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Anyone got a 12 fret Gibson they are looking to sell???


onewilyfool

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duluthdan-So with the acquisition of your Ren SJ-200 I'm wondering which girl in your harem is getting the most attention these days? That Jackson Browne sure is a tasty looking 12 fretter.

the 200 got a workout Monday night- a few studio musician's from John Denver's old band(s) let me plunk away with them until 2 AM, was a riot ! Lately its the SJ, got a thing coming up Saturday night near Denver, in a barn [crying] ! As nice as a 12 Fret JB is, it doesn't leave the house very often. It isn't for sale, not even close. But OWF, if you don't have a 12 Fret around, you need one, everyone does. You leaning Vintage ?

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You made me count -- we have 23 substantive 12-frets, 21 of which are vintage (I think). I usually don't think in those terms.

 

There are six in this picture of pre 1940 flattop Gibsons -- '26 L-1, '39 HG-00, '36 RSSD, '35 RSRG, '34 HG-Century, '31 L-1

 

30gibs.jpg

 

Here are some 30s 00 Martins

 

001230s.jpg

 

Here are all the old Hawaiin conversions in one picture

 

hs1.jpg

 

 

We have quite a bit of older stuff yet -- pre 1930 parlor guitars, etc, and even some 60s 12-frets -- F-25, two D-35Ss, and a D-18S.

 

One new 12-fret got a pretty good workout last night. A traveling musician needed a (sort of bluegrass) band to back him up. My wife and I and our regular banjo player took the gig. It turned out to be a little weird and a lot of fun. We mostly took it because we (my wife and I) wanted to do the harmony work -- we have tried to become a good bluegrass tenor/high baritone engine. We knew the songs (bluegrass/country/gospel), he was a good strong lead singer (and rhythm guitar player) and we were working closely around a single condenser mic -- we could hear everything and we could really cut the vocal edges.

 

But we were also expected to do the lead work, and his material was all over the place. So I brought two guitars on stage plus my harmonicas -- gospels crowds love harmonica (not pretty, but there it is). The 12 fret I brought was our Randy Wood Custom Adi over Cuban Mahogany -- I use this mostly to finger pick (with finger picks) those old driving gospel songs. Well, as it worked out I played the 12-fret about half the time -- right into the condenser mic. It was a great facility and that guitar just range off the walls. It could have been a diaster in so many ways -- we just did it on the fly, but every now and again you just win one.

 

Isn't music wonderful!

 

Best,

 

-Tom

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Tom...which of thse Jumbo 12's you willing to let go???....lol

 

You made me count -- we have 23 substantive 12-frets, 21 of which are vintage (I think). I usually don't think in those terms.

 

There are six in this picture of pre 1940 flattop Gibsons -- '26 L-1, '39 HG-00, '36 RSSD, '35 RSRG, '34 HG-Century, '31 L-1

 

30gibs.jpg

 

Here are some 30s 00 Martins

 

001230s.jpg

 

Here are all the old Hawaiin conversions in one picture

 

hs1.jpg

 

 

We have quite a bit of older stuff yet -- pre 1930 parlor guitars, etc, and even some 60s 12-frets -- F-25, two D-35Ss, and a D-18S.

 

One new 12-fret got a pretty good workout last night. A traveling musician needed a (sort of bluegrass) band to back him up. My wife and I and our regular banjo player took the gig. It turned out to be a little weird and a lot of fun. We mostly took it because we (my wife and I) wanted to do the harmony work -- we have tried to become a good bluegrass tenor/high baritone engine. We knew the songs (bluegrass/country/gospel), he was a good strong lead singer (and rhythm guitar player) and we were working closely around a single condenser mic -- we could hear everything and we could really cut the vocal edges.

 

But we were also expected to do the lead work, and his material was all over the place. So I brought two guitars on stage plus my harmonicas -- gospels crowds love harmonica (not pretty, but there it is). The 12 fret I brought was our Randy Wood Custom Adi over Cuban Mahogany -- I use this mostly to finger pick (with finger picks) those old driving gospel songs. Well, as it worked out I played the 12-fret about half the time -- right into the condenser mic. It was a great facility and that guitar just range off the walls. It could have been a diaster in so many ways -- we just did it on the fly, but every now and again you just win one.

 

Isn't music wonderful!

 

Best,

 

-Tom

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How about a '67 Gibson F25(N)? A full 2" at the nut and who can forget those big white guards?

It's in really good condition, sounds fantastic with lights and comes in a Guardian hsc.

PM for more details and pix. Thanks, Ce.

