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ksdaddy

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Posts posted by ksdaddy

  1. Last time I heard from Hogeye was 2022. He was encouraging me to bring a u-haul to Bozeman so I could buy out the contents of his storage shed. I drive 150 miles and I’m ready for a nap. 

  2. As it pertains to “contract” stuff like the Cromwell, Recording King, etc, and the high probability that some or most would have pressed tops, I wonder, did Gibson even have the equipment to produce pressed tops? Obviously they did later on, what with the huge number of ES models produced, but in the 30s, did they have the equipment? Or for the purposes of producing pressed guitars, might it have been easier to just buy them from Kay? Sometimes more questions are produced than answers. 

  3. I once played a Kalamazoo archtop from this era. It was a smaller bodied one, 14-1/2” or so, kinda odd shaped. I think the L-30 and ES-100 might have shared the same body mold. What I do remember is that the F holes looked exactly like the ones on this Cromwell, which is exactly like the F holes on virtually every 15” Kay archtop in existence. (Even some 17” Kays, but more rare) Makes me wonder, in the mishmash of “sorta Gibsons” that have been made in the 30s and 40s, could Gibson have just bought pre-pressed and stamped tops from Kay in Chicago?

    • Like 1
  4. Not a 350. They didn’t make a non cutaway. The non cutaway version would be an ES-300 but that would have a P90 with top mounted controls.  It does resemble a Super 300 but it’s difficult to tell at that weird angle. A “Super” (300 or 400) both have markedly longer headstocks and the f-holes are more vertically oriented, both attributes being not really clear in the photo. 
    The Supers are also 18” across. Doesn’t look that big in the pic. An L-4 is 16”.
    If I were on the witness stand I would say it it an L7.

  5. 15 hours ago, gearbasher said:

    From Reverb:

    Brand New

    Products listed by authorized dealers that are unopened, new in box and are covered under the manufacturer’s original limited warranty.

     

    Fair enough, but I think that criteria was changed at some point, as #1, I’ve sold a few “brand new” items on reverb before and their description was more generic, i.e. “new, unused and in the original packaging” with no mention of warranty or being a dealer. #2, had I known about this change I would have abided by it. Bad on me for not re-reading the rules every time I list something 😉 . I’m a scofflaw but if I’m picking the hill to die on, it will be more of a capital offense, so at least I get my name in the paper. 

  6. It just passed. Very trippy. For a long time the scenery looked like one of those bogus filters they used in cheesy 50s movies where they shot in the daylight but filtered it to look like night. When it did fully eclipse, it looked textbook perfect, with the corona(?) visible around the circumference of the moon. It hit right at 3:32 or whatever minute it was, just as predicted. No weirdness from my Jack Russell. She was unusually mellow. 

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  7. Reverb suspended a listing of mine the other day. It was for a guitar made in the style of a Les Paul. I did not say "Gibson", "Les" or "Paul" in the listing or description.  I stated clearly that it was an imported guitar and described it's attributes, not ONCE mentioning or implying that it was even a COPY of any guitar.  Reverb pulled it for copyright infringement. How? No headstock logo, no language suggesting it was anything other than a single cutaway electric guitar. I relisted it and it went under the radar this time and I sold it.

    Today they suspended a listing for a Gibson Mark Series pickguard. It is new, in the original packaging. I said it was new. Because it G__ D____ is new. They suspended the listing because I am not an authorized Gibson dealer and therefore can't list Gibson parts as new.

    I replied that they are starting to suck, and that I remembered when they started out as the underdog with about 200 total listings. Now they are just as bad as ebay and Facebook. 

    It's a good thing my horse trading days are behind me. I could thin my guitar herd out by about 50% and not miss anything. But when that time comes, I might just consign with Gruhn's or similar.

  8. I don't use anything sticky, I just find I have better control over the situation and the pick is less likely to shift if I pick with the rounded end. My weapon of choice is a white Tortex 1.5mm Sharp. I do have the pointy end in reserve!

    71zyGxf6LBL.jpg

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  9. I bought this direct from Fender shortly before Christmas for $139 shipped. So they sold it for about $100. It's stupid good. I don't know how they do it. I added the Martian chick. And they had the control plate flipped over like Bill Kirchen has his, and about half the Telecaster population nowadays. Amazing they made that guitar since 1950 and it's only been in the last few years we were told how wrong it was. By the same type of people who insisted a guitar wasn't a guitar unless it had a locking nut, Floyd Rose, Sperzel tuners, active electronics and dropped down to C#. I don't follow the "in crowd". I put it back where Leo left it.

    UkuWY9z.jpg

    • Like 1
  10. 2 hours ago, Sgt. Pepper said:

    KS how come you don’t have red lettering on your stage name like Phil the mod does? Is he a custom mod  and your just a standard one?

    He's in the admin realm. He not only has the keys to the executive washroom, he also has the key to the paper towel dispenser. I've been a mod since.... 2009? I don't know. They haven't fired me yet. But I also wipe my hands on my pants.

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    • Thanks 1
    • Haha 1
  11. I've got a Belle Epoch Tape Echo and a cheap Behringer digital delay, neither of which I've used in at least 2 or 3 years.

    In the 80s I used a ProCo Rat and a Boss CE-2 Chorus.  I had an original Tube Screamer (yawn). Wish I had stuffed it away for ebay riches later on. I had no idea.

    Never was much of a stomper I guess.

    • Like 1
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