Wmachine
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Posts posted by Wmachine
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Wow, you are the first person I recall that does not like that nitro smell. I would think the new ones don't smell any different.
The smell will go away, yes faster with exposure. Case (leave empty and open some time) and all.
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If the '59 VOS Reissue you refer to is the 2016, I can tell you Gibson had it spec'd as a "Soft C" neck, .855 at the first fret. Though I've seen them listed for sale with first fret measures from .850-.950.
If you don't already know this, the 2016 '59 Reissues are generally very highly regarded as being some of the best Gibson has ever produced.
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I believe it is ES (obvious) ,D - standard model, SR color (sunrise burst?), CH - chrome hardware, 1 is an insignificant number.
The s/n probably has the year in it.
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Gibson has been less forthcoming with detailed specs the last couple years, so it is harder to compare exact specs. Yes, pups are supposed to both be MHS, but w/o exact specs, hard to compare. Both should have Memphis Tone Circuits, but the Reissue specifically specs matched 550 pots and bumblebee caps, unknown in the 2018.
But I personally expect most of the difference you observe is the variation from guitar to guitar, even within the same model. 335s are known for having a relatively wide variation and I'd think the 330s would be similar. Thus the importance of actually playing them before you buy if at all possible (or have a good return policy). Not so much a case of getting a bad one as it is that some are just better than others.
I also believe the reissues get better wood and more attention to detail, things that generally don't show up in specs. Non-reissues rarely beat reissues. But still a lot comes down to preference anyway. And the neck profiles are usually very subjective.
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On 7/26/2019 at 7:11 PM, Harmonics101 said:
What does my Samsung TV model SZ4004P20PZY% mean?
Just unbelievable the useless zombie threads that keep popping up here.But, in the very least, they are entertaining reading if not informative.
🐵
H
What's so hard to believe? If it is still relevant, then it doesn't matter how old it is. In this case it is indeed still relevant. So why do you feel the need for sarcastic criticism?
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I don't see where that is an issue one way or the other. It could also be said that hand written is better as a sign these are hand made and finished. All depends how you want to look at it. It certainly can't be compared to a quality issue.
You're missing the boat being caught up in petty details. It has been said numerous times by very knowledgeable owners that the recent years ES models, especially upper level ones like the reissues are some of the best Gibson has ever made. You don't have to go way back.
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Both. I have examples of both that I bought new.
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19 hours ago, Twang Gang said:
The 61s are zebra (I have them in a classic uncovered).......
The 61R and T are both wound the same (as back in the day they didn't use different pickups for rhythm or lead positions) and they have 5261 winds on the pole side, but only 5000 on the slug side.
I have them in a 2015 SG Special, and really like them in the SG. I have, and was more used to SG with 490/498 pups. I bought the 2015 new dirt cheap (including the hardshell case), and figured with it being a "lesser" SG, I'd just flip it. But I like the sound, quality, and feel so much I kept it.
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20 hours ago, brad1 said:
How can that be a model number, when there are no numbers!!!
![[confused]](//content.invisioncic.com/p286412/emoticons/default_msp_confused.gif "[confused]")
Okay now?
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15 hours ago, Rabs said:
Looks like a Midtown Custom.. We need to see the headstock too but I reckon it has the split diamond inlay.
Good call:
https://www.sweetwater.com/store/detail/DSDCCTEBCH--gibson-midtown-custom-ebony
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I think the only thing that matters is what is important in the long run. Too many people get wrapped up in what is in front of their nose and ignore what really matters in the long run. Way down the road when you look at a nick/mar/crack, would you think "oh that (still) bothers me because I didn't put it there", or "oh that's fine because I put it there"?
Or would you do what I pretty much do, and forget it is even there? If so, what's all the fuss about?
Now if you look at it way down the road and think "OMG!!", then sorry, I can't help you.
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23 hours ago, premiumplus said:
I'm an old curmudgeon too, but I still rock Explorers and V's!
Hey didn't you hear that anyone over 30 looks stupid playing them? They don't know we don't give a Flying F.
16 hours ago, thecrunge said:That is very interesting indeed.
I love pointy guitars. I always did. I have many Jackson guitars and they are dangerouse in the wrong hands lol. Very pointy.
V's are my favorite. I may get a Gibson V to match my Explorer.
Did you say pointy guitars? If you ever swing one of these things around, you'll find out why they call them shredders!
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Still only a guess, but I think you're right about "just stamped a 225T". I think this was more likely to happen with the first ones. I don't think this was much of a concern when they were making them. It's not like a different model altogether was stamped.
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21 hours ago, thecrunge said:
Im sorry I seemed too critical in my response. I'm unfortunately turning into a crotchety old man.
But I try to assume the person asking for help has at least a basic knowledge in the subject. Asking if someone knows how to string a guitar properly akin to asking if someone knows how to turn the key to start their car. At is it to me. Besides , I didn't ask for help with the tuning issue. Only a suggestion on tuner upgrades.
So I apologize for snapping at you.
Hey, welcome to the club. I'm there myself. Forums are not a perfect form of communication. Now get off my lawn!
I thought maybe you might be jumping to conclusions going for new tuners as the Grovers are not bad tuners. You said this is your first Gibson, and they routinely have poorly cut nuts that can bind and cause tuning issues.
