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Anne insisted on going to our fave local guitar shop today -- Gryphon in Palo Alto -- and, as those of you who have been following along know, that pretty much guarantees that something interesting will be there. We get there and, sure enough, there's an all-original 1939 Gibson L-37 -- so new to the shop that it wasn't on the website -- hanging on the wall. Picked it up to give it a try, and it was a great one in really nice condition (except for one gnarly repaired crack in the top that's semi-hidden by the tailpiece). Unfortunately, buying it right now would have been completely insane, for excellent economic reasons.

 

While I'm playing, Anne's looking around and notices that a couple of ukes we had there on consignment are no longer on the wall. So, when we wander to the back of the store to chat with Frank, as we always do when we visit, Anne asks him if they've sold. He checks, and they have, and says he'll just write us a check for them while we're there. He comes back with a check for the exact price of the L-37. To the penny. Well, on the theory that you can't argue with Fate, no matter what your economic situation, the L-37 came home with us.

 

Since Gryphon hadn't taken any pictures of it yet, you'll have to be satisfied with my feeble attempts for the time being:

 

L-37-front.jpg

 

She sounds and plays as sweet as she looks!

 

-- Bob R

 

UPDATE: Good news! I was wrong about Gryphon not haven taken any pictures -- they'd just immediately updated the website -- and here some of them are:

 

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Very very sweet...nice timing.

Everytime I walk into a guitar shop and head to the section of the store where they keep their nice used guitars my heart starts to race just a little in anticipation of what might be hanging on the wall. Have not had that special find for some time. The hunt never ends...I suppose that's half the fun.

Congrats!

Kazz

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What a beaut!

 

Thanks! I think so too.

 

Top looks like adirondack.

 

It is. Those were the good ol' days, when even budget models were made of what are now considered premium materials.

 

-- Bob R

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I'm guessing the neck is quite a handful?

 

It's a typical '30s Gibson V-profile, 1-3/4" wide at the nut -- my personal fav. A handful by modern standards, maybe, but tiny compared a '42 baseball bat. Those really fill your hand.

 

-- Bob R

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Bob' date=' That guitar has "mojo" written all over it!!! Nice snag! When are you going to put pics of Anne's new lefty Gibson on the forum????[/quote']

 

Unless she's snuck one into the house I don't know about -- not that likely, since I'm not one of those apocryphal spouses who can't tell guitars apart -- there were a couple posted here. (I've got to get better pictures of that guitar one of these days!)

 

-- Bob R

 

Edited to fix the link -- I did know about this guitar!

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... what kind of music will you play on it? Or what kind of music is it best suited to/intended for? Jazz? Acoustic Blues?

 

These are actually pretty versatile little guitars. A friend of mine had one, and she used it very effectively for pretty much the full range of '30s music, from Tin Pan Alley to Hokum, as well as for her own compositions in similar styles. But the main reason I've been looking at archtops is for cowboy songs, a la Gene and Roy and Co. While a Super 400 or L-5 would be a better rhythm instrument in a western band context, the L-37 is great for the kind of solo/duo playing I/we do. Turns out that I like it a lot for fingerpicking country blues, too.

 

-- Bob R

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RAR.....I know what you mean about those guitars. I have a '34 Martin R-18 (exact size of a 00-18, with a flat back and domed top - not carved) which has become my favorite guitar. The R-18 was a direct response by Martin to guitars like yours. I also do country, and BLUES on this baby, but it is not a true archtop sound, so even Beatles and songs like that sound good. We will have to get together again at Gryphon and compare sounds.....Wily

 

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