Rabs

Thanks man... And well this thread is kind of about Them Beatles too as the whole reason I did this was because they want all of the details to be right when they play so Clark wanted a guitar that was as close as possible.. The whole crux if this project was really getting that pickup all flush, like ive seen people do that mod where theres just a gap at the top of the pickup or where they have made a bigger pickguard and just mounted the pickup to that.. But Clark wanted it done properly so it looked as authentic as possible :) which is admirable that they care that much.

Thanks man... and yes the guitar when it was plugged in was LOUD.. louder than any or my other Les Pauls... Mind you in the video above when its being played unplugged its damn loud acoustically.. Also I changed the capacitor to allow more out and man this guitar is bright with a rounded sound from the highs through to the bass. I wish it was my guitar :)

Hmm, well no... We did talk about that when we first started discussing the project.. And for me the idea of going through the back was unnerving to say the least... You see the CC pickups are really meant for archtops and the originals come with a large plate which would go inside the body and attach with three screws on the top and I had NO idea of how that ever attached to a solid body guitar.. So when we researched the pickups we found a more Tele like shaped pickup and decided it would be safer to go through the top.. So what I had to do was drill like a channel inside and under the cavity to make the pickup flush to the hole (if you see what I mean :))... So the back plate was just for the aesthetics to make it a proper replica (sort of ;))

Thanks man... and god I hope so.. I don't think I could ever stand to go back to that stupid industry again... :)

As a further taster of the end video heres Clark playing it for the first time :) (unplugged sadly)

Cheers man :) Well the actual time when I was working on the guitar, I had a few delays while waiting for hardware and tools to be delivered AND I had to work in the hottest heat wave we have had for a while which slowed me down a bit I think it took about 15 days, then 3 weeks to cure and then another couple of days to finish it. There were a few steps I left out of this thread as I just wanted to keep it light, I will do a full build video when I get the footage of it playing through an amp :)

Thanks so much for those kind words.. And yes I was really impressed with them when I was doing my research at the beginning. The have all the wigs, costumes and guitars but they also have the mannerisms and the sound. Pretty cool. And im really happy to have been a part of it all Heres some video someone has posted from the Philharmonic hall just a few days ago.. It shows the detail they go into (mostly :)) and they also did a world tour with Beatles Mania with some great stuff I too take my hats off to their efforts http://www.youtube.com/watch?v=XnywFyhJDgY

Thank you kind sir :) And yes this project was perfect for what I have learned about building so far. I was VERY thankful to be given the opportunity to do it :) And I was happy with the end result.. All we had to go by for the colour of the guitar was that old low res video that's on youtube which makes the finish look like a pale orange.. BUT everything I had read said it had more of a natural finish.. http://www.youtube.com/watch?v=U-bwKOpI5IE The only picture that gave me that clue was this one which is such a shame its in black and white, but you can clearly see that the grain is showing.. So I had to make a colour up :)

And here its done and drying before I lacquer it Then time to get my spraying gear on ;) Then I sprayed it with 15 coats of nitro Then after 3 weeks curing time I buffed it up Then I did all the wiring and put it all back together again and voilà :) And here is Clark aka John with his finished product (and his Madison Square jacket and glasses) :D If your interested you can find out more about Them Beatles here http://www.thembeatles.com/ Apparently the guitars first gig was the Friday just gone at the Liverpool Philharmonic headlining Beatles Week :D As I say, I will have a full and more detailed video up soon WITH the guitar playing :) Well I hope you enjoyed.. More on my own builds very soon :) Heres a quick vid when Clark played it for the first time

And now the build (I will keep this light).. So heres the guitar before... Very nice to play and HEAVY for a Junior and heres the pickup.. its a big sucker :) So the first thing I did was design and make a cavity for the pickup in question.. The idea being that most of it is hidden under the pickguard and the top of the pickup is flush with the top of the cavity Then I removed and plugged the wraparound bridge bushing holes (using mahogany dowels I made myself :)) Then I drilled for the new tune o matic and stoptail and the toggle switch Then the wiring channels from the toggle switch all the way to the control cavity Then I stripped the whole thing down And stained it to what I thought was the best colour More below

Hello all.... I just couldn't take it any more.. I have just done this project which was finished and delivered a few days ago, sadly (and stupidly)the footage I thought I took of the guitar being played through an amp wasn't there when I checked it DOH!!! so I have had to ask for some when the owner gets a chance. When I get that I will do a full build video with the guitar playing at the end but I just have been really wanting to share this so I thought Id do a quick thread about it. First the story.. I have to firstly thank our own Pippy as he recommended me for this. Basically one of the forum members Clarkuss I think his forum name is posted a thread in the Les Paul section about wanting to mod a Les Paul Junior into a John Lennon LPJ. So after the recommendation (thanks so much Pippy :)) myself and Clark talked via email and we went over the project details. The next thing I know I had a 1958 LPJ Reissue and a Lollar Charlie Christian pickup arrive at my door. Now in case you don't know... John's LPJ started out life as a sunburst LPJ model. Which I think can be seen on one TV performance. Then he had it modded with a Charlie Christian pickup and had the wraparound bridge replaced with a tune o matic/ tailstop and sanded it down to an unknown colour where it was used in the famous Madison Square garden gig in 1972 Then later it was refinished again in cherry red which Gibson did a short run of re-issues I think in about 2006 that looks like this Now Clark is part of a Beatles tribute band called Them Beatles and the whole reason he wanted this guitar was to do some of the songs from that Madison Square gig in their show. Now they are a tribute band that go the whole hog and dress up in all the right cloths and have the right guitars etc.. So he wanted it with a natural finish and a thin lacquer to replicate it.

I also watched the 15min one .. Great job man, on all counts

Looks great man

Such great work there.. Impressive sir :)

Is this one?

Looks sweet man ... Good job (as always :))

Wow.. that's great work man.. I bow to your luthieryness :)

What about those frets? Will it be playable with those so corroded?

Damn.. now that's what you call brittle.. Was it mouldy damp then heat? And yeah.. I will watch your re-build :)

That looks freakin awesome man.. Like the black trim and hardware on the natural finish

I have a 1960 Classic and love the pups and the guitar... It SCREAMS when it wants too and can actually be mellow with the right settings. It has the best range in terms of sound than any of my other guitars.. You get all the Highs, Mids and Lows and it only gets better with age I can undertsand why people think they are too much but for me they are great.. Also I used to think my Classic was a solid body before I came on here.. But it weighs so much I dont undertsand how it cant be lol :)

And yes to the 60s necks.. My first ever LP (back in like 92) was a studio but with a 50s neck.. When I went to get my next one I just tried a bunch and didnt even know what it was called but I got it as I liked the neck so much. It turned out I got a Classic 1960 Re-issue (which when you dont know looks just like a Standard to you). And man I havent looked back since.. ALL of my Gibbys must have a 60s neck its the most important thing to me. So yeah. let us know how you get on man. Things too look for.. Really rough fret edges which has been a big complaint with guitars that dont have neck binding.. Inntonation.. That each note up and down the fret board is in tune and not buzzing (but that could just be a bad setup that is again a big complaint and can be easily fixed, but should really be done by every guitar shop before they get sent out) Apart from that just check the neck is straight and that all the knobs and switches work and you should be ok :)