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Posts posted by dhanners623
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Thatâs a book Iâve always wanted to get. Maybe Iâll finally break down and buy it.
Iâve wondered, thoughâŚ. Has Gibson produced (or given any thought to producing) any limited runs of guitars with wartime specs and no adjustable truss rods? With available carbon fiber neck rods and improved square steel tube truss rods, it would be easy enough to do.
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Lose the Elixirs and try other strings. Experiment. I know some people swear by Elixirs, but I never saw the attraction.
Also, keep in mind itâs just going to sound different from your Hummingbird. Youâve spent all these years associating your Hummingbird with how a guitar should sound that when another guitar enters the picture, you naturally compare them. Thatâs not fair to either guitar.
Give yourself a chance to get used to the guitar. Youâll probably find your playing style changes slightly to take advantage of what the 000-15M is good at and even excels at.
Youâre fortunate enough to have two very good guitars. Donât complain. Play.
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And if you really want to get into the capo/tuning weeds, here is some insight from James Taylor:Â
Â
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16 hours ago, aliasphobias said:
That's the second time I've heard a "through cut should be glued in". I'm not dismissing it but I have 3 and none are glued!I have had several pass through my hands and unless I am mistaken none have been glued. Would gluing it provide some advantage over well fit or is it just for the benefit of the pickup?
At least Martin has always glued in through-cut saddles. Unsure about Gibson or other builders. https://www.13thfret.com/saddleswap.shtml
I donât know that Iâve ever seen one that wasnât glued, but Iâm no expert and certainly donât doubt your personal experience.
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4 minutes ago, G Man said:
Plus thereâs the fact a through-cut saddle should be glued inâŚ.
Why not try a Baggs M1, M1 Active or M80? Iâve got an M1 in my J-35 and an M80 for my Kevin Schwab hand built guitar (which has a through-cut saddleâŚ) and both work well. Yeah, theyâre soundhole pickups, but both are really a step above, especially the M80. And if you decide you want something different, thereâs no disassembly requiredâŚ.
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Jeezamae. That one is excellent on EVERY level. Great writing, great performance instrumentally and vocally. It all goes together in a stunning way.
I couldnât decide if the singing and general vibe reminded me of Randy Newman, John Hiatt or Levon Helm, and that is a VERY good thing.
Impressive.
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44 minutes ago, Boyd said:
I got mine from Elderly Instruments in 2014, took my 2008 J-50 round-trip to Europe in checked luggage most of the way. No problems at all. I would not attempt that with the original Gibson case!
Was it the Standard, the Pro II or theArtist?
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Now that Iâm living in the UK, Iâve been thinking of getting a British-made Hiscox case for my J-35. Anybody have any experience with them? Pros? Cons?
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I havenât bought any since 2019âŚ.
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Iâve got Waverlys on one guitar and Golden Age Restoration tuners on my other two, including my J-35. All work well and are well-made. And, yes, Waverlys are pricey but worth it.Â
Check out JP Guitars in Bristol, UK, for both. https://www.jp-guitars.co.uk/sales/parts_and_spares/tuners/golden_age/golden_age.htmÂ
Iâve ordered other things from them and theyâve always been fast and trouble-free. Determine whether youâll need conversion bushings, though.
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Noted Gibsonophile Jackson Browne has made a career of tuning downâŚ.
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35 minutes ago, Buc McMaster said:
No harm. Â Use blue, not red.
Thanks! I hope I can get the blue (or something similar) over here in the UKâŚ..
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Hey, gear expertsâŚ. My J-35 is wired for a Baggs M1 soundhole pickup, as are my other two guitars. But when I use a strap, it loosens the strap ring, the piece that goes on over the actual nut that tightens the jack to the tail block. (I enlarge the hole in the strap, but it still has to be tight enough that the guitar doesnât fall off.)
My question: Is there any harm to sticking a little Loctite on the threads so the strap ring wonât come loose easily when I use a strap?
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On 1/7/2023 at 2:30 AM, zombywoof said:
I used to see that at the Dallas Guitar Show but earlier than you did.
I witnessed that myself at the Dallas Guitar Show in the â80s, and I also heard many a local dealer complain about it at the time.
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5 hours ago, Sgt. Pepper said:
Do guitars need to be practical? Why feel guilty about buying a guitar? Sell the Martin if it not your thing anymore.
Some weird stars must be in rare alignment but I gotta go with Sgt. Pepper on this one. A guitar doesnât need to be practical. It just needs to be a guitar youâll play.
