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Classical guitar anyone?


PinoyGibson

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I do a bit. I have a Manuel Rodriquez A-Cut

 

I know a handful of pieces and always looking for another one.

 

I've been working on an arrangement of Cavatina for my Nieces wedding, she wants to use that for her processional.

 

I've got it worked out time wise where it should work nicely. I need to record ti, but I've been procrastinating.

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I have a Brazilian Ramirez and play classical a lot. Christopher Parkening had a summer home in Bozeman and held his masters program here for many years. I was lucky enough to see many excellent concerts By Parkening and his students as well as audit many of his classes.

I liked your submission and hope you post more.

 

It's not widely known but Gibson/Montana was a Ramirez distributor for many years in the early 1990's. Parkening is a endorsee for Ramirez but was never affiliated with the Gibson program. He was and endorsee of the other American distributor -Sherry Brenner.

 

 

Muriel Anderson was a student of Parkening's and came to his program for many years. She was just a kid in those days and was very flattered when someone recognized her. Those were exciting days for Bozeman and the guitar community. She could be found at Music Villa jamming with anyone that was brave enough to sit with her.

 

Gibson toyed with the idea of making high end classical guitars and the Custom Shop in Bozeman made several Brazilian Rosewood Ramirez clones. They were excellent guitars. Kevin Kopp was in charge of the program and he did an amazing job. I always wanted one of them but Gibson wouldn't sell them. They just sort of disappeared over the years. At least two G.M's took some as well as the Marketing Director.

Didn't mean to hijack the thread.

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I have a nice Spanish-made Pavan, by Tom Prisloe. Cedar top, rosewood b&s, ebony board, etc.

 

I bought it strictly for Brazilian music, which I ironically never play these days. It's a beautiful guitar, and is wasted on me.

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I have a Brazilian Ramirez and play classical a lot. Christopher Parkening had a summer home in Bozeman and held his masters program here for many years. I was lucky enough to see many excellent concerts By Parkening and his students as well as audit many of his classes.

I liked your submission and hope you post more.

 

It's not widely known but Gibson/Montana was a Ramirez distributor for many years in the early 1990's. Parkening is a endorsee for Ramirez but was never affiliated with the Gibson program. He was and endorsee of the other American distributor -Sherry Brenner.

 

 

Muriel Anderson was a student of Parkening's and came to his program for many years. She was just a kid in those days and was very flattered when someone recognized her. Those were exciting days for Bozeman and the guitar community. She could be found at Music Villa jamming with anyone that was brave enough to sit with her.

 

Gibson toyed with the idea of making high end classical guitars and the Custom Shop in Bozeman made several Brazilian Rosewood Ramirez clones. They were excellent guitars. Kevin Kopp was in charge of the program and he did an amazing job. I always wanted one of them but Gibson wouldn't sell them. They just sort of disappeared over the years. At least two G.M's took some as well as the Marketing Director.

Didn't mean to hijack the thread.

 

I would've loved to see and hear a Gibson made classical guitar! [biggrin]

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Yes, Pinoy, I seem to mostly be playing classical guitar these days on my (dirt cheap) Yamaha C-40. I also often play classical pieces on my L-00. (The L-00 is just a great guitar for any fingerstyle genre, really.) I began a few years ago teaching myself to read music while working through the Ontario Royal Conservatory of Music grade level books. I am currently on the grade 3 book. I have begun saving (savings are meagre at this point!) for a true Spanish guitar - an Alhambra 5P that I will purchase at The Twelfth Fret in Toronto (what a great guitar shop, btw) - hopefully in a year or so I'll have the savings together! The Conservatory books are great because they contain a nice variety of renaissance, baroque, romantic, and contemporary/modern pieces. I find the contemporary/modern ones are the most fun to learn and play because they are so different from anything I had ever done on a guitar before.

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I wouldn't have the audacity of saying I "play" classical music but I do work through a number of pieces (Mozart, Sor, etc, and contemporary works) from various published works including student books for examination purposes. A lot of fun in many ways particularly as it encouraged me to commence to learn theory along with sight reading.

 

I have a three nylon stringed guitars, all Cedar tops, including an Alhambra 7C which I find a delight and, boy, does it ring.

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I wouldn't have the audacity of saying I "play" classical music but I do work through a number of pieces (Mozart, Sor, etc, and contemporary works) from various published works including student books for examination purposes. A lot of fun in many ways particularly as it encouraged me to commence to learn theory along with sight reading.

 

I have a three nylon stringed guitars, all Cedar tops, including an Alhambra 7C which I find a delight and, boy, does it ring.

 

Awesome! I have a Cordoba C9 with a solid european spruce top and solid mahogany back and sides. I am eyeing an Almansa 459 in the future. [smile]

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Yes, Pinoy, I seem to mostly be playing classical guitar these days on my (dirt cheap) Yamaha C-40. I also often play classical pieces on my L-00. (The L-00 is just a great guitar for any fingerstyle genre, really.) I began a few years ago teaching myself to read music while working through the Ontario Royal Conservatory of Music grade level books. I am currently on the grade 3 book. I have begun saving (savings are meagre at this point!) for a true Spanish guitar - an Alhambra 5P that I will purchase at The Twelfth Fret in Toronto (what a great guitar shop, btw) - hopefully in a year or so I'll have the savings together! The Conservatory books are great because they contain a nice variety of renaissance, baroque, romantic, and contemporary/modern pieces. I find the contemporary/modern ones are the most fun to learn and play because they are so different from anything I had ever done on a guitar before.

 

That's great man! I learned to read music on the guitar by using Christopher Parkening's method books. Those Alhambra guitars are pretty nice and I heard they sound great too! :)

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