BluesKing777
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Posts posted by BluesKing777
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On 4/17/2024 at 2:00 AM, E-minor7 said:
As we know the Doves are pretty rare fliers living in an altitude of their own - and as we also know they are mighty fine guitars, , , not least as recorders..
It's good to celebrate the classic 62 once in while. So now now is now, , , and the remarkable difference makes this film special. Check the Quinton & Paul testers doin' their thing.
And enjoy
Apart from that they don't seem to answer the headline Q - well, , , never mind. . .
Around 30 years ago, I saw a midnight movie called 'Pure Country on the TV and I had no idea what acoustic guitar the star George Strait was playing in some scenes!!!
Now we do! Dove Cherry Burst! So I rented the movie again last night after it was linked to another show we watched (Friends In Low Places - Garth Brooks).
Movie link:
https://www.imdb.com/title/tt0105191/
BluesKing777.
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One of the many Rosa String Works videos! (Sorry - I know not why but the videos are not working on my iPad, but work on my p.c.)
Plastic bridge Gibson:
Another video?
New bridge for the Dove!
BluesKing777.
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I doubt you would like the V neck on the Collings Traditional (T) model OR the chunky neck Santa Cruz!
Do you intend to play them in a shop or get them online.....you really need to try them out before buying.
BluesKing777.
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31 minutes ago, zombywoof said:
Didn't the Waterloo archtop project fall apart after Bill's death? Maybe those now calling the shots did not have the same faith in it Bill did.
They may have just lost interest in the whole nuisance Waterloo thing....! (shop I haunt has given up ordering the non existent stock).
General consensus on AGF at time of release of Waterloo archtop was it was about $3K too much retail......get 3 old Gibson L30s and other archtops for the price was the claim. But people said that about the flat top Waterloos.... and I can speak of the quality items they are! I would guess their archtop is intonated, extricated, exterminated and punctuated...with Bill's extra hot sauce......
Played a nice 30s L30, ZW? They also made Black Special #2 (L30 in black).....
https://www.gbase.com/gear/gibson-l-30-1934-black
BluesKing777.
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Here is a link below to a review of the Waterloo archtop from around 2019.....the specs tell me Bill C used the old Gibson L30 as base with his tweaks of quality and intonation....
There was a Black Special also with the L30 size....would suit sore shoulders better than a 16" body but good luck finding one.
Writeup :
https://acousticguitar.com/gear-review-waterloo-wl-at/
BluesKing777.
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8 hours ago, zombywoof said:
I have only owned one Gibson archtop which was a 1936 Capital. I did come within a hair though of buying a 1939 L-12. Hindsight being 100 proof, I probably should have just ponied up the admittedly measly $2800.
Gibson bult instruments with the Capital moniker for the Jenkins Music Store chain. What was interesting about this guitar is that it sported the X bracing Gibson went with on archtops from 1936 into 1939. So, just wondering if you have had the chance to compare 1930s Gibson archtops with both X and parallel bracing? I found that I actually cottoned to the parallel braced instruments more.
Sorry ZW, I have never played another 30s Gibson archtop.......though I looked long and hard at the Waterloo archtop, a L-00 size, way expensive and rare now....I imagine they would be great like their other guitars....
I went through an archie fad for a while there about 10 years back and have a 1952 Gibson ES125 electric jazzer, fab but needs new strings desperately but I don't really know what it gets, electric or acoustic strings so I have done....nothing. There was a short lived Godin archtop 5th Avenue that was cool but ...left the building years ago (too new for me I suppose but I was going to do this and then do that but didn't!)....
Back to the 1935 Black Special #4 of mine - it is exactly what I want! And I ...already have it!
BluesKing777.
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So in Oct 27 2012!!!!, I posted the below NGD announcement for my 1935 Gibson Black Special #4.
It is an archie so just rotating to it from other guitars can get tricky to acclimate!
I played it for about half an hour yesterday, hmmm....gone quiet. Played it the wrong way as well.
So grabbed it again at the end of the day and bang - it had come back to life!
And I decided I would dedicate the whole weekend's playing to it! What an incredible blues fingerpicker! Ands all kinds of music really but that is my main love for it.
