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Gibson L-00 (blues king) or L-1 (robert johnson)


keeptahoeblue

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Hi i am new to the forum but have been a long time reader. I am going to order either the L-00 or the L-1 from the custom shop and I wanted to know what one would be a better all around guitar. I want to downsize from many guitars to only 1 small body guitar and i do not know which one to choose. I have played them both and i am frankly torn.

 

What do you think?

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Well, a good place to start would be articulating impressions from playing them. What's the upside/downside? What's the sticking point(s)? Knowing that, our input can be more on point.

 

Meanwhile, a 14-fretter is more versatile, as Im sure you are aware. The L-1 is funky in a retro way, but kind of limited--more of a specialists /period thing. But frankly, with a one and only in mind and (apostasy) if it doenst have to be a Gibson, a Martin 00-18v is worth a look. Same boy size (14" concert), but this short scale, scalloped braced lil ol tone monster can serve up a dollop of sophistication to go with those old timey tones the Gibbys cant match (note both Gibsons are 25.5 scale and consequently have a more penetrating, sharper modern tone than the Martin). Also, the Martin works well as both with fingerstyle and plectrum--neither Gibson is particulary strum friendly.

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A while ago, I was HOT for either of these guitars, I found in 6 months around 4 guitars. Most all of them were bass dead. Not bass challenged, but bass dead. One needed a neck reset (2 years old) one had a twisted neck (saddle was almost nothing on the trebble side and about 3/32" on the bass side, this problem is almost impossible to fix) so beware.....play a lot of these before deciding....and good luck on your search....

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A while ago' date=' I was HOT for either of these guitars, I found in 6 months around 4 guitars. Most all of them were bass dead. Not bass challenged, but bass dead. One needed a neck reset (2 years old) one had a twisted neck (saddle was almost nothing on the trebble side and about 3/32" on the bass side, this problem is almost impossible to fix) so beware.....play a lot of these before deciding....and good luck on your search....[/quote']

 

Hmm... food for thought. Will still jump at the opportunity to play one, one day, maybe...

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I think the one on the UMGF is a Bubinga. The Bubinga J-100s and J-45s were outstanding. I'd guess the L-00 Bubinga is a cut above, too.

I'll second Jkinnama's recommendation of the Martin 00-18V----wonderful guitars, and used, they are a great value.

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Well, it doesnt exactly "open-up" the way that a top does--just lends color. Now, to that-- it's from the same family as ovangkol, & like it, is a rw sub. So its dense, heavy, bassy. Its probably not going to have the sparkling trebles one gets in a mahog guitar.

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If you are going to have one built. Get a Nick Lucas with 12 or 14 fret neck with a mahogany body in the 24.75 scale. The deeper body gives the guitars more sound. I don't care much for the standard maple version although some may sound great. It would be a better all around guitar at least the old ones are.

 

Terry

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Bubinga sounds midway between rosewood and mahogany. It has a punchier sound than rosewood. If you want an all round small bodied Gibson also suggest considering CJ165 rosewood or maple models. I have been playing a rosewood one a lot. Were I to choose 1 all round guitar between the 165 and my bubinga L-00, I might take the 165. If your playing is blues-oriented the L-00 may be better.

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