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Beatles Guitars


BluesKing777

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I've known that site for years. It is a great compendium of Beatle guitars.

 

My favorite photo is the one of "Toots" Theilmans sitting in front of a display of Rickenbacker guitars, one of which would in a couple years after this photo, be owned by John Lennon and become, arguably, the most iconic guitar in the world. It was on display until recently in the John Lennon exhibit in Tokyo. It is probably now back in NY.

 

http://www.thecanteen.com/lennon3.html

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it's funny but when I first heard The Beatles they sounded to me like a German group. The guitars and drums they played had German names or German-sounding names like Hofner, Ludwig, Rickenbacker, and a latin name like Vox. Their sound was very "dark", compared to The Beach Boys' Fender sound which was very "bright" in comparison.

 

I love them both, each has a unique sound. The Beach Boys had superior vocals. Then came The Byrds and I was in la la Land.

 

 

 

 

 

 

 

 

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If you enjoyed that little time vortex, then this one will keep you zoned for weeks:

 

Alan W. Pollock's "Notes On" Series

 

I've backed this entire site up on DVD in case it ever disappears as there is priceless information here about every song.

 

Wow, I've never seen this site before. I've only looked at it for a few minutes so far, but already discovered some new (to me) perspectives that will surely have me busting out the MP3 player to listen to a few songs again. THANKS! Can't wait to spend some time on it.

 

Red 333

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If you enjoyed that little time vortex, then this one will keep you zoned for weeks:

 

Alan W. Pollock's "Notes On" Series

 

 

 

Yikes! I just dipped into this for a few minutes, picking a Beatles song at random. When the author started comparing the song form to that of a concerto grosso, and then quoted from T.S. Eliots "The Love Song of J. Alfred Prufrock", I knew I was probably in over my head.

 

This is way more information than I need. On the other hand, it certainly is intersting, and tends to suck you right in.....

 

I'm not sure if we should than you for posting that link, or not.

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Yikes! I just dipped into this for a few minutes, picking a Beatles song at random. When the author started comparing the song form to that of a concerto grosso, and then quoted from T.S. Eliots "The Love Song of J. Alfred Prufrock", I knew I was probably in over my head.

 

This is way more information than I need. On the other hand, it certainly is intersting, and tends to suck you right in.....

 

I'm not sure if we should than you for posting that link, or not.

 

Sounds more like the notes from the Waste Land in that case.

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If you enjoyed that little time vortex, then this one will keep you zoned for weeks:

 

Alan W. Pollock's "Notes On" Series

 

I've backed this entire site up on DVD in case it ever disappears as there is priceless information here about every song.

Yeah - one for the real heavy-weighters. Always good to know there is back-catcher in the game.

 

Will definitely check this mammoth work once in a while. Thanks -

 

 

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Whenever I'm working on a specific Beatle tune to play or record a cover, I'll read the Pollock article first. I find the musicologist's perspective fascinating. I really enjoy his deconstruction of each song into "Style and Form", "Melody and Harmony", "Arrangement", and the section by section "Walk Through". The "Final Thoughts" are always interesting as well where he gives a thematic and lyrical analysis. If you read a lot of these, you'll see that he takes some rather strong personal views of the various personalities of the song writers; being especially critical of Harrison's self righteousness in his lyrical content.

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that reminds me: back in the 1960's, when "Michelle" came out, someone in the British Press compared Harrison's guitar solo in that song to the "artful sound of a French Horn".

 

little did that writer know that all Harrison did was to turn the guitar's Tone control to zero.

 

and little did that writer know that a French Horn player cannot phrase that fast.

 

 

 

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that reminds me: back in the 1960's, when "Michelle" came out, someone in the British Press compared Harrison's guitar solo in that song to the "artful sound of a French Horn".

 

little did that writer know that all Harrison did was to turn the guitar's Tone control to zero.

 

and little did that writer know that a French Horn player cannot phrase that fast.

 

Another reason the solo sounds so horn-like is that George Martin actually conceived it. George H. was having trouble coming up with somethings suitable, so George Martin ( a well versed arranger of orchestral music) wrote a solo and gave the notes to George H. to play.

 

Red 333

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Another reason the solo sounds so horn-like is that George Martin actually conceived it. George H. was having trouble coming up with somethings suitable, so George Martin ( a well versed arranger of orchestral music) wrote a solo and gave the notes to George H. to play.

 

Red 333

 

Ah well, live and learn. I'd always thought it was a McCartney bass solo.

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