In the original post below, I had not worked out Gibbie photo loading yet, HA! I am the photo loading master now!
The whole thread is 'Archived' at Gibbie, won't open for reply, so I copied it! 🤩
Here tis:
BluesKing777
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http://www.elderly.com/vintage/items/images/45U/45U-1445_front.jpg
Just got one LIKE the picture, but with pickguard, NOT this one 'cos I can't get my photos to work on the Forum...
Too late - I have already bought the farm so to speak - C.1935 Gibson L-50 Black Finish, but while I love it, there is scant information on the Internet about this model.
Anything from the Gibson experts, or non-experts???
BluesKing777.
BluesKing777
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No info?
Oh well...
Not much on the web either - I have read every skerrick available over the previous weeks. Apparently, Gibson brought them out as a cheaper option with the black paint instead of the sunbursts, but the rest is a bit of a mystery. Mr Fox had a few scarce details and a guy on the M forum has some.
Don't care 'cos I loves it ....perfect for my blues pickin', but not much good for the people that want a happy, shiny guitar! Has a very astringent, nail-on-the-blackboard tone and not much sustain - great for country blues and Freddie Green jazz chords. Somehow a Gibson tone comes through and I don't know how they do that, except for the rumour of a magic can of sound worms, 'cos it is very different from my LG3, but similar sounding in some ways? Someone has played the 3 or 4 note Freddie Green chords up and down the massive V neck 4 billion times, and worn the finish off exactly where those chords fall - very different wear patterns than cowboy chords and modern guitar playing.
BluesKing777.
j45nick
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- LocationSouth Florida
This is about as much information as you may find, although I am sure there is more if you google "Gibson archtops".
The tone you describe sounds very typical of archtops: sharp attack, quick decay. They were often used as rhythm instruments in jazz orchestras in the pre-amplification days, and could cut through horns with that sharp attack. I'm still working to come to terms with the 1947 L-7 I have, as it plays unlike any other guitar I own. It is very good with big block barre cord progressions up the neck.
String selection is pretty critical with these, and you'll find differing opinions. They definitely respond best to heavier strings, generally medium gauge.
Gillian Welch's guitarist David Rawlings plays an old Epiphone acoustic archtop, and you should look at some of their videos to get and idea of what a good flat-picker can do with one of these.
jdiggitydog
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Hi, new to the forum (from Victoria, British Columbia, Canada).
This is a Black Special (google under that name for details). Gibson created seven different series of Black Specials from the mid-thirties and up through the war years. They were less expensive, limited, dealer specials (literally) of various models including the L30, L37, and L50.
Costs were saved on the production of these (and thus the retail price) because of:
--the flat back (which contributes to the type of tone you mentioned)
--black paint instead of a sunburst (thus allowing for top wood that maybe had a grain irregularity or imperfection and thus saving finishing time)
--non-inlayed logo
--and by using notched tonebars (for ease of shaping into place) rather than solid, carved tonebars (a significant contributor to the way the instrument resonates)
Though this model has aspects to it that will somewhat limit tone and projection (many of the black specials also had smaller-than-normal f-holes), archtops are, of course, designed to cut through other instruments and to generally sound better to listeners a few metres away then to the player.
I recommend:
--checking to see if your bridge is standing vertical (straight), as some of these tend to lean after a long life
--checking to see if the arch flattened out at all (not uncommon for very old instruments)? That can shape the tone, but wouldn't be practical to fix.
--having a look inside with a light and a small mirror to see if the tone bars are loose or are still fully adhered.
Personally, I think it's a very cool and unique guitar. You will definitely be the only bloke on the block to have one and you may never run into someone else who owns one. They are definitely bad *** in their appearance.
I briefly owned a 1937 Black Special #4. It had always been a local guitar, and I was the third owner. It still had the original receipt in the case when I bought it. The original owner died in the 50s, and his widow gave it to owner #2--a boy at the time. It then mostly sat under his bed for 50 years since he never really learned to play. I bought it off him for $1,000 CDN (equal to $1,000 US and about 750 pounds sterling). I moved it along because, while it was in pretty great condition given its age, it wasn't what I was after tone-wise even though I have traditionally liked archtops (I've since bought a new Blues King which is making me quite happy for jazz, blues, folk, and general meandering).
