windhoek Posted December 18, 2015 Share Posted December 18, 2015 As an electric guitar newbie, I initially found myself drawn to the dirty side of my 175D, but now that the novelty has worn off, I love it nice and clean :) What about you; do you play it nice and clean or all badass and dirty? Link to comment Share on other sites More sharing options...
surfpup Posted December 18, 2015 Share Posted December 18, 2015 Clean(ish). I like an amp to be "Wind Cries Mary" type of clean. Then I can add pedals for gain at will. Link to comment Share on other sites More sharing options...
rocketman Posted December 18, 2015 Share Posted December 18, 2015 The older I get the cleaner I become. When I was young I wasn't that great of a picker, so I liked the dirty sound to hide my flaws. Now I can play good enough so that I don't fear them. The weird thing is that I'm originally a piano player. But because I haven't practice piano in years I lost my chops. I sometimes want to mic my piano and run it through a distortion pedal to hide my mistakes! Link to comment Share on other sites More sharing options...
jdgm Posted December 18, 2015 Share Posted December 18, 2015 Clean. I've always had to have a completely honest clean guitar tone available. Maybe reverb on 3. Back off the presence to 50%. Link to comment Share on other sites More sharing options...
AndyK Posted December 18, 2015 Share Posted December 18, 2015 With beautiful Marshall crunch from my JTM45. Link to comment Share on other sites More sharing options...
Dennis G Posted December 18, 2015 Share Posted December 18, 2015 I'll have to agree with the mostly clean side of the discussion. Even ol' Les himself always said you had to play it clean. That said, there's something to be said for a well used "overdriven" sound every now and then. IMHO anyway. Link to comment Share on other sites More sharing options...
Kenny V Posted December 18, 2015 Share Posted December 18, 2015 Clean the way the music I like to play was written. Link to comment Share on other sites More sharing options...
valtyr Posted December 19, 2015 Share Posted December 19, 2015 I prefer multi channel amps so I can switch between clean and overdriven tones at will. If either channel is lacking then the amp goes up for sale. I want everything in the amp and don't care to deal with overdrive pedals. Clean or dirty, a Les Paul Classic and Bogner Shiva is great sound. :) Link to comment Share on other sites More sharing options...
zigzag Posted December 19, 2015 Share Posted December 19, 2015 Clean with a touch of reverb and enough delay to add depth on top of the reverb. Link to comment Share on other sites More sharing options...
fromnabulax Posted December 19, 2015 Share Posted December 19, 2015 I spent years playing nut so psychedelic feedback heavy distorted guitar hammering the sucker with a nickel (5 cent piece for my international friends) as a pick. Nowadays though it's all clean, and fingers only. Gimme that Wes Montgomery-Joe Pass-Herb Ellis sound. Link to comment Share on other sites More sharing options...
Retired Posted December 19, 2015 Share Posted December 19, 2015 I'm just starting to experiment with a couple of pedals and my amp has around 80 different sounds built in but I prefer clean with a little reverb and delay and set on blues. Link to comment Share on other sites More sharing options...
4Hayden Posted December 19, 2015 Share Posted December 19, 2015 nice and clean 60's-70's rock & roll / blues Link to comment Share on other sites More sharing options...
NHTom Posted December 19, 2015 Share Posted December 19, 2015 for me it's how I justify all my gear....... Depends on mood, what I've been listening to, etc. Some days it's a tele on a nice warm clean tone Some days it's a strat with a light crunch Double cut special with p90's and a heavy crunch or dime everything and pull out the explorer with the super distortion in it. I do find myself playing fairly clean when "practicing" or learning something so it forces me to play better. If I'm just looking to blow off stress, the gain it up and let it eat. NHTom Link to comment Share on other sites More sharing options...
StRanger7032 Posted December 19, 2015 Share Posted December 19, 2015 My favorite tone is a mild Mesa-Boogie crunch with a touch of reverb and delay. Right now I'm making that sound with a modeling amp since I can't afford the real thing. I'll dial up the distortion occasionally when I feel like playing some more aggressive stuff on my ESP. Link to comment Share on other sites More sharing options...
skilsaw Posted December 19, 2015 Share Posted December 19, 2015 Gimme that Wes Montgomery-Joe Pass-Herb Ellis sound. I'll add Charlie Christian to that lineup. Link to comment Share on other sites More sharing options...
