Mr. C.O. Jones

Yup, except maybe for this guy: Should be his Sig!

There's plenty of good new stuff around. Those I discovered trough an amp brand's newsletter: And this thanks to our DUB-T if I remember right. Thanks a LOT I love their music.

Yup, played out it surely is. Especially, when you think about it, Peter still sounded like Peter even on a Strat. On the other hand the out of phase humbucker sound is a thing, but owning a Strat I don't really fell the need to make one of my Lesters "quacky". What I wanted to point out in my other post is that it seems that Ian enjoys his R8 but his 14 Trad not so much. And one sure way to bring them closer in performance and sound is 50's wiring with the right pot and cap values. If you use the knobs that is. I have a hard time to buy into all this holy grail P.A.F thing anyway. Especially when it's not a Gibson pickup. To me a Gibson, Fender or whatever brand should be equipped with their brands pu's (OCD?). And I for one think that the 57 Classic and Burstbucker pu's do a very good job. The 59 Tributes are just a tad more thin (in a good way), I like low output with good string separation but still very punchy with overdrive. Another funny thing is all of the other brands that make better Strats and Lesters etc. than Fender and Gibson.

Man I wish I had one of those back when I did mine, looks dang fine and explains technically the benefits of this mod. https://www.montysguitars.com/collections/wiring-looms/products/50s-wiring-loom-for-les-paul Monty’s 50s wiring loom is the perfect way to upgrade the wiring on your Les Paul style guitar using premium components and a traditional layout. Please note that these wiring harnesses are different from our 335 and SG style wiring harnesses (available here) and that they are not easily interchangeable. It is our -naturally incredibly humble- opinion that one of the best upgrades you can make to a Les Paul style guitar is to fit one of Monty’s 50s wiring looms (other than fitting a set of Monty’s PAFs of course). The key difference between a modern wiring loom and a 50s wiring loom lies in the relationship between the volume and tone pots. In simple terms, whereas a modern wiring loom connects the tone pots to the input of the volume pot, a 50s wiring loom connects them to the output of the volume pot. While this might not seem like a huge change, the tonal impact is massive. 50s wiring allows you to retain clarity as you roll down the volume pot, much like a treble bleed circuit (but without its inherent disadvantages). It also changes the response of the tone knobs, creating a slight interaction with the volume pot as you turn the tone pot down. The net effect is transformative; whereas modern wiring can make humbuckers (and P90s) sound muddy as soon as you start to turn anything down, a 50s loom allows the sound to beautifully clean up in response to the volume and tone knobs. Our looms are made with only the best components: 500k CTS audio taper pots, vintage-correct wire and two of our very special Russian NOS Paper in oil capacitors. Available with either a 0.015uf or 0.022uf cap in for the neck position. Most Les Paul will need long-shaft pots, but we can also make these harnesses with short-shaft pots if required. Instructions for installation are included with all our harnesses, but please be aware that it will involve the tiniest amount of soldering. If you aren’t comfortable doing this yourself, please bring your guitar to Monty’s or any other qualified tech; we will be happy to help you install it. Please note that the loom dimensions are measured from a Gibson Les Paul. Whilst it should fit most import LP style guitars, we can't guarantee that this will always be the case. Import guitars may also require some minor modification to accommodate imperial thread pots. If you have any questions, please do drop us an email.

Funny thing, I remember passing on a few other Les Paul's wich where also interesting precisely because they didn't have the 59 Tribute HB's. I preferred the looks of all of them over those of my 14 Traditional. But the neck and the pickups and the overall feel had me hooked. Even though, the setup and the nut where awful. I still dislike the colour choice of the binding (pink-ish) and the flaming on the top, but I could swear it got a little bit yellower where my arm rests and at the neck. Long story short I swaped many things on that one, all hardware to nickel, HB covers nickel and the plastics for historic ones. But what really made a huge difference was the all new wiring with 500k (300k stock if I remember right) pots and luxe bumblebee caps, a Graphtec nut, and the proper setup. Especially the pickup height adjustment. If I was after the greeny sound I'd rather consider to do a out of phase mod with the existing pickups, although that might be a tad more complicated. Anyway, I think your Trad coud benefit hugely from a good quality wiring harness. I think that could bring those 59 Tributes to their full potential. Monty's has some fine harnesses too. My favourite Gibson Pickups for sure, here's one of the few who really get the best out of them:

