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ES-345 Custom


pealock

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A better question is what do they not do. The 6 cycle gives me a full range from lows to highs. 1 is the full range, basically the "drive." 6 is nothing but treble, which works well for extremely twangy sounds and/ or solo-ing.

 

Its a complex system that I myself have no idea how it completely works.

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A better question is what do they not do. The 6 cycle gives me a full range from lows to highs. 1 is the full range' date=' basically the "drive." 6 is nothing but treble, which works well for extremely twangy sounds and/ or solo-ing.

 

Its a complex system that I myself have no idea how it completely works.[/quote']

 

The chicken head knob is the selector for the Varitone circuit - two actually - one for each pickup but not separately controllable.

 

The 345 has a regular .022/500 tone circuit. The Varitone adds to this by allowing the signal to pass through a further RLC (resistor inductor capacitor) tone circuit which notches in various frequencies. A schematic of the Varitone chip reveals five RC combinations (the 6th position on the switch is bypass). The inductor is fixed and sits just near the neck pickup.

 

RN

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Here is my 1967 ES345.

 

I play jazz - or try to, and this one had great tone - like an L5 when fitted with flatwounds - but the neck was one of those late 60s skinny ones that was too small for me.

 

114_1438a.jpg

 

The photo also shows the passive breakout box. I ran a stereo lead to it and two mono leads out. I converted the stereo signal to a mono signal using a Barge Concepts VFX-2 that allowed me to control the amount of bridge pickup in the mix with an expression pedal.

 

pedal_board1.jpg

 

I traded the '67 for a Memphis Custom Shop 2002.

 

With_new_345.JPG

 

This had '57 Classics but I was never happy with their tone, finding it harsh (except it would seem in the shop when I handed over my cash - or credit card details) and I replaced them with VintageVibe humbuckers with Alnico 2 magnets. These have a lower, more mellow output and this is now my go to guitar.

 

I also replaced the heavy tailpiece with an aluminium one on the advice of my luthier. I think this helped too but if I was advising somebody on buying a 345 for jazz, I would recommend one with a trapeze tailpiece.

 

I have to say that I find the mono output (the one nearest the strap button) very useful. ;)

 

RN

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I have given up on my 1967 ES345 (sunburst) as well. Too valuable to take to the pub and using a stereo cable on stage with one amp is not worth the hassle. You don't want to customise a 40+ old guitar, so I got a red 2007 one with the mono option. Still getting used to the gold on red Christmas-color-scheme though.

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You don't want to customise a 40+ old guitar.....

 

Agree, and 345s are particularly difficult to mono-ise correctly because of the Varitone.

 

The tone circuit in my '67 was a mess after the previous owner had tried to do this, demolishing one of the chips along the way.

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Problem I have with the Varitone switch on my ES 137 is the massive volume drop off when moving between settings. Do others experience a similar problem???

 

 

Yep. This is one more feature on my 345 that I do not use - well not on the fly anyway. #-o

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  • 5 weeks later...

DSC02155.jpg

 

Well, after 43 years, tonight I decided to take the bridge pickup apart and rotate the magnet and make both bridge and neck pickup in phase. It was out of phase from the factory. I got tired of having the middle position sounding very thin and a lower in volume when I just used a one channel amp.

 

I use a stereo plug on the guitar side and a mono on the amp side. I soldered the stereo hot leads together on the stereo plug. With this I just use one amp and the ES345 sounds good in the middle position and not thin sounding. Also the volume is equal on the bridge, bridge+neck, and meck pickup.

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Inspired by the "345/losing my mind" thread?

 

 

Hi Robin!

 

I haven't been posting much...just lurking! Yeah, my ES345 was not used as much because of this "out of phase" pickups.

 

 

It took me about 15 minutes to rotate the magnet. Wow, I can't stop playing this "thang"...it's like a new toy again! There is no drop in volume and no "thin" or treble sounding in the middle position. Jam'n on, baby!

 

 

East Bay Blues

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