How does a Guild F-50 differ from a J-200 ?
#1
Posted 13 April 2012 - 08:57 AM
Anybody have much experience ?
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#2
Posted 13 April 2012 - 09:33 AM
EuroAussie, on 13 April 2012 - 08:57 AM, said:
Anybody have much experience ?
In the late '70s & early '80s, I was very impressed with the Guild line-up. Re the F-50, there were two models: the rosewood version with a traditionally braced back & sides, and then the maple version with a laminated & arched back. The arched backs seemed to be pretty punchy & had good balance, which I preferred to the generally darker tone of rosewood. As for the more recent models made by Fender, I'm not familiar with them, but would hope they'd be in the same ballpark.
'02 J45 Rosewood / '02 SG Faded-moon / '06 ES 335 / '09 ES 339 / '10 ES 330L
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#3
Posted 13 April 2012 - 10:58 AM
#4
Posted 13 April 2012 - 11:05 AM
In my opinion, Guilds made before Fender snapped 'em up (I do not have enough experience with Fender-made versions to say anything) are the most undervalued guitars out there. They were incredibly well built, just sound great, and never suffered through the "dark ages" that affliced both Gibson and Fender.
The thing I remember most about the rosewood body F-50 was the low end. This thing had some serious bass - more in your face than my J-200 and bordering on the legendary Martin boominess. I may be wrog but I recall hearing or reading that the boominess of the rosewood body was the reason Gibson switched to the maple.
The maple body Guild came off somewhat brighter sounding than my Gibson and was probably a bit more detailed or defined sounding especially when playing up the board. I would say the maple body Guild had a bit more punch or snap to it than either the rosewood version of the Gibson. I preferred the balance of the J-200 over either of the Guilds though. Overall I would say the Gibson sounded drier and just really well rounded. There is just something about the deep full sound that comes out of the Gibson which sets it apart from all other jumbos. The J-200 is the one that has remained with me down the years.
"I play so rough - I stomp 'em - I don't peddle 'em"
Bukka White
#5
Posted 13 April 2012 - 11:09 AM
When Guild was born in New York alot of of skilled craftsman from Epiphone who had no job went to work for guild.
so they probably came up with a way to build the guitar heavy but not at the cost of the tone.
I've heard great thing about 70's and 80's guilds. the ones made in the early 90's I;ve heard are decent too.
JC
2007 True Vintage SJ 200 (Andrea)
2011 Hummingbird TV
#6
Posted 13 April 2012 - 11:31 AM
If you are interested shoot me a PM with a good email address, and I can go through my archives and try to dig up some recordings to email you. Not sure what program you use, but all of my recordings are done in Sonar 8.5.
Concerning the maple F-50, I will say that I saw both on the same stage back at the beginning of the year, and I don't remember hearing a discernible difference between the two, and I will qualify that by saying I was at least 3 Jack and Cokes deep which very well have influenced my hearing at that point
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2008 Carvin SH 550
2010 Fender Deluxe Player's Stratocaster
2011 Epiphone P-93 Riviera
20?? Epiphone Les Paul (maybe a fake, but it plays good and sounds nice)
#7
Posted 14 April 2012 - 04:34 AM
Besides, the Guilds made in New Hartford, have a very impressive build quality.

2011 Doves In Flight Custom Shop
#8
Posted 14 April 2012 - 05:59 AM
Woodrow WIlson Guthrie.
"Aint no easy job to sit down and play guitar!" Rev. Gary Davis
#9
Posted 14 April 2012 - 07:36 AM
ritchie69, on 14 April 2012 - 04:34 AM, said:
Besides, the Guilds made in New Hartford, have a very impressive build quality.


is that pickguard been put on right ha ha
#10
Posted 14 April 2012 - 08:54 AM
JuanCarlosVejar, on 13 April 2012 - 11:09 AM, said:
When Guild was born in New York alot of of skilled craftsman from Epiphone who had no job went to work for guild.
so they probably came up with a way to build the guitar heavy but not at the cost of the tone.
Al Dronge's first partner when they were putting Guild toegther also came over from Epiphone.
The Epi workers are probably the reason the NYC Guilds have a somewhat different voice than those made in Hoboken.
"I play so rough - I stomp 'em - I don't peddle 'em"
Bukka White
#11
Posted 14 April 2012 - 02:29 PM
#12
Posted 14 April 2012 - 04:32 PM
Morkolo, on 14 April 2012 - 02:29 PM, said:
Whenever I think of Guild 12 strings I think of..........
1989 Les Paul Standard
1995 Fender Telecaster
1974 Yamaki 135
1971 Yamaki Folk Deluxe
1980 Fender FJ70 Jumbo
1984 Takamine F360S
1979 Fender F15 ( my first acoustic, bought new in 1980 )
#13
Posted 14 April 2012 - 07:43 PM


I traded it for THIS...so am not doing that badly!!!

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