I should clarify that what you have may not technically have been called a Black Special when it was sold (although probably). But this is certainly of that family and that is what they came to be called. I'm pretty sure they started with that nomenclature in 1935.
Play it in good health and enjoy it. Don't be silly like I was an let it go. It's tres cool and unique.
jdiggitydog
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By the way, J45nick is right: 13s are generally preferable for an archtop (usually a huge difference), but I would strongly caution against putting those on your Black Special without checking with a guitar tech who can look inside and tell you if the guitar will bear the tension (the arch and neck, etc.). You'd need to carefully adjust your truss rod at least. Archtops can be fussy things, but they are definitely works of art.
BluesKing777
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Thanks Nick and JDiggityDog.
Very interesting!
I have read the whole internet looking for scant info....not a lot there, but the Black Special idea seems right with some other stuff I have seen. Some pages say that Gibson also made a black finish L50 for sale, as well as the Black Specials which were only available to certain dealers.....
Oh, I bought it as a 'C. 1935 Gibson L50 Black Finish' from Elderly's. I also bought my '59 LG3 from them, and I can't say enough good things about them! Both guitars bought 'sight unseen', and I swore I was never going to do that again.......but both these guitars are the best ones I have bought!
I found the smaller sister L30 black in the guitar museum site - same guitar, except a smaller size really. The museum has all the details, and I do mean all if you are interested:
http://orgs.usd.edu/...uitar13567.html
I had the guitar checked by my luthier, set up and a Schatten piezo bridge installed (no holes drilled reversible work). All good, he said - great big straight neck! It had 11's on it when I got it and he set it up for new 11's. I will see how stable it is over the next while, and if ok, I will go up to 13's and perhaps tune down 1/2 a step. It does not appear to have been played for a long while, apart from shop tryouts probably, and is now opening up beautifully every time I play it, which I am about to do in a minute!
I took some pics on my iPhone, reduced them to fit the forum, and guess what, forum says it won't take that file type! What! A stock JPEG? I''ll make a short video....
Thanks very much again.
BluesKing777.
P.S. Welcome to the forum, Jdiggitydog and thanks.
BluesKing777
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Here is a live recording I made of Robert Johnson's "From Four Til Late' playing my 1935 Black Gibson L50.
Just recorded it through a Shure SM57 mic.
http://soundcloud.co...777/4tillate99b
And here is my version of Robert Johnson's "32-20 Blues" recorded at the same session:
http://soundcloud.com/bluesking777/32-20no77b
BluesKing777.
j45nick
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- LocationSouth Florida
Here is a live recording I made of Robert Johnson's "From Four Til Late' playing my 1935 Black Gibson L50.
And here is my version of Robert Johnson's "32-20 Blues" recorded at the same session
BluesKing777.
Great, classic archtop sound, BK. Are you using picks here? If not, you must have some wicked nails.
What strings?
BluesKing777
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Great, classic archtop sound, BK? Are you using picks here? If not, you must have some wicked nails.
What strings?
Thanks Nick
Yeah - I'm in love!
No picks and mostly these days I use my thumb and index finger only, but never say never when I need to flick the strings with whatever other fingers we have available! And my index nail is looking like a cat's.
And the I think the strings were the ones that came out with the guitar in approx. 1935 - I wanted to record the sounds before it had a setup and stuff. My luthier has since put Daddarios 11's PBs on it and when I asked him why I didn't get my usual 12's or 13's, he said that is the gauge that was on it.
BluesKing777.
P.S. In all my excitement about this guitar I forgot to mention I got a lovely Gibson case with it! Some of my other Gibsons have come in all kinds of things.
L5Larry
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- LocationSt. Louis, Missouri
Nice recordings, AND playing, enjoyed it...... but (Nick knows this is coming),
You need to put some flatwounds on that beast if you really want the classic archtop tone!