And it wouldn't be hard to find someone who has played all their life that still have tuning issues because they don't string their guitar properly. From all I can tell, locking tuners will not be any better for stability than a proper stringing. That said, I like them because I'm not the greatest at stringing and it helps me!
Rock that Explorer!
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On 6/28/2019 at 1:56 PM, Wmachine said:
This indeed has been an ongoing problem with the LP pickguard bolt and nut. Gibson should have figured out how to attach some sort of bumper by now.
FWIW, this was addressed with the 2015 models (and possibly others) with removable pickguards. Being removable, there is no bracket to start with. But to keep the look authentic (( guess) there is still a hole in the pickguard and a bolt used, but the end of the bolt has a nice bumper on it to keep the bolt from indenting the body.
20 hours ago, pippy said:Fine by me. Suggest something yourself. Hopefully you can suggest something which will sort everything out.
Pip.
I'm sorry, I though inferred in my answer was a suggestion to use some sort of a bumper on the nut end.
I'm afraid to say this, but I'm glad I'm not that concerned about nicks and scratches. It is not a matter of not caring at all to the point of careless handling and care, but those are harmless things that come with use and age anyway. I find other things far more important to me to spend my time and energy with. I understand there are those greatly concerned about visual flawlessness. Fine for them, but I'm glad that's not me.
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8 hours ago, pippy said:
Your guess is wholly wrong and I've never yet found it neccessary to take anyone to court to achieve a satisfactory outcome. Good manners, politeness, a well-reasoned discussion and a smattering of common sense always seems to win the day IMX.
YMMV.
Philip.
I'm not surprised you have never "found it necessary". That's why I was questioning your suggestion. That is an "easier said than done" suggestion that can easily not be a good suggestion. Without personal experience, how can you consider that a good suggestion? Especially being sure he will win? That seems to lack your smattering of common sense. Sorry, but I disagree that it is anything close to a good suggestion in this case.
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4 hours ago, gnappi said:
You don't get it... look at ANY other semi guitar the controls and parts are aimlessly scattered on the top.
FWIW since some may not have noticed, it's NOT about TWO points lining up, it's about multiple points lining up. Anyone can see that two points will line up on every git. That is unless there's only one volume control.
Hey, I'm just following *your* lines. You have lines with only 2 points.
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16 hours ago, thecrunge said:
No offense, but I have been playing guitar for 30 years. I have owned many guitars, and still do. So your question is a little insulting.
So if you can answer my question, please do.
It wouldn't be insulting if you gave us that info to start with. With no idea of your experience, you start at square one. You're the one with the problem asking for help, if you don't like the answers, maybe you should be a little more specific and less critical of the answers.
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2 hours ago, pippy said:
In which case why are you even bothering to ask the question as to what to do?
Take it back and demand a refund. If you were sold damaged goods then you must, by law, get your money back. The response 'They are all like that' is demonstrably not true because they are not all like that. Nor should you be expected to accept faulty goods. Take it back. Get a refund. Threaten court proceedings if neccesary. If they call your bluff then instigate court proceedings. It's really not that difficult. They WILL lose.
The ball is now in your court. Please let us know how you get on.
Pip.
Court proceedings? Really? You've been reading too many forums I'm guessing. So how did your case work out for you?
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You do know how to properly string a guitar? And to stretch new strings? Check the nut for binding?
Should not have a problem staying in tune.
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Any 2 points always line up........
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This indeed has been an ongoing problem with the LP pickguard bolt and nut. Gibson should have figured out how to attach some sort of bumper by now.
FWIW, this was addressed with the 2015 models (and possibly others) with removable pickguards. Being removable, there is no bracket to start with. But to keep the look authentic (( guess) there is still a hole in the pickguard and a bolt used, but the end of the bolt has a nice bumper on it to keep the bolt from indenting the body.
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3 hours ago, RodBettencourt said:
Hi folks, I´m dealing with an Epiphone SG custom with this wiring scheme. 3V 1T 3way switch. The pots are all 1M.
The situation is:
- with all the three PU volumes totally closed I have no sound at all. That´s obvious and fine.
- but if I open the neck PU volume with the switch down (selecting the bridge PU) I have a little sound, like 1% of sound coming from the neck PU.
- the same happens if I open the bridge PU volume with the switch up (selecting the neck PU). I feel a left over coming from the bridge PU.
Is this normal because od this wiring scheme? Or might be something wrong?
Thanx in advance
My EPI Limited Edition Riviera Custom P93 Blue RoyaleRivera P93 works like this: The bride and neck pups are controlled by a typical 3-way switch just like a 2 pup model. The middle pup works independently just with the volume control. Simple and versitile.
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It appears to me that Gibson can't get sales to sustain the small semi hollow models, even though they keep trying to reinvent it. First the 137, then the ES-LP, now the 235. They even claim the 235 to be an instant classic. Didn't happen before, so I don't see it happening now.
![[confused]](http://content.invisioncic.com/p286412/emoticons/default_msp_confused.gif "[confused]")
James McAra
in Gibson ES
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It is what it cost originally.
A full size semi-hollow thinline archtop.