daveinspain Posted August 31, 2012 Share Posted August 31, 2012 Link to comment Share on other sites More sharing options...
quapman Posted August 31, 2012 Share Posted August 31, 2012 What guitar??? Link to comment Share on other sites More sharing options...
badbluesplayer Posted August 31, 2012 Share Posted August 31, 2012 Obviously. Link to comment Share on other sites More sharing options...
ChanMan Posted September 1, 2012 Share Posted September 1, 2012 If you notice she is building muscle memory and finger speed that would benefit when playing the real thing. If nothing else, GH is a fun game. She's obviously having a blast :) Link to comment Share on other sites More sharing options...
dem00n Posted September 1, 2012 Share Posted September 1, 2012 Could be a donkey face. Link to comment Share on other sites More sharing options...
the guitar butcher Posted September 1, 2012 Share Posted September 1, 2012 My new goal in life marry a women who will play guitar hero in lingere TGB Link to comment Share on other sites More sharing options...
RaysEpiphone Posted September 1, 2012 Share Posted September 1, 2012 If its something you like yes, but if not well then no. I don't see it as a way to learn to play a real guitar but who knows. Link to comment Share on other sites More sharing options...
4Hayden Posted September 2, 2012 Share Posted September 2, 2012 From her look on her face I would say yes, nice ones as well Link to comment Share on other sites More sharing options...
JamGuy Posted September 2, 2012 Share Posted September 2, 2012 Consider whether or not playing Need for Speed makes you a race car driver in real life... there you have it. Link to comment Share on other sites More sharing options...
Izzy Posted September 2, 2012 Share Posted September 2, 2012 Consider whether or not playing Need for Speed makes you a race car driver in real life... there you have it. ROFLMA Seriously, it exposes kids to music they may have not heard of before...THAT is the value. Will it give you an edge when learning guitar? erm, NO If she were holding a regular nintendo controller we'd get a better view, just saying. Link to comment Share on other sites More sharing options...
The RandyMan Posted September 3, 2012 Share Posted September 3, 2012 Call me an idealist, but wouldn't be even better if she was playing a Les Paul instead of Guitar Hero?! That would make the original question a moot point. Link to comment Share on other sites More sharing options...
AXE® Posted September 3, 2012 Share Posted September 3, 2012 My work aims to experience solitarily-absolute novelties with similarly-static idioms whilst cultivating certain tones or subtractive synchronisations. My goal, in essence, is to compose musical forces. The cognitive consequences of studying idioms enables the use of a single idiom amongst many unaccompanied motifs. It has been said that those who deconstruct a musical motif are unable to transform or deny synergies, at least not randomly, but I fundamentally disagree. My most personal polyphony always features strongly in any of my neo-unaccompanied compositions. When planning my spatial illusions, I often find that performing a somewhat resonant array of musical phrases helps a great deal. Link to comment Share on other sites More sharing options...
The RandyMan Posted September 3, 2012 Share Posted September 3, 2012 My work aims to experience solitarily-absolute novelties with similarly-static idioms whilst cultivating certain tones or subtractive synchronisations. My goal, in essence, is to compose musical forces. The cognitive consequences of studying idioms enables the use of a single idiom amongst many unaccompanied motifs. It has been said that those who deconstruct a musical motif are unable to transform or deny synergies, at least not randomly, but I fundamentally disagree. My most personal polyphony always features strongly in any of my neo-unaccompanied compositions. When planning my spatial illusions, I often find that performing a somewhat resonant array of musical phrases helps a great deal. This begs the question, "What?" Link to comment Share on other sites More sharing options...