Personally I like the looks on some light relics, seen some very well done Strat's and Tele,'s at my local Fender dealer. Now the price tag is a whole other question, I think you have to be very, veeeery wealthy or pretty insane to pay those prices. On my Gibson axes, no need for Murphy Lab... My Satin finished one has some spots (where the arm rests, backside and the back of the neck) where the bare wood is visible now. The 14 Traditional, dings'n'stuff well distributed, some on the headstock, most small. Dull areas on the finish, again where the arm rests/rubs, backside and back of neck. And even a bit of hairline cracking. Nickel hardware isn't shiny anymore, especially bridge and tailpiece, pickup covers seem to be less affected by my acids. Kluson tuners are dull. Oh and of course, the little indentation caused by that wee nut under the pickguard. They got there by simply playing them, except for that last item, that was a factory freebie!

Wow, and I thought I started late (30's), kudos to you! And what a beautiful guitar! I don't have any experience with the Gibson app, but I had very nice results with Rocksmith 14. Wich was available for game consoles and PC. It has a feature called riff repeater in wich you can slow down a particular section, or the entire track. It has also some small lesson style tracks. I believe that Everlong was part of the tracklist. I think there is also a app version called Rocksmith+, wich I think should be more or less the same. Well, whatever you do, keep playing that beautiful beast!

Couldn't check in earlier, just wanted to thank Farns for the interesting facts.

Uhmmm, that 54 Strat, giggity! Thanks for sharing.

This one was for RCT!

This is a good one, I'm laughing me bottom's off! Is there a tonal difference in the plush used in Gibson hardshell cases? There is some evidence to suggest that the type of plush used in a Gibson hardshell case may have a subtle effect on the guitar's tone. The plush lining of the case can create a microclimate around the instrument, which affects the way it vibrates and resonates. Some players and experts believe that the older, thicker plush materials used in vintage Gibson cases had a fuller, warmer tone compared to the thinner, modern plush materials used in newer cases. However, this is a subjective matter and difficult to measure. In general, the type of plush used in a guitar case is unlikely to have a significant impact on the overall tone and sound of the instrument. Other factors, such as the type of wood, pickups, strings, and playing technique will have a much more significant effect on the sound.

Hmmmm.... Which stringing method is best for a Les Paul guitar, standard or top wrapping over the tailpiece? The stringing method for a Les Paul ultimately comes down to personal preference. Both the standard method and the top-wrapping method (where the strings are fed over the tailpiece before being secured with the stopbar) have their advantages and disadvantages. Standard stringing is the most common method, and it allows for easy string changes and adjustments. The angle at which the strings break over the saddles can also provide more sustain and a brighter tone, as there is more pressure on the bridge. On the other hand, top-wrapping can create a smoother break angle, which can result in a warmer, more mellow tone. Some players also find that it provides better tuning stability and eliminates the need for string trees, as the strings are secured closer to the nut. Ultimately, the best-stringing method for a Les Paul guitar depends on the player's preferences and the sound they want to achieve. It is recommended to try both methods and see which one provides the desired feel, sound, sustain, and tuning stability for the individual player.

Another one? Wich is the most ICONIC electric guitar brand? One of the most iconic electric guitar brands is undoubtedly Fender. Since the introduction of the Telecaster in 1951 and the Stratocaster in 1954, Fender has had a significant impact on the sound and style of modern music. These guitars have been used by countless legendary guitarists such as Jimi Hendrix, Eric Clapton, Jeff Beck, Stevie Ray Vaughan, and many others. Fender also produces a range of other iconic guitars such as the Jazzmaster, Mustang, and Precision Bass. The company's guitars are recognized not only for their distinctive sound but also for their elegant and timeless designs, making them a symbol of rock and roll culture worldwide

Followed by: Is only a Gibson (guitar) good enough? No, only a Gibson is not necessarily good enough. While Gibson has a reputation for making high-quality guitars, there are many other guitar brands that also produce great instruments. Factors such as personal preference, playing style, and budget can all influence what guitar is "good enough" for an individual. It's important to try out different guitars and find one that feels comfortable to play and produces the desired sound. Additionally, some guitarists may prefer to play guitars from small, boutique brands or vintage instruments, rather than a well-known name like Gibson. Ultimately, what makes a guitar "good enough" is subjective and can vary from person to person.

