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usernameinvalid

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  1. The body depth on the J29 is the same as the J15 J35 J45 and AJ.  The new/reissue  J35 and J29 came out at around the same time 2013 I think.

    The biggest difference is the scale length and the quality of the rosewood. I've played a couple J29 and for the price they where both very nice sounding guitars

    But being short scale you won't get the volume you will get from an AJ.

  2. Always liked Gibson guitars my first was a '79 Les Paul bought new in '79.

    Started playing more acoustic than electric in the 80 and always wanted a Gibson acoustic. 

    Took until 2013 to get my first a J 35 the a year later a 1947 L 48  came my way for a deal I couldn't 

    pass on.

    I've alway thought Taylors were for Choir Boys, Martins were for Good Ol' Boys and Gibsons were for Bad Boys.

    I don't play in church and don't play blue grass. Rock and Roll all the way.

     

     

  3. Another Hercules Guitar stand fan here. I have a double stand and 2 wall hangers. Both my Gibsons have been 

    hanging  in these stands and hangers for years. My 2013 J 35 has been in either the wall hanger or stand since

    it was new and has had no ill effects.  

  4. Nitro take months to cure fully but that's good news for you. A good luthier should be able to buff it out.

    This should be a good leason for everyone who is purchasing a new nitro finished guitar (this includes Martin)

    Never leave a capo on or leave it in a stand for extended periods of time for at least 2 or three months.

     

     

     

  5. Hi all,

     

    I recently watched a video where I learned that, in 1936, a J-35 had a list price of $35.00 and an Advanced Jumbo was valued at a whopping $80.00.

     

    Adjusted for inflation today, those two guitars would cost $636.49 and $1454.83, respectively, bearing in mind that the AJ was the crown jewel of the Gibson lineup, at that time.

     

    A 2018 J-35 (complete with plastic nut, saddle, and bridge pins) will set you back $1,869.00, new, at Guitar Center, while the AJ will cost you considerably more, if you can even find one retailing new. A J-15, complete with walnut back and sides and a laminate maple neck, retails at $1340.99 at GC, while a walnut b&s "J-45" will set you back $1,529.00, at the same store.

     

    All that being said, I'd like to ask, what gives? Is Gibson (along with the rest of the industry) pulling the wool over our eyes and overcharging its customers? If a shortage of tonewoods and American manufacturing standards are to blame, then how does one explain Seagull guitars being made in Canada with North American woods, at a considerably lower price?

     

    I understand that the used market has stepped up to fill a void that Gibson has left, but shouldn't Gibson price its guitars more competitively, in order for people to purchase more new guitars? All things being equal, I would imagine that building a guitar is significantly cheaper and more efficient today than it was over seventy years ago, so it really makes you think...

     

    Post like this make me laugh. Do you like your wages or would you like to be paid in 1935 dollars?

     

    Maybe you'd rather have Gibson take away any benefits they pay their employees, holiday pay or sick leave

    so you can buy a new Gibson for $800. While you're at it you could do the same to the Canadian loggers who

    cut and haul the spruce fore the tops. Who needs health care it just make guitar cost more. While your taking

    away benefits from worker you better ask the government to lower the amount of taxes taken off theis pay check.

     

    Or you could just buy a guitar you can afford.

  6. Thanks. I’ve only found old ads where they were already sold, but haven’t found any currently available. Interesting.

     

    You can learn a lot from old ads. What more do you need to know

     

    Gibson Aes Classic (1992)

     

    Acoustic / electric, cherry finish, double bound 15-7/8" body, Venetian cutaway, spruce top, maple back and sides, mahogany neck, rosewood fretboard, dot inlays, 20 frets, rosewood bridge, Gibson pickup / preamp system, vintage style tuners, 1-11/16" nut, 24-3/4" scale,

  7. Another is remove it, and NOT reattach it.

     

    I'm not crazy about it anyway.

     

     

     

    How long have you had the SJ200? You'll most likely have a tan line where the pick guard covered the guitar.

    If you haven't had the guitar long it may not be very noticeable and catch up in color over the summer.

    If the tan line is really prominent it may never catch up to match the rest of the top.

  8. Here's a shoot of my 1947 L 48. The FON # is right under the upper F hole.

    4 digit number stamped in black ink and a 2 digit number in read pencil right after it.

    Sent off an email to Gibson Customer service I think the same email posted here in the

    second post and received all the help need to figure out the year.

     

    100_0490sm.JPG

  9. Long time lurker thought it's about time I register.

     

    I've been playing off and on since 1975.

    I own 2 Gibson acoustics. 1947 L48 Arch top and a 2013 J-35.

    my other 3 guitars are a 1975 Fender 12 string, a 1975 Ovation Balladeer and a Epiphone L00

    Play mostly Blues and Classic Rock

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