Jump to content
Gibson Brands Forums

L5Larry

Members
  • Content Count

    4,623
  • Joined

  • Last visited

  • Days Won

    2

L5Larry last won the day on October 31 2011

L5Larry had the most liked content!

Community Reputation

202 Good

About L5Larry

  • Rank
    Advanced Member

Profile Information

  • Gender
    Male
  • Location
    St. Louis, Missouri

Recent Profile Visitors

The recent visitors block is disabled and is not being shown to other users.

  1. If you're building a FAKE Gibson, just exactly why are you asking for advise on the official Gibson website?
  2. There's a "Catch 22" here. To produce high wattage (in a tube amp) requires a large heavy transformer, and for speakers to handle that power requires large heavy magnets. That's were the weight of a 100+ watt combo tube amp comes from. The only difference in weight of a high power 212 vs a 210 is basically a little bit of cabinet wood.
  3. I know the hard case versus gig bag debate will rage on forever, but I made a recent observation that I found pretty interesting. I do work here in my hometown for an organization called "Jazz St. Louis". On the main floor "storefront" they have a nightclub/restaurant presenting mostly national and international jazz artists, but also local professional musicians and student groups (high school and college/university). Upstairs they have an "education" department that includes a recording studio, class rooms, rehearsal rooms and a music library. Yesterday was a long day on the job as I
  4. I owned a 1964 Firebird for 20 years ('75-'95). My other guitars at the time were a Strat and an LP, so the Firebird was WAY different in sound, feel and looks. I was into Johnny Winter and Dave Mason at the time, so I had to have one. Man that thing was LONG, point-to-point they are longer than a P-Bass. At that time I probably wasn't good enough, or smart enough, to be bothered by the ergonomics compared to the Strat and LP. All I knew was I looked REALLY COOL playing that guitar. The Firebird never did displace the LP as my #1 Rock & Roll Gibson, and I think what eventually sou
  5. The guitar looks to be a "Standard", not a Custom, and with that flame-top, it also does NOT look like anything I ever saw in 1976, or from that era. I never saw anything but plain-tops during that time. A set of detailed photos, including the back of the full headstock, and a closeup or the serial number area, should tell the tale.
  6. There are a bunch of "banjophile" websites out there, just like the guitar sites. Older Gibson banjo numbers are pretty well documented. Here's one site that shows the 4-2522 number to be from 1954, although the "157" is not specifically listed. http://banjophiles.com/SerNumData/BowtieEraGibsons.htm Further internet research should yield all the answers you're looking for.
  7. Ah, so it is designated a "P".......SCHWEEEEEET! I love to get my greasy little paws on that guitar. What strings are you using on it? EDIT: Is that a Nashville or Bozeman built guitar?
  8. I would use and external tooth lock washer on the inside, just under the wood. http://www.homedepot.com/p/The-Hillman-Group-4-Stainless-Steel-External-Tooth-Lock-Washer-70-Pack-43798/204794826 I like my jacks to be flush with the wood on the outside, so this lock washer on the inside would be in conjunction with a clinch-nut and/or flat washer. Then you have to be able to tighten it all up without twisting off the wires. I use a pair of large curved jaw hemostats for this by grabbing the base of the tip spring contact, either through the f-hole, or through the plug hole itself. Tighte
  9. Wow, I'm not sure I ever knew yours was an acoustic L-5C. My "acoustic" archtop is the L-7 that you made the bridge for, thanks again. My DREAM acoustic archtop would be a 1948 L-5P.
  10. Yep, also caught it last night. The host was fantastic. I had no idea who he was (still don't), but even my wife's interest was held by the script and the way it was presented. I made the comment that this guy was obviously not just another talking head, and clearly knew the technical and musical aspects of what he was explaining. Just enough tech info for me, just enough musical info for her. Highly recommended viewing. As a companion read, you should check out Geoff Emerick's book; "Here, There and Everywhere: My Life Recording the Music of the Beatles". He was George Martin's r
  11. On the Northern trek, if you cross the Mississippi River at, or around, St. Louis, you're in my neighborhood. If you cross further South, but head North on I-55, you may still skim my area (Southwest of St. Louis city proper). The least I could do is buy you lunch. If you wanted to take a couple of hours for a "whirlwind" tour, there's plenty to do and see catered to your specific interests (art, architecture, history, science and technology, zoology, sports, music...). St. Louis to Kansas City is a four hour drive straight over I-70.
  12. I did the exact same thing years ago, but had to re-machine the keyed slot in the buttons to fit the tuner shafts of the unidentifiable "Gibson" branded tuners. Probably the Imperial/Metric thing. I hope yours were a direct replacement, as the mod was very tedious and time consuming. I then took it one step further with a "vintage" style TRC: After making many contacts with custom luthiers, Gibson and Gibson warranty dealers, to no avail, I had to hand carve my own bridge from a chunk of ebony I got from a violin maker friend. It took two trys to get it just right, as I first ASSUMED
  13. Yes, it's very easy. There are two foolproof ways. 1. Make a pencil rubbing like you did in grade school: Take a thin sheet of white paper. Hold it tightly in place over the SN area. Get a wooden pencil with a lot of lead showing. Rub the side of the pencil lead across the area with medium pressure to reveal the number. 2. Take a penlight type flashlight and shine it at a very shallow angle across the SN area from the side. This will create a shadow area in the indentations. Shining from a few different angles and sides may be necessary. Other information: From the photos posted
  14. Buc, You're hitting WAY too close to home now. I spent the year of 1981 living/working in Waxahachie, and partying in Dallas. In 1980 I was working in Tyler, TX. There is certainly something to say about "Texas Girls", but... The video of this song didn't show your usual "light touch". I'm sure this is something you'll have worked out before the open mic night.
  15. Here's one I'll be playing with the Big Band next week:
×
×
  • Create New...