BluesKing777
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Nice recordings, AND playing, enjoyed it...... but (Nick knows this is coming),
You need to put some flatwounds on that beast if you really want the classic archtop tone!
Thanks L5Larry.
Your name reminds me that I saw a picture of a black finish L5 about the same vintage while trawling through the web for details about my guitar. I want!
I have Chromes flatwounds on my 54 ES125 and they go beautifully with the P90...., but my L50 is set up for acoustic playing with a piezo pickup bridge, so the Chromes won't work too good with the pickup. It was a decision to be made - floating mag pickup wouldn't fit - not enough space (1 inch only ) near the end of the neck and string height. Could have had a reso pickup, I was told.
I happy with the sound after the setup and the more I play it, the closer it gets to talking....
BluesKing777.
fretplay
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http://www.elderly.com/vintage/items/images/45U/45U-1445_front.jpg
Just got one LIKE the picture, but with pickguard, NOT this one 'cos I can't get my photos to work on the Forum...
Too late - I have already bought the farm so to speak - C.1935 Gibson L-50 Black Finish, but while I love it, there is scant information on the Internet about this model.
Anything from the Gibson experts, or non-experts???
BluesKing777.
I bought a L50 1935 sunbrust last year. It has taken a year for my luthier to get it into playing order but it is now. Wonderful tone and plenty of volume. It is really nice to have a playable guitar of this age, so many of them are collectors pieces fine for owning but no good to play. Can I ask how much you paid for yours Bluskind?
BluesKing777
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I bought a L50 1935 sunbrust last year. It has taken a year for my luthier to get it into playing order but it is now. Wonderful tone and plenty of volume. It is really nice to have a playable guitar of this age, so many of them are collectors pieces fine for owning but no good to play. Can I ask how much you paid for yours Bluskind?
Congrats on the L50! Any soundbites of your beast?
I paid way too much for mine probably, probably embarrisingly much for the tough negotiator that I am, but as RetroRod and I have discussed a couple of times, I live in the middle of nowhere down south from Melbourne, Australia and getting it here safely costs almost as much as the guitar, then we get customs and quarantine fees and delays. What I have paid for sight-unseen is the service from what I believe is one of the best guitar shops on the planet (Elderly's) who give a fair estimate of the condition and playability of the guitar and also pack and send it properly! So as Retro says, there will be no selling back to the US at a profit! A One-Way Street he called it.
BluesKing777.
jdiggitydog
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Here is a live recording I made of Robert Johnson's "From Four Til Late' playing my 1935 Black Gibson L50.
Just recorded it through a Shure SM57 mic.
http://soundcloud.co...777/4tillate99b
And here is my version of Robert Johnson's "32-20 Blues" recorded at the same session:
http://soundcloud.com/bluesking777/32-20no77b
BluesKing777.
Ab fab, BluesKing. Both clips sound great. You're ON it.
blindboygrunt
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I bought a L50 1935 sunbrust last year. It has taken a year for my luthier to get it into playing order but it is now.
hey fretplay , that theres a slow workin luthier . lol , you payin him by the hour ? 😛
nice sounds blues king !!
congratulations on the new guitar
ol fred
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- LocationNever Sweat Ranch
BK, once again you've outdone yerself. Kudo's pal. Nice Git as well !
retrorod
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- LocationNorth Carolina
Congrats on the L50! Any soundbites of your beast?
I paid way too much for mine probably, probably embarrisingly much for the tough negotiator that I am, but as RetroRod and I have discussed a couple of times, I live in the middle of nowhere down south from Melbourne, Australia and getting it here safely costs almost as much as the guitar, then we get customs and quarantine fees and delays. What I have paid for sight-unseen is the service from what I believe is one of the best guitar shops on the planet (Elderly's) who give a fair estimate of the condition and playability of the guitar and also pack and send it properly! So as Retro says, there will be no selling back to the US at a profit! A One-Way Street he called it.
BluesKing777.