AXE® Posted September 3, 2012 Share Posted September 3, 2012 I have found that experimental systems, in combination with multi-timbral idioms enable me to tonally influence brand-new dissonances in a highly intra-spectral and extremely extended way. My latest piece begins with a rather orchestral 'solo-dissonance', before minimalistically transforming the existing iconic material into a more neo-Romantically-improvisatory state, a process I term 'spatially-minimalistic-incorporating'. When planning my pre-conceived devices, I often find that visualising a somewhat improvisatory array of musical instruments helps a great deal. To inform is a natural desire, but my current compositional activity seeks to re-transform all vibrations. It also mixes and deciphers collaboratively-contemporary piece-pitches. In short, the device must never compose the study. My work has been seminal in the development of 'dodecaphonically-symmetrical symmetrical-music', a highly intellectual, and rather unified genre. Link to comment Share on other sites More sharing options...
RaysEpiphone Posted September 3, 2012 Share Posted September 3, 2012 ROFLMA Seriously, it exposes kids to music they may have not heard of before...THAT is the value. Will it give you an edge when learning guitar? erm, NO If she were holding a regular nintendo controller we'd get a better view, just saying. A 21 year old could come to one of my shows and hear an entire night of music that was made before they where old enough to remember music. It would only cost them a few dollar's to, that is if they felt like giving me a tip along with spending some money at the bar/club as most of time there's no cover. That is whats missing in the youth of today, getting out of the house once in a while, gaming is fun, I'm a gamer but I do go out some times as well. I would go out more if I could afford it! Link to comment Share on other sites More sharing options...
The RandyMan Posted September 3, 2012 Share Posted September 3, 2012 I have found that experimental systems, in combination with multi-timbral idioms enable me to tonally influence brand-new dissonances in a highly intra-spectral and extremely extended way. My latest piece begins with a rather orchestral 'solo-dissonance', before minimalistically transforming the existing iconic material into a more neo-Romantically-improvisatory state, a process I term 'spatially-minimalistic-incorporating'. When planning my pre-conceived devices, I often find that visualising a somewhat improvisatory array of musical instruments helps a great deal. To inform is a natural desire, but my current compositional activity seeks to re-transform all vibrations. It also mixes and deciphers collaboratively-contemporary piece-pitches. In short, the device must never compose the study. My work has been seminal in the development of 'dodecaphonically-symmetrical symmetrical-music', a highly intellectual, and rather unified genre. Well spoken. Sounds very forward-thinking to me, if not somewhat esoteric. Link to comment Share on other sites More sharing options...
duluthdan Posted September 3, 2012 Share Posted September 3, 2012 She would have more freedom of movement if she wasn't wearing... um... those bracelets Link to comment Share on other sites More sharing options...
Izzy Posted September 3, 2012 Share Posted September 3, 2012 A 21 year old could come to one of my shows and hear an entire night of music that was made before they where old enough to remember music. It would only cost them a few dollar's to, that is if they felt like giving me a tip along with spending some money at the bar/club as most of time there's no cover. That is whats missing in the youth of today, getting out of the house once in a while, gaming is fun, I'm a gamer but I do go out some times as well. I would go out more if I could afford it! If you're under 18, say 13 years old, it is a good thing. My mommy had records of awesome music from Motown to Blues to Country, but not every kid has that luxury. Their drive to go see a show once they can drive may go up if they already like music. AXE, are you on shrooms or something. That's some heavy **** you're laying...over boobs and a controller :lol: Link to comment Share on other sites More sharing options...
cookieman15061 Posted September 3, 2012 Share Posted September 3, 2012 My work aims to experience solitarily-absolute novelties with similarly-static idioms whilst cultivating certain tones or subtractive synchronisations. My goal, in essence, is to compose musical forces. The cognitive consequences of studying idioms enables the use of a single idiom amongst many unaccompanied motifs. It has been said that those who deconstruct a musical motif are unable to transform or deny synergies, at least not randomly, but I fundamentally disagree. My most personal polyphony always features strongly in any of my neo-unaccompanied compositions. When planning my spatial illusions, I often find that performing a somewhat resonant array of musical phrases helps a great deal. Ahhh I could listen to him for hours......... Link to comment Share on other sites More sharing options...
daveinspain Posted September 3, 2012 Author Share Posted September 3, 2012 Axe®, have you been hanging with Robert Fripp? Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.