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Alternatives to wood guitars?


merciful-evans

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I was going to add this to Pinch's `humidity and neck relief thread' but thought better of it.

 

We are all trying to keep setups within a couple of thou (0.002" inch) with hardware attached to lumps of wood. 

Question: Is wood really the best material for the job? 

Answer: Its traditional.                ...oh yeah; and its got tone in it.

 

Would anyone consider, or even try out an alternative material?

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I know there are carbon fibre acoustics, but I've never played one.

I think wood would be hard to replace. It even needs to be particular woods. Look at basswood - IMHO, bad tone. And it's still a wood, so related to e.g. mahogany. You'd need something as resonant.

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I'm surprised to hear a negative report of basswood. I've never played a basswood guitar, but heard positive reviews of them.

There have been carbon fibre electrics too. I'm not aware of any currently though.

There was brand called Flaxwood. The material they designed was called flaxwood too. I first noticed these in a photo Rabs put up year ago when he showed his guitars at a Guitar event/show. They were on a stand close by his. They called the material natural fibre-reinforced thermoplastic composites. I tried a cheaper one with a flaxwood neck and a wood body. I hated the sound. At the time I put this down to the pickups. I might have been wrong.

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50 minutes ago, merciful-evans said:

I'm surprised to hear a negative report of basswood. I've never played a basswood guitar, but heard positive reviews of them.

Could be just me. It's used in cheap Ibanez's and Jacksons, and sounds bad to my ears.

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1 hour ago, merciful-evans said:

We are all trying to keep setups within a couple of thou (0.002" inch) with hardware attached to lumps of wood. 

Question: Is wood really the best material for the job? 

Setting up a guitar and then having it live through ordinary changes in temperature and humidity has been vastly overwrought, over thought, exaggerated, mystified, glamorized, glorified, horrified, polarized, and complicated.

The short answer is set up your guitar, keep your house at a temperature/humidity relationship that has you and your family and your pets comfortable.  Take your guitar out and use it, bring it home, lather, rinse repeat.  When you change strings, check the measurements that exist that make your neck function properly, all the specs of a set up, which isn't many.  You will find that you rarely have to change stuff if you aren't changing string gauge/maker all the time.

A guitar is made to live through ordinary changes in temperature/humidity just fine.  We have been doing this with them since way long before there was an internet over which guitar players could wring their hands and pray the rosary over humidity fluctuations, and we lived through it all just fine.

My guitars would point and laugh at me if they knew I was worrying about these things.  "C'mon man, it's us, when have we let you down????".  That's what they would say to me.

rct

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RCT,  I was feeling I needed to go out and buy a straight edge and a micrometer until your  2 posts.  Thanks, because while I don't know if my guitars have been laughing at me,  I have caught my wife smirking when I get crazy if I run out of distilled water for the humidifier in my music room when the hydrometer dips to 40%.

"My guitars would point and laugh at me if they knew I was worrying about these things.  "C'mon man, it's us, when have we let you down????".  That's what they would say to me."

I  am reminded of my one and only  '64 WOOD  LG1 -  kept in closets and under beds in 5 different states over 40 years - usually in its chipboard case without humidpaks, sponges or desiccants.   It never let me down.  

Did try out a Rain Song 8 years ago in a Mom & Pop.  Sounded great.  But, felt stiff and artificial.  That made the tone sound the same.  So, while I was  tempted to have a guitar I could use  to paddle a canoe and hammer in tent stakes - with limited guitar funds - my next purchase was a J45.   Final addition to complement my other 2 Gibsons.  Which, are never in closets or under beds - only in cases when leaving the house.   

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7 minutes ago, Pinch said:

Mine stopped laughing at me at about the time I joined this forum. They've moved on to a look of genuine concern for me. 

Mine laugh at me when I play them. That the best you got . . . 

Edited by Sgt. Pepper
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I once had a Tokai 'MAT' (Most Advanced Technology) plastic-bodied Strat.  2 hbs I think.

Sounded ok except above the 12th fret - even with new strings it just didn't sound quite right up there and eventually that began to bug me.

Edited by jdgm
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I wouldn't mind my guitars laughing at me when I play.   It's when the PEOPLE in the room start laughing is when I get upset.