But it is "all good" BK777, when you get a straight-shot from a straight-up dealer
![[thumbup]](https://content.invisioncic.com/p286412/emoticons/default_msp_thumbup.gif)
I am glad that another one worked out well! Sounds awesome and great playing by you....Yeah! rhymes wit' BAYOU ![[laugh]](https://content.invisioncic.com/p286412/emoticons/default_msp_laugh.gif)
BluesKing777
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Thanks for the nice comments!
A couple of other side stories for ya....
Having listened back again, I have noticed a few clunkers but the feel is there (which got the tracks the gig!) and possibly the vocal is a touch loud but pretty happy all round considering I used just one Shure SM57 for guitar/vocals into a preamp then my old trusty iMac g5. I tend to turn the works on and just keep playing and try to forget the machinery is running to avoid 'Red Light Fever' while recording, then load the ones I did on my iPod to have a listen in my lounge chair - away from the dreaded work desk.
As for guitar deliveries, well - they would have to be about as stressful as taking your car to a useless mechanic or getting some work done on the house .... I was watching the Fedex tracking at the time for my guitar, then I was jumping between the tracking and my work stuff to keep an eye on it - "It's left Elderly's"; It's at the Fedex facility'; It's at Memphis"; It's on the way to Honolulu" WAHOOOOOO!; It's in Australia in Sydney"; can't be long now - dance around the house and the back yard a few times...; It's at Customs; psssfffftttsssshitttttttttttteeeeee(Y); It's gone to Quarantine - game over for 2 weeks. Heart sinks. They are supposed to notify you by mail with the fee, but I have found out you can ring them over and over and over and make them cross!
Anyway I have the guitar now and love it ....I had to get the better half to negotiate with Customs for me to get my guitar released - she has patience I don't possess with officials....
BluesKing777.
Archived
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11 hours ago, zombywoof said:
As Gibson started transitioning to 14 fret necks in 1931, 12 fretters are not the easiest of guitars to find anywhere. This '32 though is the only time that haggling got me nowhere. The seller would not budge off his $5K asking price. The only concession I got was he agreed to slap it in a hardshell case which I believe had housed a Dobro. But that remains the most I have ever laid out on a guitar.
I generally like the Warterloos. When they first came out it took me over a year to get to play one as every instrument the store which carried them had gotten in was sold before it ever hit the shelves. My take on it though is that Collings actually got closer with their take on the Kel Kroyden. You knew that simply because they warned going with nothing heavier than 11-52 gauge strings. I swear my '32 is so lightly built you barely have to breathe on it to get a tone.
Well, I can't imagine playing 11s, but I suppose I could run 12s tuned down a couple of steps....
The Waterloo WL-12 is great - very responsive, extremely! But disappeared like the proverbial....
BluesKing777.
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On 4/9/2024 at 2:22 AM, zombywoof said:
Being well into my 70s I can safely say they do not. And I am coming from the perspective of being privileged to play a 1932 12 fret L1. What they can do though is no matter how old and curmudgeonly you are is to help you get through the bad times while they make the good times great.
Not many chances of getting a real 32 L1 over here, easier if I lived on the Moon, probably!
But for a short while there, Waterloo had the incredible WL-12 maple back and side blacktop, obviously based on your model or close, and now they are rare as old Gibsons! AND I had one in my hot little hands around 2016 approx and I didn't buy it. It was great but I already had 2 Waterloo 14 fretters. (You idiot, kick myself. 🤪).
Now it would be nicely played in like mine! If they come up for sale, they are 4 times the original price......
Here is a SOLD one so you can look at the pics:
https://themusicemporium.com/products/waterloo-wl-12-jet-black-top
BluesKing777.
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Robert's sister wrote a book recently:
And another story from Honeyboy Edwards I think it was - RJ was great at fixing broken guitars!
BluesKing777.
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Anybody actually know WHY Gibson built the originals with the tapered headstocks?
Is it special for something?
BluesKing777.
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Getting back to fingerpicking J45s from the first post.......
You lot can believe your own whatevers, but it is not fair of the new guitarists who are looking for information to be fingerpickers........ a J45 is just too bassy and the wrong spacings for fingerpicking. A guitar designed for fingerpicking is better, balanced sound across the strings, more space to move around.
