egoidealmusic
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Posts posted by egoidealmusic
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Thanks for the input, all. I've come to really like the DiMarzio Black Angel soundhole pickups (decent cost friendly alternative to a Sunrise) so I'm going to likely go in that direction. Will definitely need a new saddle. Went with a cheaper one for the Epiphone (which I'm actually really happy with in terms of tone and intonation) but will splurge a bit on a Colosi for the Gibson. I've done this kind of work a dozen times before on cheaper guitars so I guess there's really not much difference--just some paranoia that I've gotten over.
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That's a good looking set of square dreds there, Rob. My inspired by Gibson Hummingbird has confirmed that my next Gibson will definitely be a square!
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Personally I think that firestripe looks great!
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Yeah, I've never heard a UST that sounded good, at least not without a ton of processing. I've got a drawer with about 5 USTs that I've been meaning to sell.
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You are a lucky soul. 🙂
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Sold already, though I'm sure I didn't have enough to come even close.
But wow the tone on this thing...
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Thanks, Buc. Yeah, I'm not a fan of that piezo quack, and this one was way more quacky than the Gibson. Will test out this soundhole pickup before I make the change but will probably just do it myself.
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So, I'd been wanting to replace the piezo in my 50s J-45 with a soundhole pickup and had heard about the unplugged (i.e. actually acoustic) tonal improvement of taking that strip out so the saddle has direct conact wtih the wood. Thought I would test on my recently acquired Inspired by Gibson Epiphone Hummingbird, and holy cow what a difference. Much louder, fuller, and with clearer note articulation (kept the same strings on as I wanted a true comparison). I konw folks have talked about this here but I just wanted to share how amazed I am at the difference. Will probably let a pro do it on the J-45 as it's a much more expensive guitar, but I may not given how easy it was. Even with getting the saddle just right (a high quality bone replacement but that still needed some height adjustment and fine tuning) the whole project was done in about an hour.
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That's the original guard? Maybe it's just the picture but it seems off center--too low. Can't wait to see what the firestripe looks like.
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Just because we were talking about J-185s:
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Hahaha you win, E-minor7. Maybe that's why I think of the Hummingbird as a more mellow sound than something like a J-45. Now I want one...
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And yet there were so many records of the late 60s/early 70s that had Hummingbrids strummed on them (wasn't that what was on so many Stones records)? So maybe it's more the style of play in a mix?
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Also, depending on just how new it is it might not have fully opened up yet, even with the baked top. Bang on it real hard for a while and you might hear something very different!
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I've got an LG-2 American Eagle that's 10 or so years old and while it's not my go to guitar most of the time (that's either my 50s J-45 or my IBG Epiphone Hummingbird) I really like. Smaller body, so smaller sound, but really sweet. I think you'll like it!
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To say those frets were "removed" isn't accurate. Those frets were ripped out without any attention to how it shoud be done. Not to mention the other issue you can see, in addition to whatever issues you can't see...
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Can't wait to hear a clip! From your extensive history playing Gibsons, I just wondered if you could tell a difference. I remember the first time I realized the difference that different pins made (tusq, bone, ebony) and I was always curious about the metal pins. Have seen videos of the Martin ones and it is a noticeable difference.
Congrats again on a gorgeous guitar!
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I'll be really curious as to what you think of the brass bridge pins--how, if at all, you think they affect the tone.
A real beauty! 🙂
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I found good replacements on Stewmac, but interestingly I waited and the existing tuners have really shaped up and now keep tune well. Not sure if they just needed to be broken in like the rest of the guitar but I'm not rushing to swap them out.
And congrats on your new IBG bird! I really like mine (though as I posted elsewhere it did take some work to get it to open up).
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Yup, you're right. Too much gummy tonight, methnks. 🙂
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Maybe I'm lookig at it weird but isn' that bridge angled the wrong way for a lefty strung guitar?
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Weren't there J-50s that predate the batwing guard?
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I'm not understanding why they're calling this a J-45 in natural instead of a J-50...
https://www.gibson.com/en-US/Acoustic-Guitar/J-45-Standard-Exclusive-Antique-Natural/Antique-Natural
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I have been waiting to see if anyone here tried this. Kind of weird 30s burst with a more 70s looking J shape.
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I've got that exact same epi AJ28, philfish. One of many solid top/laminate sides and backs I have. I'd always dreamed of a Gibson but didn't have the dollars back in the day. Once I started making a little bit of money I started collecting assorted epis that were "special" (off center seam, not the best wood grain) and came to have quite a collection from the land of broken toys. My first epi was a pr-750 12-string. I remember it needed a set up bad and I took it to a shop and after getting it ready the shop offered me three times what I paid because of the amazing tone. If I had the money I'd consider a Bozeman made Epi (love the Frontier) instead of another Gibson just out of a strange memory of playing many of those guitars at many a gig back in the day. I realize the Frontier is basically a Dove (square sholder, longer scale) but still...
J45 loose component
in Gibson Acoustic
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I do just the smallest drop of super glue, but as Sal said, it happens.