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Weekend Game #2


E-minor7

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I'm out of town this weekend so the planned A/B will be launched today. As seen we are in vintage square territory and these takes are pretty fine.

 

Won't make it a pole, but look forward to hear reactions.

 

What are the differences - is 1 of them 'best' - do p-guard-thickness play a role. You continue, , , 'ere we go. . .

 

 

Enjoy

 

The blonde ~ http://www.youtube.com/watch?v=TnF790xtF38

and. .

 

The burst ~ http://www.youtube.com/watch?v=UE30P_UyZj8

 

 

See you Sunday nite

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I chromecasted the videos to the tv and ended up watching all their wares!

 

0-15 and LG3 for me, thanks.

 

I liked the tone of the C&W, nothing wrong with the H, but I have liked C&Ws since watching the one in Black Snake Moan - don't know if Sam Jackson was playing or miming along...

 

 

BluesKing777.

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I could easily live with either of these guitars. If I had to pick one of these two, I'd lean toward "the bird." I like guitars with a warm and deep tone and I think that's what I'm hearing from the Hummingbird. Regarding the pick guards---I've never been convinced that these pick guards stifle the tone and volume. ......Two very nice guitars.

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Wow, cool guitars!

 

I think they sound a little different, but I'm not sure what is different about them. Usually I tend to think the C&Ws sound a little livelier, which perhaps is the case here.

 

I wonder how my brand new "Vintage" Bird would sound against these real vintage ones. I think mine sounds a lot looser in comparison. No doubt the bracing is totally different.

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Listening to the guitars in the original post, the Hummingbird sounds more sweet through these headphones. More ... crisp? Both good-sounding guitars, but does make one appreciate the redundancy of Tony P's Acoustic Letter demo's for ease in arranging an a/b on the screen to find identical passages to compare.

 

The differences between the CW and the 'Bird could be from nothing more than fresh strings on the Hummingbird. Or; is it long scale? . . .

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Back - (with headache)

 

 

I actually like both oldies and hear them more or less like the siblings they are.

New strings on a ceramic saddled vintage square in standard tuning can run the risk of being a bit brittle or zingy or whatever we call it when the trebs get too thin,

but I believe these two have that paradoxical mix of 'classic dry' with a built in splash. A highly treasured blend in this temple.

 

I'd like to hear them a half tone down with older steel. Would be nice, , ,

and probably bring a slightly smoky quality forward - thus move it closer to Jesse's torrefied newborn/greenhorn.

 

 

 

Regarding the '72 Heritage, it's Norlin at it's best. Not real Gibson, but still gibsonesq - definitely unique in some alternative way.

The clip is good and shows close relationship between man and guitar ^ he likes where it's at, , , it seems. .

 

 

 

But here's the '65 Bird again. This time capoed and f-picked.

Very much alive.

Repeat that older strings would be preferred to reach the true true vintage voice - which I believe is in there.

 

 

 

http://www.youtube.com/watch?v=ewnQMzXLx6o

 

 

 

62burst - don't think this is a long scale.

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http://www.youtube.com/watch?v=xsVKTfg5b_I

Not really relevant, but watch as a fly lands on this Martin 0-15 in the video. I am easily amused. (Isn't that an 0-18 though?? Look like a spruce top.)

 

The differences between the CW and the 'Bird could be from nothing more than fresh strings on the Hummingbird. Or; is it long scale? . . .[/size]

Agreed. Also, I was going to say that yes, I think it's a short-scale, but then I thought, heck, who knows?? Could even be maple for all we know. (I think it's mahogany and short-scale, though.)

 

I'd like to hear them a half tone down with older steel. Would be nice, , ,

and probably bring a slightly smoky quality forward - thus move it closer to Jesse's torrefied newborn/greenhorn.

I noticed mine really sounds a lot more ringy and vintagy if the tuning slips down a half step or a quarter step. I wonder why that is?

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