First application that came to my mind was this: Does the wood-type have a tonal influence in an electric guitar? Yes, the type of wood used in an electric guitar can have a tonal influence on the sound produced. The primary tonewoods used in electric guitar construction are maple, mahogany, alder, ash, and basswood, each with its own distinct tonal characteristics. For example, maple is known for its bright, snappy sound, while mahogany offers warm, rich tones. Alder produces a balanced and even tone, ash offers enhanced sustain and bright harmonics, and basswood offers a well-rounded sound with a strong midrange. The choice of wood can also affect the sustain and resonance of the guitar. However, it's worth noting that other factors such as pickups, hardware, and construction also contribute to the overall sound of the electric guitar.

Any adjustment on a guitar must be based on the players rig, technique, and the sound or style of music he's after. I found out the hard way that measurements and factory settings are a waste of time. Best guide to get to your tonal goal is to use your ears. Or bring it to a tech or luthier and give him exact instructions on what you want your axe to feel and sound like.

Hey guys! It has been a long time since my last post. Hope you're all doing well! Most of the wah users will have experienced it sometime, there comes a time in a wahs life when the pot has to be cleaned or replaced. Lucky you if at that moment you loosen ya screws and find a normal potentiometer, a little spritz of good-ol' deoxit and probably your good to go. Good as new right? Well, in mine there was a pot with a sealed casing. So I checked online if there's a way for cleaning, nothing! No videos, no posts, nada. On the almighty WWW, at least I didn't find any useful info. There were theory's and suggestions of course. Like drilling a hole, but what caught my eye was one little post suggesting to heat something and melt a hole in the casing. Couldn't find no info if someone actually tried it. So just as a side note, money is darn tight right now, and searching for an original replacement pot wasn't easy. I still don't know if they even sell them as spare. The only one I found said it wasn't compatible with the mini wah and cost around 30 €. So I heated a needle till it was glowing, and carefully melted a wee hole into the pots casing, taking care to do it where I guessed it wouldn't destroy the whole mechanism. Once done it was spritzing time! It was a little difficult because of the size of the hole, it was really hard to see on that pitch black plastic casing. So I was generous with the deoxit, and knew it had gone inside when I saw liquid coming out again when turning the shaft. Cleaned it, waited and put a tiny piece of duct tape on the hole (it's not properly repaired if duct tape wasn't involved in some way) and put the pedal back together. And surprise! It is good as new, or better. If I recall right it had a little scratchiness from the beginning. So I guess it's time fo some juicy white boy* funkin'! Hope this helps some other tinkerers, and to Jim Dunlop.... I'm sorry. *European wetback would be mo appropriate.** ** And no I don't give a rat's a$$ about political correctness I friggin' allowed to say that I am a Spaniard! Greets to all!

From my own experience with shops, being in spain myself, just email Gibson support. With my first Lester.... Had little issues with original aftermarket pickups, shop didn't help in any way. Gibson europe did. On my second Les Paul a faulty bridge pickup. Didn't even consider to talk to the shop. After some mailing back and forth, Gibson EU ordered me a new pickup from the custom shop and sent it directly to me. As long it was purchased at an authorized dealership there should be no problem.

The speaker is new, so it might need some time to break in and sound how it's supposed to. The other thing that might come handy is trying maybe another set of preamp tubes. Some time ago I bought a Fender Vaporizer wich shares some similarities with the jr. at least soundwise, although it is a 2x10 combo. I changed the stock speaker's to two Jensen C10Q. After some trying and a lot of back and forth, I ended with an JJ 12au7/ECC82 in V1 an a JJ 5751 in V2. This had a huge effect in the amps behavior. Depending on what you want to use it for it could work. I brought the overall loudness down, and I have to turn it up 3/4 of the volume to start to get crunch. Maybe a bit less with humbuckers . It will crunch but not distort, wich makes it a way better pedal platform. Much smoother overall.

The pics are awful, it almost hurts. But the video....maaaaaan........ How much did that clown charge the owner for that crap? Wouldn't it have been way easier to sell ut and buy a lighter one? I'm guessing logical thinking won't apply in such cases.

Didn't watch the Andertons video, since I saw that alreadt on tps. The liquid one is cool but I find other Rainger FX pedals more interesting. Dr. Freakenstein Chop Fuzz and the Drone for example. There where other builders in that episode that also sounded very cool in my opinion.

Saw it recently on tps with a few other examples wich are pretty interesting! Personally I would go for the Brothers, if I needed one of this things.

Maple may look odd, but you can't really see it while playing. I was also very happy to have that on my 13 LPJ when I bumped the headstock into a wall. And for those with more than one Lester, it's one of the things that really have an influence on how the guitar sounds and behaves, wich to me is a good thing.

Well this certainly looks very small! https://youtu.be/TNgGS1bvOlc