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Do you think this is a fake 46' J-45 ?


EuroAussie

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JT is also signed in on this page, so awaiting his reply. FWIW, the headstock looks legit. Shape, binding, etc. look basically in order. The burst screams refinish. The bridge screams replacement (though appropriate through-saddle job). Plenty of finish checking (less on body than on headstock, again suggests refinish), perhaps suggesting that any refinish was done a while ago. So not quite right, but not entirely wrong either. If it's a total fake, it's well done apart from the burst. Even that's no pfox job, not ideal, but liveable. They even went to the length of stamping the neck block with an FON. As for the price, if it's at all legit, it won't stay that low, even if refinished. I'd probably buy it for 810 dollars myself, and discuss with Mrs Mojo later. But it will rise.

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I don't think it's fake at all, but the top suggests a re-finish, probably a number of years ago. The fairly hard shading transition in the 'burst is not unknown, but seems too pronounced for that period.

 

Note that the pickguard placement, with the pickguard covering the rosette ring, is uncharacteristic of J-45's from the early post-war period, so I believe that has been off at some point, perhaps during a re-finish.

 

The FON and the way it is stamped look legit for 1946 or 1947.

 

The listing suggests a general overspray, which seems correct given the finish wear on the headstock compared to the rest of the guitar, as best I can tell from the photos.

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So in other words if its the real deal it looks like it could be a steal at the way the pricing is going ?

 

Yes, potentially even better than the AJ. BUT, it WILL go up at the last minute. Bid, EA, but decide how high you're willing to go and then fingers crossed. I really would bid, but I think that the price is already at my limit even for such an item, and the argument post-buying would not be worth it. If you win I'll settle for a trip to Prague to try out your new instruments!

 

I note that JT has disappeared. Perhaps he's bidding himself!!!!!

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I don't think it's fake at all, but the top suggests a re-finish, probably a number of years ago. The fairly hard shading transition in the 'burst is not unknown, but seems too pronounced for that period.

 

Note that the pickguard placement, with the pickguard covering the rosette ring, is uncharacteristic of J-45's from the early post-war period, so I believe that has been off at some point, perhaps during a re-finish.

 

The FON and the way it is stamped look legit for 1946 or 1947.

 

The listing suggests a general overspray, which seems correct given the finish wear on the headstock compared to the rest of the guitar, as best I can tell from the photos.

 

So is this indicative of the value of your J45 were it to be listed on ebay, Nick? :-" :-"

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So is this indicative of the value of your J45 were it to be listed on ebay, Nick? :-" :-"

 

Oh, no. Mine's worth at least $10 more. But yes, the thought did occur to me...... [crying]

 

That's OK. After giving me 45 years of stewardship pleasure, I couldn't care less what mine is worth.

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Here is the burst on my 1946-47 LG-2.

 

Funny though, looking at mine and the pics above it really looks like Gibson did not spend a whole lot of time on the finish. It The dark color on the lower bout was shot in a straight line with very little attempt to blend it in. Might just be a reflection of the fact the guitar was at the bottom of the Gibson food chain.

 

006-1.jpg

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Regarding the finish, I know that whenever I try to photograph my guitars the yellow in the burst looks so much more pronounced than it does if you eyeballed the guitar in person.

 

That is certainly true. When you compare some vintage 'bursts to those produced today, the older ones sometimes look almost garish in contrast, and they can photograph even worse.

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ZW, what's that dark rectangle on the inside, visible through the soundhole?

 

(Love that quilt, by the way. Reminds me of ones my Grannies used to do back in Mississippi.)

 

That is one of the fabric side strips.

 

The quilt is out of Ohio. And yeah, it was made by my wife's Grandmother.

 

The only quilt I have made in MS was given me by a friend when I lived down there. It is made entirely of old flour sacks.

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Oh, no. Mine's worth at least $10 more. But yes, the thought did occur to me...... [crying]

 

That's OK. After giving me 45 years of stewardship pleasure, I couldn't care less what mine is worth.

 

With all the back story documented on here, we can surely rack it up a bit more than that! [biggrin]

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Yes, potentially even better than the AJ. BUT, it WILL go up at the last minute. Bid, EA, but decide how high you're willing to go and then fingers crossed. I really would bid, but I think that the price is already at my limit even for such an item, and the argument post-buying would not be worth it. If you win I'll settle for a trip to Prague to try out your new instruments!

 

I note that JT has disappeared. Perhaps he's bidding himself!!!!!

 

Oh no, Im done with buying guitars for a while, have no intenton of bidding for this one, hate that burst. Looks like a bad Martin burst.

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Agree with those who arose much earlier than I did (ahh, the western time zones...!), the burst looks like a refin. I suspect that is the main issue; I don't believe it to be a 'fake', per se.

 

It seems to me that there has been an increase lately in the number of, er, 'undisclosed' refins, "touch-ups", "oversprays", etc., not only on eBay, but in other places. Some with supposed 'dealers' too. Lesson is "Buyer Beware", and ask lots of questions!

 

Fred

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It seems to me that there has been an increase lately in the number of, er, 'undisclosed' refins, "touch-ups", "oversprays", etc., not only on eBay, but in other places. Some with supposed 'dealers' too. Lesson is "Buyer Beware", and ask lots of questions!

Fred

Too true!

 

A refin is much more difficult to pass off as original in a sunburst finish than a natural finish or a solid color. This may be one reason so many old Martins have been refinished, to the dismay of collectors. I have seen some so cleverly done that they are not easy to identify. What you really look for (absent obvious clues) are wear and fading patterns that are inconsistent over the guitar.

 

Overspray can be a bit harder to identify visually if it is well done. I have no first-hand experience with using black light for this purpose, so I'm not sure how reliable or easy to interpret that it is.

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