 

I have a '66 version, great guitar. A previous owner removed the tap plates and did a shoddy refinish of the top but as a player I'll never give it up. I would highly recommend it.

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I understand there are some 12 fret J-200's, J-45's, maybe other Jumbos...I wouldn't mind a JB, but I don't want to spend that much. I HAVE a 12 fretter, the L-20 special.....Nick Lucas type body, but looking for a jumbo 12 fretter...I have a J-45 Pure voice, and an AJ Mahogany Short Scale, both great guitars, but somewhat similar sound wise, so I thought a nice trade for a 12 fretter might work.....a little something different...hmmmm??

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I understand there are some 12 fret J-200's, J-45's, maybe other Jumbos...I wouldn't mind a JB, but I don't want to spend that much. I HAVE a 12 fretter, the L-20 special.....Nick Lucas type body, but looking for a jumbo 12 fretter...I have a J-45 Pure voice, and an AJ Mahogany Short Scale, both great guitars, but somewhat similar sound wise, so I thought a nice trade for a 12 fretter might work.....a little something different...hmmmm??

 

Well, I think if you are looking for a Gibson, those are far rarer beasts -- I think those things exist, but I don't get the impression they are particularly common. I guess this is indeed the right place to ask.

 

Good luck.

 

Best,

 

-Tom

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I had another thought -- probably not an interesting thought but I will present it anyway.

 

If it existed, what might be good is a 12-fret J-35. Well, as it turns out the Randy Wood guitar I was talking about above is pretty much that -- it just hit me that that might make it actually interesting. It's body is a copy of a '39 J-35.

 

Here is a couple of old links that talk about it. link1 link2

 

These are pretty rare birds, but last I heard he had slightly used one like ours for sale (one of three in Cuban Mahogany) and another new one in mahogany.

 

Just a thought.

 

Best,

 

-Tom

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Tom, I remember that guitar...very nice......can you give me an idea what one of those would run????

 

I had another thought -- probably not an interesting thought but I will present it anyway.

 

If it existed, what might be good is a 12-fret J-35. Well, as it turns out the Randy Wood guitar I was talking about above is pretty much that -- it just hit me that that might make it actually interesting. It's body is a copy of a '39 J-35.

 

Here is a couple of old links that talk about it. link1 link2

 

These are pretty rare birds, but last I heard he had slightly used one like ours for sale (one of three in Cuban Mahogany) and another new one in mahogany.

 

Just a thought.

 

Best,

 

-Tom

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Tom, I remember that guitar...very nice......can you give me an idea what one of those would run????

 

I am not sure, but the used Cuban one might go around 3K. New I think one would be 3-4 -- remember even though we love Randy, we usually don't pay much attention to new stuff.

 

Best,

 

-Tom

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You made me count -- we have 23 substantive 12-frets, 21 of which are vintage (I think). I usually don't think in those terms.

 

There are six in this picture of pre 1940 flattop Gibsons -- '26 L-1, '39 HG-00, '36 RSSD, '35 RSRG, '34 HG-Century, '31 L-1

 

30gibs.jpg

 

Here are some 30s 00 Martins

 

001230s.jpg

 

Here are all the old Hawaiin conversions in one picture

 

hs1.jpg

 

 

We have quite a bit of older stuff yet -- pre 1930 parlor guitars, etc, and even some 60s 12-frets -- F-25, two D-35Ss, and a D-18S.

 

One new 12-fret got a pretty good workout last night. A traveling musician needed a (sort of bluegrass) band to back him up. My wife and I and our regular banjo player took the gig. It turned out to be a little weird and a lot of fun. We mostly took it because we (my wife and I) wanted to do the harmony work -- we have tried to become a good bluegrass tenor/high baritone engine. We knew the songs (bluegrass/country/gospel), he was a good strong lead singer (and rhythm guitar player) and we were working closely around a single condenser mic -- we could hear everything and we could really cut the vocal edges.

 

But we were also expected to do the lead work, and his material was all over the place. So I brought two guitars on stage plus my harmonicas -- gospels crowds love harmonica (not pretty, but there it is). The 12 fret I brought was our Randy Wood Custom Adi over Cuban Mahogany -- I use this mostly to finger pick (with finger picks) those old driving gospel songs. Well, as it worked out I played the 12-fret about half the time -- right into the condenser mic. It was a great facility and that guitar just range off the walls. It could have been a diaster in so many ways -- we just did it on the fly, but every now and again you just win one.

 

Isn't music wonderful!

 

Best,

 

-Tom

 

Much too imbalanced.

Replace that carpet with one as good as those guitars.

 

DSC02106_zps7d74df31.jpg

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