Rabs Posted June 5, 2014 Share Posted June 5, 2014 Link to comment Share on other sites More sharing options...
IanHenry Posted June 5, 2014 Share Posted June 5, 2014 Thanks Rabs, that's a really good informative interview. Who would have thought that "I remember Paris in 49" was a reference to Phil Lynott's year of birth and his father's name. Ian Link to comment Share on other sites More sharing options...
btoth76 Posted June 5, 2014 Share Posted June 5, 2014 Thanks Rabs! Great video! Cheers... Bence Link to comment Share on other sites More sharing options...
Karloff Posted June 5, 2014 Share Posted June 5, 2014 great interview. ty. Link to comment Share on other sites More sharing options...
pippy Posted June 5, 2014 Share Posted June 5, 2014 That was interesting, Rabs. Particularly the bit where he described how he approached 'Jumping at Shadows' and how open he was about how he borrowed, with just a one-note variation, PG's NYLSB intro. I was familiar with both the Duster Bennett and (various) PG'sFM versions and had wondered why GM chose to do it the way he did. That clarified things a little. IMHO Moore's version is the best of the lot. It's probably my favourite GM track and the famous live version (a clip of which appeared in the OP) is a masterclass in touch. Thanks for posting. P. Link to comment Share on other sites More sharing options...
Rabs Posted June 5, 2014 Author Share Posted June 5, 2014 That was interesting, Rabs. Particularly the bit where he described how he approached 'Jumping at Shadows' and how open he was about how he borrowed, with just a one-note variation, PG's NYLSB intro. Thanks for posting. P. Yeah totally.. I had the same thought about that one note change which just proves how simple small changes make a big difference. Link to comment Share on other sites More sharing options...
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