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Call that a headstock THIS is a headstock


flatbaroque

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Posted

Yeees, , , it's excellent – bulls eye version. . .

 

Epiphone Frontier, isn't it, , , backed by one ceramic bridged Bird or SJ.

 

 

Posted

Here's a headstock not many here will recognize: one of the Bacon&Day Senoritas, similar to the one John Fahey played on some albums. Not surprisingly, B&D is better known for its banjos.

 

senorita.jpg

Posted

I like that picture. Reminds me of the old days when I'd go to some park and play my guitar. The young women used to do the same thing as this young lady. God bless'em.

 

 

 

Look at Jagger's face...lol...Looks like he's saying "Heh, heh, heh."

Posted

To me Mick looks a little shy (to rather surprising effect).

 

BK – the Paul Les would work New Years Eve, wouldn't it.

 

MissouriP – did they really go that far. You must have had tremendous force. Okay, it was back in the day of easy livin', but still. Never experienced anything that strong while playing public, but once when I was 20 a circa 30 year old woman rose and gave me a kiss after hearing me play Young's Albuquerque from an ordinary seat in a quiet all nite bar. I can hear it sounds (Christmas)sweet, but it was one of the most uplifting responses I ever received.

 

Never got rich from all this playing, , , or did I. . . .

 

 

Regarding Keith, there must have been 2 chicks in the beginning -

Posted

 

Never got rich from all this playing, , , or did I. . . .

 

 

"Wealth" in this case is a matter of context. Think how much poorer your life would be if you had never taken up guitar.

Posted

"Wealth" in this case is a matter of context. Think how much poorer your life would be if you had never taken up guitar.

 

You got it Nick - chin chin

Posted

Nick,

 

This is my Kim Walker "scrap" guitar featured in Fretboard Journal a year or two ago:

 

FJArticle_zps9d35f404.jpg

 

My idea was that when Kim found sonically superior but visually challenged woods he'd throw them in a pile. When he got enough pieces, he'd build me the "scrap" Nick Lucas and finish it in black varnish. It roughly corresponded to his 33rd year in lutherie, so the "One Third Century of Progress" was born (with serial number .33!). That's 100 year old European spruce over Honduran mahogany. The MOTS is a scrap of 1930s Italian celluloid that Kim got through his connections. That wild binding is the last piece of 1950s Rickerbacker "checkerboard" binding left on the planet. Kim mixed up several batches of gold sparkle glitter for me. The winner was a mixture of gold, yellow, orange, red, and, of course, champagne:

 

pb116131_std.jpg

 

It's an incredible guitar. Kim's wait is now about 9 years but this project tempted him. :)

Posted

 

It's an incredible guitar. Kim's wait is now about 9 years but this project tempted him. :)

 

 

Yes, I remembered the guitar, but forgot the details. That is one wild-looking beast. Almost a throwback to the 20's/30's type of over-the-top detailing, as in the B&D's, CoP, and couple of other very strange Gibsons from that period. Wretched excess, in all its glory.

 

Pretty cool, I'd say.

Posted

Yes, I remembered the guitar, but forgot the details. That is one wild-looking beast. Almost a throwback to the 20's/30's type of over-the-top detailing, as in the B&D's, CoP, and couple of other very strange Gibsons from that period. Wretched excess, in all its glory.

 

Pretty cool, I'd say.

 

Nick,

 

Thanks. The over the topness is by design. It started as a homage to Gibson's 1930s Century of Progress guitars. But then I decided to make it a visual celebration of as many genres of visual arts as was aesthetically possible. Kim was more than game. The logo script is Victorain, the floral inlay Romantic, the gold sparkle is Art Deco (and inspired by my 1931 Gibson L-2), the binding is Op Art, the spiral inlay is Post Modern.

 

pb116080-edit_std.jpg

 

I think that the visual effect is stunning. Others might disagree. But one thing is certain: the guitar's tone is among the finest ever.

Posted

The above Walker instrument and headstock is in a league of its own – look at the binding mirrored in the tuners and see the motif tip its hat to a well known G.

 

JT – one cannot play that guitar in just any pair of shoes.

 

But when you wear the right ones, please post us a sample -

Posted

JT – one cannot play that guitar in just any pair of shoes.

 

But when you wear the right ones, please post us a sample -

 

 

Maybe red shoes. Pointy toes. High heels. Rhinestones. Fringe.

 

It rings of the low spark of high-heeled boys.

Posted
]But when you wear the right ones, please post us a sample -

 

EM7,

 

Choosing shoes is tough! When I gig with the Walker Century, I also usually take my Islander Deluxe (which has a pretty amazing MOTS headstock, too):

 

NationalIslanderdeluxe008_zps2387070e.jpgNationalIslanderdeluxe019_zps2765d6e8.jpg

 

Picking appropriate garb is a real challenge!

Posted

.

Very nice.

 

Dorothy would approve. . B)

 

ruby-slippers-wizard-of-oz_large.jpg

Yeees ! , , , and so would the three fellows.

 

But did you notice Wily's h-stock, , , , right out of Emerald City.

 

Naturally one green goes your way.

 

 

 

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