I don't recall( getting back on track) any who bought those early (c. '66) composite bodied Ovation guitars.  And by the end of the '60's, when they overcame that seam breakage problem and switched to a composite parabolic back and side they became pretty popular.  Endorsed by Glen Campbell they were played by a whole host of well respected artists(Cat Stevens being one). 

And then too,  how about AIR as an alternative to wood?..................

Whitefang

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Think about this. Anyone own one of those plastic back Ovations (I did). It was the only non USA made guitar I ever owned. One of the worst ideas in guitar making. Now we taking acoustic, electric or both on different materials. An electric will take to different materials I think better than an acoustic will.

Edited by Sgt. Pepper
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4 hours ago, Whitefang said:

I wouldn't mind my guitars laughing at me when I play.   It's when the PEOPLE in the room start laughing is when I get upset.

I don't recall( getting back on track) any who bought those early (c. '66) composite bodied Ovation guitars.  And by the end of the '60's, when they overcame that seam breakage problem and switched to a composite parabolic back and side they became pretty popular.  Endorsed by Glen Campbell they were played by a whole host of well respected artists(Cat Stevens being one). 

And then too,  how about AIR as an alternative to wood?..................

Whitefang

 

But man... I already GOT one of those things! Here's the proof

 

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I didn't know about the coffee bean guitar. It sounded good though. 

The cardboard strat and the concrete strat sounded like................. strats! That suggests that the design is more important.

 

All the guitars that Rabs & mihcmac posted have wooden necks (not sure about the aluminium one?). So they still will need adjustment.

Now its ok if you are motivated and energetic like rtc obviously is, but us slackers don't want to do all that work. It would be worth something to me if you can just set it up once and leave the dnam thing alone

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9 minutes ago, merciful-evans said:

I didn't know about the coffee bean guitar. It sounded good though. 

The cardboard strat and the concrete strat sounded like................. strats! That suggests that the design is more important.

 

All the guitars that Rabs & mihcmac posted have wooden necks (not sure about the aluminium one?). So they still will need adjustment.

Now its ok if you are motivated and energetic like rtc obviously is, but us slackers don't want to do all that work. It would be worth something to me if you can just set it up once and leave the dnam thing alone

That is what I am essentially telling you.  Set it up, leave it alone.  Keep your house "normal" and your guitars are fine.  I check them at string changes because I do.  I don't do anything, haven't changed relief on my #1 but twice in 25 years, once when I changed gauge and once when I changed brand.

I treat my expensive acoustics the same, by the way.  The house is good, the guitars are good.

rct

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1 minute ago, rct said:

That is what I am essentially telling you.  Set it up, leave it alone.  Keep your house "normal" and your guitars are fine.  I check them at string changes because I do.  I don't do anything, haven't changed relief on my #1 but twice in 25 years, once when I changed gauge and once when I changed brand.

I treat my expensive acoustics the same, by the way.  The house is good, the guitars are good.

rct

I have to admit, ever since I got central heating installed, its gotten a lot easier. The one notable exception was the Epi Casino Coupe. That thing had the fidgets and was moved on for that reason. Maybe the wood was never properly heat treated?

One thing about laziness. It can pay off. When one of the 2 guitars I leave out moved, instead of adjusting it, I just left it alone for another week and it returned to normal by itself. 

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At the end of this one he does a side by side..

Really I think most electric guitars sound like electric guitars..  The rest IS down to tradition and expectation... Yes you do get differences in tone, but (as I have said many times now) thats why we have EQ, and pedals and volume/tone knobs..

 

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We've also had fiberglass and metal drums, plastic saxophones, carbon fibre/composite violins, glass instruments - flutes, vibes as well as the guitar above.   Everything gets tried.

But it seems the old ways are in many cases the best;  there is no better way (or material to use)  to make a violin really, is there?   

:-k

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Just now, merciful-evans said:

Rabs, I have never seen any of these. Thank you for posting. 

The glass guitar has my favourite Schaller 3D6 bridge in it. I remember you considering using one in a build of yours once. Did you ever get one?

I did actually.. Planning on using it for the London Plane guitar (when I get around to finishing it..

This one

Aai0lIE.jpg

3r4JLK9.jpg

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