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Re-stringing a Studio


Rev

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Hello Rev, welcome to the Forums!

 

That's very subjective. Simply impossible to answer. There are many brands and types on the market. Experiment with them.

 

Maybe one thing I can say: prefer nickel-wound strings for Gibsons. Using them You can prolong fret life, since Gibson's fretwire are rather soft.

 

Personally I use Rotosounds, and Elixirs. The latter is a coated for extra long life. And they do last very long indeed!

 

Cheers... Bence

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I use Nickle Wound D'addario's in 10 guage

they last a long time and are nice on the fingers.

 

Personally I'm not a fan of Ernie Ball's

 

I completely agree with you.

 

OP D'Addario EXL110 is what you are looking for. You will be less likely to need a setup keeping the same gauge as stock.

 

If you are going to be playing with a lot of drop tuning, look at the .10-.52 set. The heavier bass strings won't flop around as much when drop tuned. EXL140. Your nut, setup, and intonation will all need to be adjusted with this change.

 

If you find the 10's a little too small after a while (I did) you can switch to the EXL116. .11-.52. The heavier high strings will ring out a bit more and have additional sustain. Your nut, setup, and intonation will all need to be adjusted with this change. Bends will be more difficult, so work on your finger exercises [thumbup]

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Btoth,

 

I love elixirs for my acoustic guitars, but personally found them lacking on electrics.

 

But it seems the concensus is nickel wound 10gauges. I've used D'Addario in the past, and I have Ernie Balls on the studio now.

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Hi all,

 

I'm seeking recommendations for strings on my LP Studio. I play POD, Three Days Grace, Puddle of Mudd, Linking Park.

 

Thanks!

 

hi, i won't address what you play, but suggest that Fender Bullets pure nickel mediums, top wrapped and lubed with nutsauce do the trick for my studio. i used to break the .10 too often on the stock light sets, nut sauce helps reduce breakage. when top wrapping sometimes regular strings have a real twisty picky that can hurt, bullets don't. i went medium guage to help reduce some fret buzz on lower strings.

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From my mentor & a great luthier...

 

Well, I've been changing strings on guitars for a very long time. I usually have box or more in the house at a time, I have currently 9 guitars and I like them new strung. If your "luthier" has been changing strings for any length of time he has come across a crappy set here and there. I feel bad that, since he is a luthier and therefore doesn't have a steady supplier of the things he needs, like I(not a luthier) do, he can't get them replaced.

 

He prolly just likes saying Ernie Ballsack. I laughed. In 1977. [laugh][laugh][laugh]

 

rct

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Well, I've been changing strings on guitars for a very long time. I usually have box or more in the house at a time, I have currently 9 guitars and I like them new strung. If your "luthier" has been changing strings for any length of time he has come across a crappy set here and there. I feel bad that, since he is a luthier and therefore doesn't have a steady supplier of the things he needs, like I(not a luthier) do, he can't get them replaced.

 

He prolly just likes saying Ernie Ballsack. I laughed. In 1977. [laugh][laugh][laugh]

 

rct

 

yeah come to think of it an opinion or two about electric strings might be helpful. I've tried Fender bullets med. guage (.11/.48) (pure nickel) which, i currently use on both guitars. They last long and sound good and aren't too pricey. The D'Addario sets both pure nickel and nickel wound are about the safest bet on both longevity and sound. they're consistently good. tried GHS, they last longer but don't sound as good. ernie ball's just break too fast., ie. .10's. DR's are silky feeling. I have a dislike for Dean Markley, tried a heavy bottom/light top pure nickel set and they didn't last or sound good. used to use the dean markley cryo blue steel sets long, long ago. The Gibson sets that are stock on their guitars, ho hum. i don't care for the flat wounds, i don't like them. Cobalts should be something i'd try in the line of vintage sound, after the fact that alnico (aluminum/nickel/cobalt) is sought after in regard to vintage sound, but there aren't the guage i'm looking for. to try and keep a vintage vibe i've used alnico speakers, pure nickel strings and medium guage, and alnico pu's. i don't care about coated strings either.

as far as choices go you have pure nickel on the mellow end, flat wounds are going to be mellow too and pure steel, which are bright on the other end. in the middle are nickel wound. other technologies are like coated strings for long life, balanced tension from D'Addario (I defninitely will try!), cryo frozen strings ... are there some choices i'm missing ... cobalt?. Oh too add to the argument, i focus on 'classic rock' covers, but stray through other classics in genres like country and blues/folk.

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If you have to ask, you should use your guitars recommended gauge. For MOST Les Pauls the recommended gauge is .10 - .46

 

That being said. I would avoid mixed gauges high low action splits. Unless you like adjusting your bridge and truss rod.

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If you have to ask, you should use your guitars recommended gauge. For MOST Les Pauls the recommended gauge is .10 - .46

 

That being said. I would avoid mixed gauges high low action splits. Unless you like adjusting your bridge and truss rod.

 

yeah i agree. changing guages ... adjust the setup as well.

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