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Hall

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Posts posted by Hall

  1. 18 hours ago, j45nick said:

    Thanks.

    I have done the same thing using Virtuoso Cleaner on the VOS finish on my L-OO Legend, but I would be afraid to use that on the thin finish on the new acoustic Custom Shop models.

    You are welcome.  I'm not pushing  something here .  You asked me and I answered.   My J-45 Vintage  and  SJ 42 Banner have a gloss finish under whatever that sprayed (VOS)aging layer is, and the Gibson polish seemed to first push it about and then almost gradually evaporate the haze.  The Gibson Polish did not affect the gloss finish beneath, other than to reveal it is there.   I'm convinced the Gibson Polish formula is the key. And using it, is not even close to the radical extent of the Virtuoso cleaning and polishing procedure.  I used some horse sense as well, started small, inconspicuous and expanded.   It really wasn't a big project at all.  I would hope anyone would do the same with their Gibson Custom Shop model no matter what they were attempting.  Temperance and moderation! 

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  2. 14 hours ago, j45nick said:

    OK, tell us what you did, and how.

    I  used the old Gibson guitar pump polish liquid because, as Hogeye once explained, it has a bit of Nitro in it.  < That is the key factor.  I didn't lavish it on the instrument or anything close to that.  Instead, a light spray on the polishing cloth for each surface, a repeat of this couple of times apart over a week or two and  that aging dull stuff is gone.  I just can not get into the purchase of a new guitar without a gloss.  I did the same thing with my J-45 Vintage earlier.  It doesn't take too much  effort to get a good gloss back.    Again, it's the Gibson pump spray polish that does it.  My supply is old, if that makes any difference in formula or not so.    OK, there you go.  Hope the info is useful.

  3. I have a J-150 from what, the 90ies?  I don't have it out right now to check exact new purchase date.  If the N.G. matches such, it will be a great guitar.   But, if it has an artist's name on it, there goes the price I imagine.  And that would defeat the original idea of the J-150.   Love the unbound neck!

  4. 22 hours ago, QuestionMark said:

    I still have my 1972 Natural SJD, bought new in 1974.  To my recollection I paid $150 plus I traded in my 1965 Epiphone Century (which I believe the music store treated as a $240 trade-in) for it.   You mention 80/20 strings.  Yep, that’s all I ever use on it, 80/20 bronze strings.  The guitar has a great mellow but full sound spectrum sound to it and it’s natural finish has developed a cool orange cast to it.  It’s been through the  repair mill over the years, but it still lives on.

    QM aka “Jazzman” Jeff

    QuestionMark!  You did better dealing than me all those years ago provided you didn't miss that E. Century.    Mine has always sounded fine  with 80/20 strings regardless of the  Norlin bracing and bridge plate.  That's why I still have it!   Has developed the orange cast to the top also.  Nice with the black trim.  I've always loved the neck.  Good to know there exists another SJ from then that has made someone happy.

  5. 51 minutes ago, E-minor7 said:

    First move is to smoothen the grove to the max - but for h's sake remember to keep the right angle.                                                                                                                                                                                                           Then some suggest to try some pencils graphite (or what it's called). Get the tool as pointy as possible and set a little grey stuff in the slot.                                                                                                                                    I've done this a couple of times, but honestly can't tell how well it worked. Why not try it.  

    I have had  good luck with E-minor7's suggestion of pencil graphite.  The straight forward thing to try at the outset.  

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