Jump to content
Gibson Brands Forums

Blueblooded

Members
  • Posts

    555
  • Joined

  • Last visited

  • Days Won

    1

Posts posted by Blueblooded

  1. My son recently picked up an ES-339 Traditional Pro which also has the two push/push coil split and one push/push 10db boost circuit. I really thought it was gimicky stuff until he let me take it to band rehearsal. I absolutely loved the tone and usefulness of the coil splits especially with the boost circuit since it allows you to re-gain the signal/volume loss when you switch between humbucker/split coil modes on the fly.

  2. I stopped in a local GC yesterday and they had a used Collings I-35 priced around $4200 in their Platinum room hanging next to a 335. It was beautiful but was on a locking hanger and since I'm not in the market for a guitar in that price range right now, didn't ask to play it. I did take a good look at it and build quality was excellent. The Body is a bit smaller than the 335. It's red and at the Southfield, Michigan store if you are considering used.

     

    And variety is the spice of life. I think many of the great's would agree and probably play/own many different brands and styles. Clapton, Hendrix, Bonamassa, etc., all have (or had) and play different guitars through their careers. While Bonamassa appears to prefer Les Pauls, I see him switching to 335's and Music Man's, etc. all the time. If I had the money, I'd have a guitar store full of different models and play them all!

  3. Beautiful guitar! I own a Midtown Custom in ebony just as you. Not sure I can tell anything from the fuzzy, out of focus pictures you posted, however. Like others on here stated, the neck binding that contours up and into the frets on each end is the way gibson finishes their better instruments, and one of the features I've always loved about them. The frets on the Midtown Custom are finished using the Plek system which is supposed to be the latest and most accurate technology. The fretwork on my guitar is flawless. The neck feels and plays beautifully and there are no flaws anywere. My guess is that perhaps your guitar is dry and needs to be humidified, or there is truly something wrong and it made it past QC. Do you keep monitor and control the humitidy levels where you keep your guitar? Others on here are speculating the frets aren't true and I think it's because of a reflection on them in the photo. A dried out neck/fretboard will shrink and the frets will begin to separate from the fretboard, most noticeable on the ends. However, i'm not sure how that will be different from rosewood or ebony with the richlite board. If it is dry, it should correct itself pretty fast with proper humidity.

×
×
  • Create New...