck.
#12
Posted 12 April 2012 - 07:03 AM

"If you don't stand for something, You'll fall for anything"
#13
Posted 12 April 2012 - 08:28 AM
RUSHian, on 12 April 2012 - 07:03 AM, said:
Pro's are a little brighter than BB3 (As I said they used to be called "Burst Bucker 5's)

Gibson Les Paul Studio GT Joe Bonamassa (Signed) Standard 08 DB Joe Bonamassa (Signed)
Traditional DB Gary Moore (PG Mod) / HCS Gary Moore #2
Epiphone Flying V 58 AW | Chapman Guitars ML-1 ASB
Fender Mustang 69 MH CAR | Jazz Bass 50th Anniversary 62 3TB (Japan)
#14
Posted 12 April 2012 - 11:27 AM
490's-500's are rock out chugging machines but they cool right down for very good clean picking/strumming for blues/jazz for my taste. I've always found that the diff pickups would make me change my settings on the amp anyway so..... Whatever sounds good to you ears.. Check em out at your shop through a nice clean amp. Take home what sounds good to you.
#15
Posted 12 April 2012 - 12:22 PM
BBs will give the more authentic PAF tones (that I've heard described as being sparkly) because of the mismatched windings but I believe they are not wax potted so can be prone to squeal.
What I'm not sure about is how BB pros and their features compare to regular BBs and other Gibson pups other than that they're hotter.
What I will say is that all Gibson pups are great. If you want all round versatility and value go for 490R & 490T or 490R & 498T; if you want high gain go for 490R & 498T, 496R & 500T, BB Pros or BB2 & BB3; and if you like jazz, blues and classic rock go for 490R & 490T, '57 & '57 plus or BB1 & BB2.
Alan
Guitars:
Yamaha SE350; Gibson SG Faded; Epiphone Wildkat; Charvel USA Pro San Dimas Style 1 -2H; Gibson Les Paul Studio '50s Tribute Humbuckers; Ibanez RG 1570 Prestige; Peavey Millenium BXP4 bass
Sold:
Epiphone Les Paul Standard Plus with JB and Jazz; Epiphone Les Paul Studio Deluxe with 490R and 490T; Kramer Pacer Classic 2010
Amps:
Peavey Royal 8 Valve King; Peavey Backstage 50; Ashdown Tourbus 10W bass amp; Zoom H4 recorder/effects
Pedals:
Digitech Bad Monkey (Overdrive); EH Pocket Metal Muff Nano (Distortion); Marshall Regenerator (Modulation); MXR Carbon Copy (Delay); Artec SE-GEQ (EQ/Tuner)
Sound clip: http://soundcloud.co...nhgtr1/alankob2
Video: http://www.youtube.c...h?v=c9rI5yP4v_k
Club: http://forum.gibson....ker-model-club/
Reviews: Wildkat; Pacer Classic
Useful restringing vid I found: http://www.youtube.c...B&v=Oclc4MHWbzw
.......
#16
Posted 12 April 2012 - 02:38 PM
btoth76, on 11 April 2012 - 08:00 AM, said:
I am pretty shocked nobody has corrected this post.. .or maybe I didn't read the thread good enough..
490's are not ceramic.... They have alnico magnets...
#17
Posted 12 April 2012 - 02:41 PM
aquat26, on 11 April 2012 - 03:24 PM, said:
Not a silly question... for jazz, you will almost certainly be using the neck pickup... 490R makes an excellent jazz pickup.. but the burstbucker pro is good too...
490R IMHO sounds exactly like a 57 classic, so I would go with the 490R... But if it were me, I would say it doesnt matter...
#18
Posted 12 April 2012 - 03:00 PM
CajunBlues, on 12 April 2012 - 02:38 PM, said:
490's are not ceramic.... They have alnico magnets...
Was corrected in post #10 above by DiamondJig
Alan
Guitars:
Yamaha SE350; Gibson SG Faded; Epiphone Wildkat; Charvel USA Pro San Dimas Style 1 -2H; Gibson Les Paul Studio '50s Tribute Humbuckers; Ibanez RG 1570 Prestige; Peavey Millenium BXP4 bass
Sold:
Epiphone Les Paul Standard Plus with JB and Jazz; Epiphone Les Paul Studio Deluxe with 490R and 490T; Kramer Pacer Classic 2010
Amps:
Peavey Royal 8 Valve King; Peavey Backstage 50; Ashdown Tourbus 10W bass amp; Zoom H4 recorder/effects
Pedals:
Digitech Bad Monkey (Overdrive); EH Pocket Metal Muff Nano (Distortion); Marshall Regenerator (Modulation); MXR Carbon Copy (Delay); Artec SE-GEQ (EQ/Tuner)
Sound clip: http://soundcloud.co...nhgtr1/alankob2
Video: http://www.youtube.c...h?v=c9rI5yP4v_k
Club: http://forum.gibson....ker-model-club/
Reviews: Wildkat; Pacer Classic
Useful restringing vid I found: http://www.youtube.c...B&v=Oclc4MHWbzw
.......
#19
Posted 12 April 2012 - 03:02 PM
AlanH, on 12 April 2012 - 03:00 PM, said:
Thanks, Ive been staring at the computer screen all day at work... Just too lazy to read through all threads...
#20
Posted 12 April 2012 - 04:08 PM
aquat26, on 11 April 2012 - 07:47 AM, said:
I'm sure this is a question that has been asked many times before but here goes anyhow. What is the main differences between the 490R Humbucker/498T Humbuckers and the Burstbucker Pro Humbuckers? I would love to hear facts and opinions on the differences in the sound produced and the quality of the two products.
Thanks in advance.
I would say Burstbucker pros are more 'powerfull' and edgy, very cool for hi gain, but, on clean sound, the are a bit to bright in my opinion, especially the bridge pick up. On the other hand, the 490/498 are a bit more 'flat' but more versatile, less edgy. Personanly, I prefer the Burstbucker pros. I mean, bending a note on a distorsion set up with the neck pick up is amazing. They are very responsive.
... english is not my main language so excuse me if the terms I use are not precise enough.
Hope I helped though !
Nicolas
'93 Gibson Les Paul Standard vintage sunburst (good ol' LP with sustain for days)
'09 Gibson Les Paul Standard desert burst (that neck pick up is a beast)
'11 Gibson Les Paul Studio Joe Bonamassa signature (I think it's the one)
Carvin Bolt Plus (well I love you too...)
and how freakin' much does a EDS-1275 cost again... ?
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Guild Jumbo acoustic
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Marshall JVM210H + 1936 2x12'' cab
Line 6 Spider III amplifier
Boss CE-2 Chorus
Boss floor tuner
Boss volume pedal

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