Iâm âdownâ to three guitars â a paltry herd by the standards here â and sometimes I think itâs two guitars too many. I worry that some folks think about their guitars more than they play them. Unless youâre a pro intending to make money off the guitar, little of what we do is going to be heard by others, so you might as well own guitars that make YOU happy.
I know I might be in the minority on this score, but I think a smart player gets a decent guitar they adore and then tailors his or her style to it. To me, that is one of the attractions of my J-35. Itâs a very versatile guitar â more so, I would posit, than a run-of-the-mill J-45.
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The J-45 is a great all-around guitar. Iâve owned a couple over the years. But for fingerstyle, I prefer the J-35. Taste is largely subjective  but, generally speaking, I believe the J-35 handles fingerstyle better.
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A guitar can have too much bling.
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While Iâm not really in the market for a new guitar, a Roy Smeck Stage Deluxe replica would be tempting.
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Iâm no expert â and Iâm sure the actual experts will comment â but it looks to me like somebody wanted their headstock to look like a Les Paul. Going solely from the one photo, it looks like they didnât do a very good job of it.
Is there a serial number? Is there anything else about the guitar you consider suspect?
The Mother of Pearl Gibson logo and split-diamond inlay are readily available online; heck, you can even buy headstock veneers with the Gibson MoP already inlaid. This doesnât look like a pro job, though.
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The J-35 looks/sounds nice. At least they got the headstock logo right this timeâŚ.
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1 hour ago, Murph said:
Billy is bringing a lot of young people into bluegrass and acoustic music.
That's a good thing.
Indeed he is. Strings is one of those guys I have mixed feelings about. He is undoubtedly a once-in-a-generation talent. But sometimes, his playing is too ornamented for my tastes. Just because you can play a jillion notes doesnât mean you should. At least thatâs how I feel.
That said, when he pays homage to Doc Watson, Tony Rice or Clarence White or even classic bluegrass, there is none better right now and his playing is sharp and focused. The guy is the Larry Bird of the fretboard. He sees plays others donât.
Browne seems to be in standard tuning, which is pretty rare for him, no?
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13 hours ago, tpbiii said:
I guess people will buy anything. I have a lot of old guitars with bar frets. Also have three old guitars that actually belonged to Norman Blake -- I traded with him in 2005.Â
First some generalities. Bar fret necks are compression freted -- and when neck work is done, each fret may need to be of a different size. When correctly maintained and set up, I have not found them to be a problem, but when they need neck work there are only a few people who can do it right, and it can be very expensive.
Here are my "Norman Blake" guitars -- 1930 Larson Brothers, 1934 Martin 00-40H, and c. 1900 Almcrantz.
I would put that 00-40H -- as Normans favorite for about a full decade -- as the "other" famous Norman Blake guitar.
Of course people have actual old guitars mostly because they can't be sonically copied by new guitars.Â
Â
When Norman Blake bought the 00-40H Martin in the 1990s and set it up to be his main guitar for around a decade, HE HAD JOHN ARNOLD REWORK THE NECK AND REPLACE THE BAR FRETS WITH TANG FRETS. I guess that tells you what Norman thought of bar fretsđ
Let's pick,
-Tom
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Those three are beautiful guitars.
Iâm getting a hankering for a 12-fret dread. Not at PWGâs prices, thoughâŚ.
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31 minutes ago, jdgm said:
Informative. Having never played a guitar with bar frets, I wonder what they feel like. All in all, though, it sounds like T-frets are a modern feature I can continue living with just fine.
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46 minutes ago, Larsongs said:
I would have no interest in a Guitar without a Truss Rod to adjust Necks.. At some point every Guitar needs some Neck adjustment..Â
Yes, butâŚ. Itâs a 12-fret neck, so youâve got less length and movement to worry about. (Or fret over, as the case may beâŚ.) There are plenty of guitars out there without truss rods whose necks donât need adjusting any more than guitars with truss rods. If itâs built properly to begin with, that is.
I think PWGâs disclaimer explains the player has to adjust his/her expectations about playability on such guitars. Some days it might feel the way you want, and some days it might not. The target market of these guitars (particularly the instruments with Brazilian rosewood) is such that Iâm guessing the buyers know this.
Kalamazoo Gals
in Gibson Acoustic
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Will check that out, but I have to dig out my U.S. Amazon password and stuff. Canât buy it as a Kindle in the UK.
Iâd probably rather have a physical copy anywayâŚ.