My opinion:
Of the readily available acoustics for sale off the shelf, the Martin 000-28 Eric Clapton is way more suited to fingerpicking than a J45. I like mid 30s Gibson L-00s and the copy Waterloo WL-14x plus the WL-14L ladder braced.
Anyway, I googled ‘What is the best acoustic guitar for fingerpicking?’ And was taken to a Guitar World article that I shall copy parts of below:
Looking to take up, or excel at, fingerstyle? Then we recommend you seriously consider purchasing a fingerstyle guitar that’s been designed and built for the job. While it’s possible to play fingerstyle on any guitar, the best fingerstyle guitars are much better suited to fast-flowing, full-finger action.
Rather than relying on a pick, fingerstyle players use, you’ve guessed it, their fingers to pluck their guitar’s strings. This technique reveals huge opportunities including harmony in your repertoire, because instead of being limited to single melodic lines, plus perhaps a bass line, you can use all four fingers and your thumb to sound up to five notes at a time.
Of course, using a pick provides more power than flesh and nail, and enables a stronger attack and potentially higher volume. Which is why dedicated fingerstyle guitars are constructed differently to the larger, heavily built dreadnoughts and jumbos you’ll find in the hands of many flatpickers. In contrast, fingerstyle guitars are built to emit the finest, sweetest and most balanced tone, even when played with a light touch.
BluesKing777.
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It says:
Achtung!!! Attention!!!
Dangerous gas - do NOT open.
(oops).
BluesKing777.
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Gibson J45/J50 is designed for strumming with a pick.
Of course, anything can be fingerpicked if it has six strings.....but things go better with 1 3/4" nut at least and 2 3/8" bridge space at least.
Or better still, a vintage classical guitar...cannot imagine anyone not fingerpicking one of those!
BluesKing777.
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On another track/tack? altogether....I have my 1968 Ramirez Estudio classical guitar and was looking at new models for interest and curiosity sake and came across their Ramirez Del Vino model classical!
Aha!
A guitar for the plonk lovers! Grape mosaics on the rosette and tuning machines, etc, etc.
I wannna wanna wANNNA1 wah wah...want! 😬
Come on Gibson, give us the vino model L-00!
https://goldtonemusicgroup.com/joseramirez/instruments/vino
BluesKing777.
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Case stories!
If I get a guitar and it looks like staying, it will get a Hiscox case....but the old cases are stored for a later guitar sale The Hiscox can be hard to get recently.
And...not many places here sell cases and as one salesman told me - the cases usually come with a guitar in them.
So I would usually recommend getting a nice Hiscox, but I don't know what size that Gibson 185 would be?
But , err, sorry, ha, just in case......
Here is the Hiscox test video...fantastic!
BluesKing777.
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I just LOVE a tragedy!
A trip to my luthier and some love and attention and will bea beast! Sound will be sensational!
Here is my tragedy from years ago - 1937 Gibson L-0 with love from my luthier - neck reset, new ebony fretboard, ebony bridge, bone nut, bone saddle, tuners ---etc, etc
Sensational! Might paint it black yet, like originally, might not....
BluesKing777.
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24 minutes ago, fortyearspickn said:
OR - as I opined earlier - it is an abrasion that occurred AFTER it left Bozeman.
Well, whoever had it to sell and damaged it should fix it, take it back....he bought it new. They are around $5K.
If he took it to sell it somewhere - they would be poking at that missing finish - ‘What is this?’ - instant deduction.
Finish issues can be really expensive to fix these days.
BluesKing777.
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7 hours ago, zombywoof said:
First off, I do get wanting a new guitar to be in pristine condition so every scuff, nick and dried Tabasco sauce stain from that point on becomes a memory albeit not necessarily a pleasant one.
Still posts like this always bring a grin to my face wondering what the OP would think of my 1942 J50 in terms of the build quality. Not only would calling the long scallop bracing roughhewn be a kindness but if you will recall on this one somebody accidently flip flopped one of the two book matched top pieces. But after a run through of Rev. Davis' "Cincinnati Flow Rag" and a Hot Tuna-esque take on his "Hesitation Blues" all of that stuff went out the window and even though the store owner let me take it home for a bit before I had to make a call, I knew this thing was not going anywhere. Point is, I will overlook stuff if the guitar has that sound that every time you pull it from its case and hit a big fat open chord you utter a silent "whoa" because it is like you are hearing it for the first time again. But if it ain't got that swing then life is too short to worry about it so you do what it takes to make you happy so you can get on with it.
