Jump to content
Gibson Brands Forums

WhiteCatzs

All Access
  • Posts

    19
  • Joined

  • Last visited

Posts posted by WhiteCatzs

  1. My “new” used ‘98 tobacco burst figured top.  Slim neck with some of the lacquer, nicely worn off the back from previous thumb wear.  I use it for jazz thru my Pro Reverb Custom- killer tone, just clean no pedals.

    30E8481C-23CF-4E57-A87B-F97055FF6FB4.jpeg

    35FF674A-4F0B-4DC3-A8E6-DF33D470BC69.jpeg

    2E6AB669-B325-4A2A-B24A-9D59A5A57505.jpeg

    • Like 1
  2. Just bought the above noted guitar and really like it- I’m a newcomer to P90’s and love the tone. This is a pre-1963 style.

    This is the 4th Gibson archtop I’ve owned, but the first without the internal sticker stating the model.

    The serial number stamped inside the body matches the certificate of authenticity, but have you ever heard of there not being an identification sticker inside the body of an ES-330 ?  Was that common, or did they forget to put one in ?

    Thanks for your feedback 🙏 

     

     

    5C7ED9B4-1651-40BE-958A-42CCD17A301D.jpeg

    0902BDA2-50D1-4C54-86E7-6B2B24939BB5.jpeg

    BC0C2A9F-7814-4F3B-9A5E-0EEE31D41519.jpeg

    F6EA258F-DCCA-49B2-A131-0BAA92F8E6C0.jpeg

    740432C6-8047-498D-9EEE-05DC2A192A1A.jpeg

    3E0B087E-B0E5-4B1F-9FA6-46E6A67775B6.jpeg

  3. Just discovered this model yesterday, and was so impressed I bought it.

    I’m a jazz player (only clean)and this thing has a big, sweet punchy tone for such a little light (7.2lb) body.   Easy to play, it’s the sound that I’ve been chasing with various other guitars-the center block gives nice sustain- I also have a big-box ES175D and have previously owned a brutally heavy ES345.

    The 339 is light and nimble easy to stand with, produces rich sounding harp- harmonics as well.  The neck is wide enough so I can play closed voicings up at the 10th fret on the top 4 strings- which is much more difficult to do on the ES175D.

    I decided to replace the shiny chrome Grover ( kidney) tuners with their retro - vintage style in order the reduce all that shiny chrome bling. 

    7DAD91BF-B99D-4FA1-B430-DB1A0266A75D.jpeg

  4. Well if it’s good enough for Steve Howe, then it’s good enough for me 😆

     I know that Joe Pass, Pat Metheny, and lots other jazz guys played this as well, not that I’m looking for validation.

    this one is from the “Norland Era”, in which it is known the quality slipped a bit, particularly from ‘75-80, but I don’t care, I’m sure it will be great, it’s only had 2 previous owners in the last 46 years.

    I also like the yellow rather than reddish sunburst colour scheme, and yes it was a very good price.

  5. Anybody other than me use their ES345 for mainly jazz ?  ( not talking about blues, but JAZZ )
    Yes I know lots use use the ES335 for jazz, but that’s not my question.

    If yes, do you ever use the variable tone  control dial ?

    i think it works great for jazz, smooth or funk jazz as well. It’s just a bit heavy is the only thing (7.5 pounds and I use the widest most padded strap available)

  6. https://share.icloud.com/photos/0uWLu-TeMZ5EyONpLP5STeVYw

    https://share.icloud.com/photos/04mvdgplZDqHrwlGmup3YsQ9A

    I’ve just acquired this vintage Gibson, spruce top, ebony fingerboard and Grover tuning pegs, but it doesn’t have the parallelograms as fret markers, nor the emblem inlay in the head stock.  Can anyone help me confirm the model.  The vendor tells me it is from 1953.

    thankshttps://share.icloud.com/photos/0cn8Bb_BOIcXS7Q6f3VH7TUnAhttps://share.icloud.com/photos/0AKiHoBVQkQzRsMPAOknYfTxQ

     

  7. I’ve had this 1964 reissue for about 6 months and love it- but I noticed these weird marks forming on the pickup covers under the strings.  Almost like corrosion or something- it cannot be wiped off with a rag.

    Something is happening to the metal covers.

    Has anyone seen this before, know what it is and if it can be removed?

    17EE766A-83B7-42AC-89D7-8D69CE1CFF2D.jpeg

×
×
  • Create New...