E-minor7 Posted April 20, 2014 Share Posted April 20, 2014 I have a one year old Collings D2H and I hung it up in my humidified spare room across from a window so the light would age the top. When I bought the guitar the top was so light it was almost white.....and I did not like the colour of it. My too pale Firebird Custom was by the window for a tan most of last summer - a little, but far from enough happened. It's out again now and I expect it to turn darker litebrown/yellow during the next 3 or 4 months. Would be very nice and suit the reddish toned quilted maple back'n'sided guitar better than it knows ;-) Link to comment Share on other sites More sharing options...
Pittgibson45 Posted April 21, 2014 Share Posted April 21, 2014 I thnk the simplest explanation for the difference in the look is that the sinking of the finish into the grain of the wood simply shows up a lot more on a dark background. Regardless, the sunburst will always sound better because it is more confident in its Gibbiness. A Natural top will always be conflicted and unsure of its true identity. P Natural finishes have their place on some makes and models, but I do agree that J-45 and several other Gibson models should be sunburnt to truly be themselves. Link to comment Share on other sites More sharing options...
E-minor7 Posted April 21, 2014 Share Posted April 21, 2014 I totally accept and celebrate the 2 faces of acoustic Gibsons, and unstoppable enjoy the double nature of both old Hummingbirds, Doves, J-200's and J-45/50's. Not forgetting the Southern Jumbo/Country Western, slope as squares. Add to this the many many bursts we keep seeing all the time. In my childhood there was a toy-car-brand that made the coolest small'n'strong gasoline-vehicles and they came with different paints for the different gas companies. 5 common models there were, but all in all around 10 (I have later discovered). Being nothing but kids we had to choose one and only one - and I chose the burning red Esso. A certain dilemma it represented, but what a fine education in 'feeling who you' are it was. Now a days this fascination with a rich varied fan of possibilities is reflected in the guitars for me. Yes, , , in other objects also, but the echo of the enciting gasolin-trucks is clearest in those similar Gibsons with all them colors. . . Link to comment Share on other sites More sharing options...
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