Nice for you, ZW but the original poster just paid about $5K for a brand new J45 Banner replica and Gibson don't seem to be catching the problems at QC....or they let a percentage through for financial reasons.....
BluesKing777.
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10 minutes ago, cayine said:
In my search for slope shoulder I can’t find anything that I like the sound of as much as the Gibson. As much as I wanted a Bourgeois or Santa Cruz to be the answer they just are not. The problem is that I can’t put my hands on any of these guitars. I’ve found videos of each brand by the same player using the same recording setup for each of them and the Gibson does it for me. Can anyone advise me on your experience with the Gibson as far as quality and playability? Thanks!
My opinion....
I don’t like new guitars much, so retail new J45 Banner reissue Historic etc is $4999.
A very quick look at J45s under $5K on Reverb.com shows two 1959 Gibson J45s! That would be my recommendation - the real thing....non scalloped late 50s tall bracing - loud and strong tone forever in old wood! No worries about new finish or build issues - the 59s look like ‘light aged’ ha ha.....maybe not so light....😑
BluesKing777.
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4 hours ago, fortyearspickn said:
Wonder how many purchasers of those brand new Gibson acoustics will come here to complain about Gibson’s Quality, QC and prices?
Probably about 2,500......😏
BluesKing777.
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A real shame - someone has ruined all that work for the sitka tops...from the forest to the factory to the shop, let down by a.....
Tracing the guitar to the tree book I read says there is NOT that much guitar quality sitka left....Vancouver Island.
BluesKing777.
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8 hours ago, Murph said:
And the binding falls off of them, too......
Mind if I vent, Murph?
I prefer vintage acoustics, but around the time I gave up smoking I broke ALL my own rules and bought NEW guitars with the saving.
My guitars are looked after like pet dogs and the other brands I bought look great still.....
But I bought a Martin D18E in 2014 approx, a Martin CEO7around 2015/6? And a Martin 000-17 Black Smoke around 2017.
Last year, opened the case of the CEO7 and after playing it noticed, yep, the binding at the waist is starting to come off. WHAA, WHAA, Aaaaaaaaaaaah. Love my CEO7, off to the luthier, boom, fixed, very common problem I am told. He fixes it properly including a slight finish touch up, fairly invisible.
Later, I was taking my D18E and 000-17 BS to a shop to sell consign and...oh oh..binding is coming off all waists. Pfff.
Not covered by Warranty outside the US . Pfffffftttt!!
So this time I ran screaming and hollering to my luthier.....who is now busting at the seams with work.....last August!
Got them back Friday........cost a bomb because the 000-17 Black Smoke cheapie had weird matt finish he couldn’t match, so refinished the whole TOP, Back and Sides.....Aye Yae Aye Aye Yae!
And now I have to notify a potential buyer that the binding and finish has been repaired.....doubt we will get our good price! 😘
BluesKing777.
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Well....if the strings are seated properly in the bridge plate area.....give the string a yank......still not tuning......
What Doc BK777 does.......be CAREFUL!
I have a very, very thin nail file - I lift the string out of the nut slot, try and get a close look to see if there is a burr that catches the string. If there is, the string goes clinky clink as you tune and ‘rushes’ to the desired tuning on Snarky or Poly.
So...very, very gently - imagine you were doing it to your teeth, oik, yep, gently with nail file up and back once on each side of the slot- DO not touch the bottom of the slot - that is the string height setting! So yeah, ah ah each side....blow it. FOOF.
HB pencil - apply all over slot - lube!
May as well do all the string slots while you have the equipment! 🤤
Put some HB pencil lube on the saddle under the strings as well.....
BluesKing777.
Let's change The Bridge!
in Gibson Acoustic
Posted
Extreme patience!
BluesKing777.