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About ufboy73

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  1. I hear a lot about the general consensus being that LP reissues are best for that vintage vibe and that the production model LP Custom is best suited for high-gain modern rock type sounds, as it is less 'warm' and more 'aggressive' than some of the other LP models out there. I am wondering what people here think of this? How versatile is a modern Custom? I tend to really like the aesthetics and, actually, the neck feel of the LP Custom but i also tend to play blues/classic rock mostly so I definitely dont need a 'metal' based guitar. Of course, I'll try and spend some quality time
  2. thanks a lot guys! it sounds like my initial impression was mistaken...even though the VOS i tried had a smooth feeling neck, it was simply that guitar and not the fact that it was a VOS...in fact, if anything, based on the comments above it sounds like gloss models may have generally smoother necks than the VOS models. I must admit though...i have recently come round to the conclusion that i need to try guitars out before buying, thus eliminating the online dealers....but i literally have not seen one reissue gloss model in my area. I understand that you can order it from gibson but how
  3. Did you get a chance to try a gloss? what did you think??
  4. Bob, thanks a lot! it never even occured to me that 'antique' would be referring to anything other than the color. yes, my binding is quite 'aged' looking around the body of he guitar - certainly a yellowish hue to it. It is interesting though because my red does not seem nearly as vibrant as other examples of straight 'cherry' that i have seen. It's not as dark as 'wine red' (a la LP Custom) but it is not nearly as vibrant as the ES335 dot cherry that i saw a few weeks ago. Have you seen the dot cherry before? if so, how does that compare to your red? thanks again!
  5. Guys, I am curious about the antique red color used on the current production ES 335 models. Is this red intended to mimic a 'vintage' or worn cherry color or is it a totally different family of red altogether?? The reason I ask is most of the famous vintage ES 335's in red I have seen are cherry red. I thought it odd that the current production model would not offer this color (at least not on the block neck model) but then thought perhaps 'antique red' is essentially the worn version of cherry (I guess not disimilar to how they offer washed cherry sunburst). Making things even
  6. "don't make me angry...you wouldn't like me when i'm angry":) oddly enough, i really dont have much problem if im the one that has inflicted the damage....it was more the idea of having paid full premium for something already substandard - though, as others have pointed out, and as i came to the conclusion myself this was not the case here. i must admit though guys, i ended up selling that one (for other,unrelated, reasons)
  7. Definitely let me know what you think - i am really curious about the neck finish (or stickiness) on the VOS vs Gloss models! thanks!
  8. Out of the historic reissues, is the '59 now the only one that comes with the gloss finish? on the website, their does not seem to be gloss models listed for '57 and '60, for example, which surprised me. i would have thought all models would be available in either finish. also, would there be any difference in the feel of the neck between gloss or VOS or is it strictly differences in physical appearance. I tried a '57 VOS locally and could have sworn the neck felt smoother without that 'sticky' laquer feel some of the gibsons have - but I do not know if this was a byproduct of the VO
  9. Just curious....what is everyone's favorite Les Paul Reissue and why? Is it the neck profile, the tone, the association with a particular guitar hero, the finish...what puts a particular reissue year at the head of the class for you?
  10. joe, i have not heard that guitar player before. you seem to know a lot about the bay area! are you close to tokyo in japan?
  11. hey guys, just wanted to thank everyone for their thoughts. i went to the store again and decided if nothing was special enough to make it a no-brainer, i would walk out and just keep on looking...i ended up walking out with a cherry red es 335 block neck:) seems out of nowhere, based on previous comments, but this was something i was really interested in several months ago. it was not as buttery as some of the les pauls i tried but i loved its full, warm sound plugged in and i just couldnt take my eyes off of it when i set it down to try some of the others. in a weird way, the fact
  12. guys, thanks a lot for the input. most of you confirmed my own thoughts - that the playability needs to be the driver unless i am just collecting. the setup was actually somthing i failed to bring up. i too had wondered if it the harrison was setup could it be as buttery as the 57. i didnt have any problem with the sound or neck profile on the harrison...it was more an issue of 'ease' of play, smoothness in bending etc. i definitely know the action was lower on the 57 but dont know if that explains the whole difference. here is the real problem - the store claims they just lost
  13. guys, i was in the process of trying out guitars thinking i was trying to decide whether to go with '57 or '60 reissue. in the shop they had a harrison model les paul (the 'lucy' recreation) and now i am really torn between the '57 and the harrison. the '57 played just simply fantastic. the harrison (though certainly not bad) was not as much a player as the '57 but had all the sorts of intangibles that you would think (looks, relative rarity, cool story behind the original, etc.). it would be a great addition to a guitar collection i think. i am curious what you guys would do
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