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About byrds1965

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  1. http://www.epiphone.com/Products/Archtop/Casino.aspx Seeing if anyone knows about or has played one of the new spec Casinos yet? Hope a moderator can answer if any Casino from 2018 with the Pau Ferro fret board will also have the new P90 "Dogear P90" = the lower wind vintage correct vs the past overwound ones. Also will there be new PU stickers to help identify these new Casinos vs the old stock ones? Will probably wait for one of the new Turquois to make sure getting the newer low wind P90s. Thanks in advance.
  2. Duncan did a complete rebuild of the pickup, wire, magnets etc. It was still a stacked single or humbucker but major improvement. It has been years ago now and I no longer have the guitar. The pickup once pulled is more along the lines of a Fender single in shape and size vs a P90. With the rebuild it sounded closer to my modern, solid top X bracing, Gibson J160E plugged in but not like my 62 spec ladder braced one. Both Gibsons had the P90s. My solid top did not have the P100. I would guess the Duncan custom shop would still do the rewind for customers. At the time I let them
  3. I had a 2005 EJ160E and never liked the stock pickup. You are right it is an oddball. Despite what Epiphone claims in the specs it is NOT a P100,a Gibson P100 is 2 stacked P90s. Anyway I had mine yanked and rewound by Duncan. They did the work around 10 years ago for me so you might contact them. My direction was to try to make it as close to a P90 as possible. Once you remove the pickup to ship to them for rebuilding you will find, it more resembles a Fender single than a P90 of any kind. Duncan did a good job on mine and I think just under $100.00 plus shipping. The stock pic
  4. Agree with all of this. I bought the 2009 IB from MF for a very reduced price and was really surprised at what I ended up with. Just the luck of the draw. My friend was looking for a good acoustic at the time and we spent some time the next couple of years playing all the IB Texans we could find at GC and Sam Ash trying to find one as good as mine, since I paid under $300 USD for the first one. Never found one that sounded as good as my 2009, so he ending up buying a Gibson Songwriter instead. We both played several of those as Gibson around 2010-2011 was all over the place on assembl
  5. I have never owned a 60s or Elitist Texan as you have owned examples, and proves that guitars of the same model vary greatly from example to example. I have noticed on the whole that the made in Indonesian IB Texan models from every one I have played at GC every time I see them and grab them off he wall seem very consistent from one to the other both in sound and fit/finish. I have never found one in the same tone range of my 2009 and did not expect to. Since I travel for work and wanted a decent hotel room guitar, bought the 2016 from MF when I found a reduced price level 2 as I f
  6. Right the first IB Texans were MIC then production shifted to Indonesia. My 2009 is MIC my 2016 in MII. Both are of equal quality, but the later ones on my examples are different in width of the neck heels, headstock beveling is slightly different and position they glued the bridge on. The MIC is mounted back a bit so the saddle route is forward and the MII is forward a bit so the saddle route is in the center of the bridge. This is more in line with the 60s Gibson's where the route was right in the center of the bridge so there was plenty of room for the adjustable bridge hardware.
  7. Interesting I have the same guitars as you a 2009 IB Natural Texan then a 2016 IB Burst Texan. The top on the 2009 has a very tight grain pattern while the 2016 rather wide spaced typical of any other I have seen. I always grab them at GC off the wall and pretty much put them right back after a few strums. I will have to look at the inside bracing when home next to see if mine have any differences. My 2009 has a wider neck heel and the bridge is mounted a bit back so the saddle slot cut more forward towards the neck. My 2016 as you say has the painted black bridge with the brid
  8. Red you are correct on what you are saying: http://www.mylespaul.com/forums/gibson-les-pauls/190712-tell-me-about-gibson-p100s.html My point is they use P90 bobbins to wind these PUs and they look like stacked P90s with the covers stripped off = size and shape of 2 stacked P90s. The P90 and the real Epiphone Mini by happy chance both fit in the same P90 route = All those LPs with Epiphone minis dropped into the P90 routes. The thing that is in the Lennon is just what the spec used to say a "MINI" HB = As in strat size stacked Mini. I had mine out years ago and sent to Duncan to re
  9. A real P100 is 2 P90s stacked to make a HB. The old EJ160E and the one I own is some kind on mini hb as they said in the specs and in no way a P100 like used on the old Gibson J160E standards before the swap back to the P90 as it should be. I played Gibson J160E standards with the P100s. My standard is a 2008 with the P90 so I have seen them both ways. Curious to see when someone gets one of these if it really is a P100 (at least an Epiphone P100 clone of 2 of their stacked P90s) or the same mini hb that was in the Lennon sig.
  10. Looks like they are finally doing it in the correct scale. I know several of us had asked Epiphone for this in the past, if so this would be nice upgrade and available in Natural very nice also.
  11. I am a middle PU strat player or neck. Never thought of rewiring them just have to make a conscious effort when changing to my strats to pay attention to what my right hand is doing for a bit then all good. I am 85% a Gibson guy.........but still like my strats and use them for certain things.
  12. HA! Saw you ordered from Sweetwater? Guess their 55 points did not catch that either! I have been hit or miss with them through the years on guitars. 2 had major problems though to their credit offered to make it right........but both were so obvious had they really done the 55 point thing would have caught them at the time and pointed that out to them. Like their business model and the last one I ordered got everything right so still a customer when they have something I can get from them spend my money there when possible.
  13. I still do when I go from my Gibson acoustics to the Texan or my old AJ-500 but get used to it right away. I have all the same string gauges on my acoustics 12-53s. My electrics I have to think more about when first changing as palm damping on the strat is different because of the bridge and have to move my hand up a bit not to knock the volume knob and turn myself down.
  14. I own an IB Texan and am still happy with that. If I was in the market for this price range acoustic again and the new MB was available at the time I had bought my Texan would pay the extra $ for the MB over the Texan. More lively and can feel the body and the wood vibrate like a solid wood acoustic should. Plus the same feel or tension as my Gibsons.
  15. You get used to it right away when you play. Like going between my Strats and Gibsons it is there and they feel different. One is not better than the other. The string tension for the same gauge strings on both will be less on a shorter scale just the laws of physics.
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