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Guth

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  1. @62burst - Little Jimmy definitely found the right hat to balance out the visual impact of that guitar next to his low-rise frame. And yes, the guitar in the pool table shot and the guitar above in it's case are indeed one in the same.
  2. Thanks for the update Buc, much appreciated. It's especially good to know that you & yours are well.
  3. FYI Jinder, I'm still in the maple AJ club as well...
  4. My thoughts are with you. Be safe & be well.
  5. I think that a number of comments made above get to the heart of the matter. The AJ was designed to be a powerful flatpicker's weapon with it's long scale and dynamic voicing. (To confuse matters, Gibson being Gibson felt the need to create a short-scale AJ to drum up sales, which might be great guitars, but realistically aren't really AJ's but in name only.) Sticking to the authentic AJ design, it's not surprising that it might be a bit of a miss here on this forum as so many members are strummers / vocalists. But as seen with Jinder and others, there are no absolutes when it comes to the AJ.
  6. I haven't been to visit this forum in a while so what a nice surprise it was upon checking in to see a post by Rambler referencing content featuring Jinder that was originally posted by EuroAussie. A great triple whammy. I hope that all of you are doing well. (Oh, and as a bonus, it's highlighting a maple AJ.)
  7. I used to struggle with questions like this as my answer was typically something like 9 if I was lucky. But "poorly" would not be the proper choice of words. Instead I would say that the tone of most of the J-45's I've played, Bozeman-made or otherwise did not appeal to me. In your scenario if I was lucky I might find 1 out of 10 that did appeal to me, but not likely. I passed on a lot more than just 10 before finding "My" J-45. This line of reasoning is actually pretty sound unless you are dealing with someone like myself. What I finally figured out years ago here on the forum (after
  8. Man, what a crap shoot. I wouldn't even begin to think of attempting such a purchase without being able to first play any guitar for myself before committing to it. Short of actually being able to play any guitar yourself before buying, I would suggest that you at least consider shopping with one of the dealers that have a solid return policy and who feature videos of each individual guitar being played so you can get some idea about the tone of each guitar before purchasing. I have two AJ's, one rosewood and one maple — they are like night & day. I enjoy them as much for their differ
  9. To expand on what rustystrings said, I'll add this: Surely pretty much everyone here digs guitars. Most all of us likely dig Gibson guitars in particular. But we definitely don't all tend to like exactly the same guitars or even the same Gibson's for that matter. Only you can know what it is in a guitar that appeals to you. What might appeal to me or anyone else would hardly seem to matter by comparison. What defines the difference between a guitar and THE guitar for you is likely different than it would be for me or someone else. Generally speaking though, whenever you happen upon T
  10. Agreed. But in this particular case, I would automatically rule out Option 1. The way I look at it is that no matter how good a guitar sounds with fresh strings, if it sounds dead with old strings then I know that I can obtain better.
  11. In my experience, a great sounding guitar only continues to improve in appearance over time while most any guitar, no matter how beautiful, with tone that is less than satisfactory will become one that you never want to look at anyway. It is great to play and hear a guitar with a fresh set of strings, but I've always found it to be just as important, if not more so, to get the chance to play them with a much older set of strings. This will tell you just how much of any responsiveness, vibrancy and resonance that you detect is in the guitar itself as opposed to a fresh set of strings. In m
  12. Buc, I am glad I finally saw this thread as I had missed it earlier. I subscribed to your YouTube channel a while back, partially in hopes that I would be notified when you uploaded new videos. I'm guessing that maybe your channel does not send out such notifications, or else I don't have something set up correctly on my side of things (highly plausible). At any rate, I LOVED this one. When I saw this song included amongst your set list songs on the back of your headstock earlier I was immediately curious how your cover would sound. Rarely do things exceed my expectations when my expectat
  13. So Buc, does this mean that we can now request these tunes on your YouTube channel? I do have a number that I'd want to watch for myself (any originals never before posted, plus Rikki Don't Lose That Number, Ramblin' Man, Carmelita, etc, etc.) Shoot, I guess I'd want to watch 'em all. But I will note that Melissa is my wife's name so that'd definitely be my first request as I always share your videos with her when I watch them. Our common love for music is what brought she and I together in the first place. I actually played what I could of that tune for her back when we were still j
  14. Buc, Et al., I have had a life-long fear of playing in front of other people. Fear probably isn't quite the right way to describe it as it is not like I lose any sleep over the matter. Nor do I develop any uneasiness when thinking about. I suppose that for the most part I simply do not enjoy playing in front of others and it does tend to make me feel awkward (hell, I feel awkward amongst large groups of people even if I'm not playing guitar). Sadly, I even feel much the same way when I get around to recording my playing. At this point in my life I'm okay with playing for a few friends, or
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