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Chambered vs. Weight Reduced


Connic01

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I recently purchased a Les Paul Studio in alpine white with gold hardware. When reading the specs I found that the body on the Studio is chambered. Anyway, I found that I wasn't crazy about the guitar so I returned it and did a deal on a Traditional + in heritage cherry burst. When the deal was being done I demo'd a Traditional in the store and LOVED IT. The Traditional and Studio were night and day, IMHO, but that is a subject for another thread. The Traditional, being weight reduced, was obviously beefier than the Studio, but not so heavy that it felt like a millstone around my neck.

 

After researching a number of the LPs I noticed that many of the higher end guitars are chambered like the Studio. I wanted to get some of your opinions/thoughts on chambered bodies versus weight reduced, in the areas of tonality, playability, etc.

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I personally like both, but prefer the weight reduced because I like the weight of the guitar. Acoustically the chambered seems to have better resonance so I play that when sitting in my room and I do not want to bother anyone. It also seems to have a slight bit more sustain then the weight reduced.

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Honestly, I didn't see any solidbody LPs indicated on the Gibson site. Are there any LPs still being made as a solidbody? I have to imagine that they would weigh quite a bit, and be more expensive since you are getting more quality wood. But, that is just a guess on my part.

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The Custom Shop guitars are definitely works of art, but I would have to sell a kidney at this point to afford one. Hopefully, as I advance in my guitar playing (I recently converted to the LP from a Fender American Standard Strat HSS) I will gain enough knowledge to find a nice, used solidbody LP that was babied as much as I expect to baby my new traditional!

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Unless the serial number begins with CR, every historic reissue is solid. 1956 (R6), 1958 (R8), etc.

...and no, they do not weight a ton. Usually around the same weight as a weight-relieved Les Paul, sometimes more, sometimes less. Reissues get the lightest wood Gibson has. Both of my R9s are under 8.5 lbs.

 

As far as price goes, you can find a used R7 or R8 for under $2,000 US if you're patient.

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I prefer the millstone solid bodies. Gibson doesn't seem to differentiate between "quality" wood and whatever its "ordinary" wood might be for bodies; I've seen good stuff and crap used in both high end and lower end LPs. I don't think they differentiate when it comes to chambered or weight-relieved, either. I think there's a difference in tone between solid body guitars and the chambered, but if you're playing music with a lot of gain you're unlikely to notice. At that point it's all amp, pickups and effects.

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There aren't any noticable tone differences between a solid body or swiss cheese/weight relieved body. It would be very hard to find a chambered Les Paul Standard (or Custom) that weighs about 11 lbs. Chambered Les Pauls are often much lighter in weight; that's why Gibson introduced the chambering process for Les Pauls...to reduce the weight of the guitar while still keeping the 'Les Paul' tone. Nice idea, especially for all the poor people that couldn't handle the weight anymore. Sad, real sad. Now we've got chambered Les Pauls; a cross between a Tele and Les Paul.

 

Chambered Les Pauls are really different in tone compared to a solid body or swiss cheese body. Very simple to hear. Chambered Les Pauls are brighter and thinner, solid bodied or swiss cheese Les Pauls are warmer and smoother + the louder they get, the bigger and better the tone becomes. Sustain, roar and singing quality from the heavy, massive Les Paul body. Thick tone. I don't get this feeling/vibe from chambered Les Pauls. It's like they can't handle as much gain as a solid body/swiss cheese body; at least not in a proper way. Their naturally thin and hollow tone (from the chambered body) gets in the way for classic hardrock or metal. I find chambered Les Pauls great for clear blues/rock tones (more woody and airy).

 

I think there's a difference in tone between solid body guitars and the chambered' date=' but if you're playing music with a lot of gain you're unlikely to notice. At that point it's all amp, pickups and effects. [/quote']

 

I don't agree with this. When the tone differences are noticable on the clean channel, then they're also noticable when you're playing with gain.

 

Unless you're using a real sick amount of gain (which will suck tone anyway).

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