Tman Posted December 19, 2015 Share Posted December 19, 2015 British crunch on my Gibsons. Sparkly Surf clean on my Strat. Link to comment Share on other sites More sharing options...
dbrian66 Posted December 19, 2015 Share Posted December 19, 2015 When I play with the band at church, its all clean. Neck pickup, a good bit of chorus, and some delay. sounds nice. At home in my basement though, My 80's hairband roots come out. Lots of distortion!B) Link to comment Share on other sites More sharing options...
quapman Posted December 19, 2015 Share Posted December 19, 2015 I like both. But when I'm all rusty I like distortion cuz it hides my many mistakes. I like clean better when I'm all practiced up. But I gotta say I like them both a lot. They both have their place. Link to comment Share on other sites More sharing options...
pippy Posted December 19, 2015 Share Posted December 19, 2015 With my LPs most of the time I play mostly clean; perhaps 85% clean with 15% 'lint' when I dig in deep. PG's 'Black Magic Woman' if that's any help? Sometimes, though, I'll go quite a bit more 'Beano' / B.F.Gibbons. With the Strat I vary it a lot more. Think 'Derek'-era Clapton / Rory Gallagher for the majority of the time. Occasionally I'll go down the cleaner Knopfler route. With the D'Angelico (if amplified) I'll play pure clean with the tone rolled back quite a bit. I'd hesitate to claim JoePass/HerbEllis tone but that's sort-of the aim. Most of the time I play the D'A as an acoustic, though, so the right-hand positioning and attack is the main determining factor. Pip. Link to comment Share on other sites More sharing options...
'Scales Posted December 19, 2015 Share Posted December 19, 2015 think 1986 Lada. Link to comment Share on other sites More sharing options...
LarryUK Posted December 19, 2015 Share Posted December 19, 2015 Back in the 80's I was always searching for my sound and only got it once.I borrowed a Marshall 50 for a big gig and the sound was perfect. No fuzz, just amp distortion. That sound of the Marshall at full volume with an MXR micro amp in front for solo boost. My Marshall's never gave me what I wanted. Perhaps I should have tried something else Link to comment Share on other sites More sharing options...
Notes_Norton Posted December 19, 2015 Share Posted December 19, 2015 What about you; do you play it nice and clean or all badass and dirty? It depends on the song. I gig for a living, and play a wide variety of music. There is a time and place for each. Link to comment Share on other sites More sharing options...
Karloff Posted December 19, 2015 Share Posted December 19, 2015 I like my dirty to be a little clean and my clean to be a little dirty. Unless I'm playing voodoochile. Link to comment Share on other sites More sharing options...
J.4knee Posted December 19, 2015 Share Posted December 19, 2015 Hmmm I play not dirty but not clean more like a bit dusty Link to comment Share on other sites More sharing options...
milod Posted December 19, 2015 Share Posted December 19, 2015 On the 175-types, one or two pups, functionally pretty clean, with perhaps just a tad bit of reverb and/or chorus on a SS and just a tad bit of reverb on tubes if available. But "clean" IMHO has to do as much about overall settings on an amp. We'll get a somewhat different sound regardless depending on both amp and guitar settings. For example, on my two-pup 175 I use a bit of the bridge pup as well as the neck, then adjust a bit on tone and volume pups. Thence into the amp. On the single-pup, pretty much whole hog on volume and mess with tone to "fit." Then if I'm in a place where volume is too much, tone it down to fit. Overall though, I tend to want a guitarry sound as opposed to a sax played "dirty" which is what I think distortion pedals were designed to do in the olden days anyway - then a good sax player was unneeded in a four-piece two guitar and bass and drum combo. I've pretty much done that even in my olden days of playing variations of rock and country in dance halls and saloons on various guitars. Strings too make a diff - and all of my archtops basically wear the same string gauges as my semis and acoustics, 9-42, which is a lot lighter than most folks, but then I've almost always preferred a lighter touch than many, regardless what style I was playing. My final "country saloon" guitar from my olden days has also done solo jazz, btw; it's a mid '70s Guild S100c that's pretty much an SG copy, and it has worn 8-38 from the beginning; sometimes in the late '70s with a real mechanical Leslie for some bluesie saloon stuff to pretty much emulate a B9 playing it fingerstyle chording to simulate a saloon B9 blues player. m Link to comment Share on other sites More sharing options...
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