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Neck "Fall Away" or "relief" above the 15th fret. How does yours measure


Toner

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I was wondering if Gibson has a "Spec" for this. What I am referring to is how the fingerboard has been planed increasingly thinner from the 15th to 21st frets. On my '98 R7 it seems to be more than normal, resulting in higher action from the 15th to 22nd frets. I would think that .010 to .020 would be enough, but mine has .035 at the 22nd.

I have the guitar set for low action with .010's and playing licks up the neck is a breeze untill I get to the 15th fret and I can tell my action is getting higher and playing is less of a breeze, but still playable, just not optimal.

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Has the guitar been re-fretted ?

 

I measured mine, it's an un-bound neck.

 

The fingerboard thickness is 1/8 of an inch, until you get to the top of the neck. Just in

front of the pickup and it is 1/16 of an inch. The majority of guitars have this drop off.

 

My guess is you neck maybe slightly bowed, unless you know for sure you fingerboard

has been planed.

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No re-fret, it's totally stock. The reason they do this is to continue the slight bow(Relief) in the neck that the string needs to vibrate without hitting the frets. A 16th of an inch is pretty thin for a fingerboard. The tang of the fret is about that long. Anyway, my R7 seems like it could use some more fingerboard thickness above the 15th fret. And I was wondering if its common to have so much fall away on Les Pauls.

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Here are my measurements: Fingerboard/Binding 6/64ths to 5/64ths, nut to end of board.

 

How I check the fallaway is to press the 1st string down at the bridge PUP untill the string touches the 12th fret then measure the space between the string and the top of the 22nd fret. Mine is a little over 2/64ths, a 64th=.015".

 

I think the finish thickness is why there's only a 1/64th differance measured from the side.

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Fingerboard and frets. They can both effect fallaway. I've checked the crown height of the frets and they are all about the same height above the board. So, I think that it was the way the fingerboard was prep'd before fretting that is causing the fallaway.

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  • 3 months later...

No offense but that looks like the ink-stamped ruler that I have in my desk drawer, and I can't really trust it for straight pencil lines on looseleaf. You need a machinist's ruler with a precision straightedge and etched markings.

 

The picture does tend, however, to show that the last three or four frets are getting pretty low - has anyone done a level-and-crown on these frets and maybe got a little zealous? Falloff is supposed to be very subtle, in fact it's not usually done when sanding the board it's done after the frets are on there. When the frets are leveled, some techs use a layer or two of masking tape up around the 12th fret so the leveling tool takes nothing off the 13th and progressively more until it takes a few thousandths off the last fret - I'd expect it to be a lot less dramatic of a fall off than what's suggested by your picture.

 

A partial refret might be in order, so save the money you would've spent on a Starret ruler and find a good tech instead. Unless you're the original owner in which case you might have a warranty issue - it isn't fret wear so much as it's the frets were not leveled properly in the first place - nobody wears out the highest frets.

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Ruler is a Pickett. Checked againist my Starrett 6". Straight enough to show the fallaway. Guitars frets are untouched by anything but strings. Crown height is the same on all frets, so it must be the fingerboard.

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Try calling 1-800-4-Gibson and double check with them on the relief.

 

Maybe it's the picture but it doesn't look like the ruler is flush on the higher frets.

 

If the ruler is flush that is a huge relief and I doubt adjusting the truss rod would

compensate, but I could be wrong.

 

Hopefully someone with a similar model can answer your question.

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