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cliffenstein

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About cliffenstein

  • Rank
    Advanced Member
  • Birthday 11/06/1969

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  • Gender
    Male
  • Location
    Sandston, VA, USA
  • Interests
    Being a good husband and father
  1. After two months or so with the Hot Rails, I started noticing a certain unpleasant frequency as well as a slight lack of bottom end (when not playing loud) that began bugging me. I've never had these issues with the Hot Rails in a Strat, but with this Melody Make those issues were definitely there. it's one of those things where when you start hearing something you can't "unhear" it. A friend I trust recommended that I get a Little '59 based on its EQ specs and his previous experience with the full size '59. Wiring is pickup to 500k volume pot only. No push pull or anything like that. I'm after a straight ahead rock n roll, Joan Jett kinda thing (without having to do any routing). With the Little '59 that unpleasant frequency I was hearing with the Hot Rails is completely gone. The overall pickup EQ is perfect now. This is VERY much the overall sound I was looking for.
  2. First of all, the wrap around is at an angle to help approximate it. From there, adjustments are made via two screws that make each side go closer or further away from the bridge pickup. In the end, this guitar is spot on at the first few frets where you expect it would be and then if I go and play a full G cowboy chord past the 12th fret, it's still in tune. So, at least for my purposes, it's certainly good enough.
  3. I've got a 2007 single pickup model in worn white finish (loaded with a Seymour Duncan Hot Rails) that I absolutely adore. Are there any other Melody Maker reissues I should consider?
  4. I got this bad boy in late March for $299 (case included). I put on locking tuners and strap locks and then promptly took it in to the best luthier in town. The 5 week wait was torture for me, but I am so happy with the results! 1. Setup (neck straightened, action super low all the way up the fretboard, no fret buzz) 2. Fretboard stained (it was light-ish and streaky...now it looks almost ebony and the stain isn't rubbing off onto my fingers from playing) 3. Nut filed properly for 11 gauge strings (no binding!) 4. Seymour Duncan Hot Rails pickup installed (very minor extra routing was required in order to get the wires through, but otherwise the Hot Rails fit) Instructions were given to replace the bridge if the intonation couldn't be set close enough, but the original bridge remains and the intonation is really quite good! When I got the guitar back, the pickup was all the way down. Melody Makers have much more space between the body and the strings than most Gibsons, so I actually had to raise the pickup all the way up. It sounds absolutely fantastic in this guitar. I'm getting great meaty tone. My other guitarist also has a 2007 Melody Maker and it's at my house right now. His has a Gibson 498T installed in it. After getting my guitar back today, I went back and forth between the guitars and they sound VERY similar to each other. Both retain the dirty, gritty tone that Melody Makers are known for, but with the improved humbucker voicing. I figured the guitars would sound very different from each other with the different pickups, but it's quite remarkable just how much these two guitars sound alike. The neck profile is killer...I LOVE THIS THING!!!!!!! Photos of my finished Melody Maker:
  5. Sheraton headstocks are great. Epiphone already outsells Gibson. If Gibson allowed Epiphone to use its headstock shape (which I DEFINITELY wish they would) they'd have a super hard time selling any more Gibsons. I own a 2007 Epiphone LPC (limited edition Antique Ivory) that, after a Gibson 498T installation and a pro setup, has been incredible ever since, but I still loathe its headstock shape.
  6. The headstock we are referring to is the "clipped ear" design found on most Epi electrics.
  7. In order: Angus Young Johnny Ramone Ronnie 10/10 Younkins
  8. They are both solid guitars. The Lee Malia LP has Gibson pickups, but in my view it's too ornate. If the studio had a finish that I preferred I'd probably be inclined to make the trade, but ultimately it's your decision. They're both about tthe same level of overall quality, but the Lee Malia isn't seen "in the wild" as often as an LP studio. Also, the Gibson headstock shape is way cooler than Epiphone. Go with your gut, make a decision and don't second guess yourself.
  9. I've got a 2007 Epiphone LPC...bought it used late last year. I got a feet dressing, set up and pickup replacement (got the 498T put in since that's generally the Gibson LPC sound we hear). My co-guitarist has a 1991 Gibson LPC. Plugged in, they sound pretty much identical. Unplugged, my Epi has way better acoustic resonance and sustain. His Gibson has better detailing and weighs more. If Gibson ever allowed Epiphone to have the Gibson shaped headstock, the Chibson market would end overnight. Of course they'd be taking the chance on the Gibson market ending overnight as well.
  10. My usual go-to opinion is sunburst for acoustic and solid color for electric.
  11. Any Epiphone from back then will require a pickup change for most players, so factor that into your budget. Also, it's fairly easy to get a used Epiphone LPC from 1990 through 2011 for $250-$350 through Craigslist, Ebay, Reverb, Music Go Round and Guitar Center Used.
  12. The 1989 models will likely have Epiphone's version of the Gibson open book headstock. This single factor is what generally makes the 1989 Epi LPs sell for more than other years.
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