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Early PAF humbuckers; This good?


MrRoundel

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Seriously, can these pickups really be this good? I mean, for the type of price that this thing is going for, wouldn't somebody else be able to make an EXACT duplicate an and supply 10 of them? [biggrin][cool]

 

While it probably has mostly to do with someone doing a big $ restoration, it still seems to be over the top. But I'm new to this Gibson stuff. Perhaps the Debeers family is working their way into the guitar business?

 

Early Humbucker

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Personally I think you could have a pickup custom made and delivered to you on a satin cushion that would sound as good and cost a lot less. It all depends how important it is to someone to have a completely original pickup. Of course Blackie is right there is a market for this stuff and always will be, but I think for me personally I would not benefit from owning that pickup and could buy another guitar for less money and still have some money left over to give to charity.

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I am sure they sound good but I know that they can be replicated... They are only really worth so much because of their collectability and if you own a vintage les paul and you don't have the original pickups, you would need to buy some to complete the guitar...

 

I am not convinced they have some magic sound that cannot be replicated... [cool]

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PAFs have tremendous variability and thus there's no real "PAF Sound" AFAIC. Later patent number pickups through the late 60s are virtually identical and frankly sound great. A lot of this PAF mystique is 60s rumors that then passed on to become legend. All that got combined with small production numbers and a culture that developed around the collecting and sale of "vintage" Gibsons. Because of their variability from unit to unit (relates to the way the bobbins were hand wound) it's difficult to replicate them. You can take one, measure it and make a duplicate, but you may have chosen the wrong one to reproduce. By now every pickup mfr, including Gibson has their own spin on the PAF, but in the end the originals are worth the price to a select group of aficionados who can afford them. That last bit is what keeps the price high, same as any collectible.

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PAFs have tremendous variability and thus there's no real "PAF Sound" AFAIC. Later patent number pickups through the late 60s are virtually identical and frankly sound great. A lot of this PAF mystique is 60s rumors that then passed on to become legend. All that got combined with small production numbers and a culture that developed around the collecting and sale of "vintage" Gibsons. Because of their variability from unit to unit (relates to the way the bobbins were hand wound) it's difficult to replicate them. You can take one' date=' measure it and make a duplicate, but you may have chosen the wrong one to reproduce. By now every pickup mfr, including Gibson has their own spin on the PAF, [i']but in the end the originals are worth the price to a select group of aficionados who can afford them. That last bit is what keeps the price high, same as any collectible. [/i]

 

 

Exactly.

 

How many times do you play a real vintage guitar and are underwhelmed by it. I am quite often. Collecting vintage guitars is one thing, but actually buying or collecting instruments to play and make music with is another. A lot of new guitars are EASILY as good as very expensive vintage counterparts sound as good, look as good, and are more reliable than their vintage counterparts.

 

There will always be exceptions, particularly with acoustic instruments.

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I played a '63 SG Junior and the P90 in it knocked my socks off. To be fair though, I've never played a guitar equipped with modern P90s to compare with. It was gritty, almost Filtertron-like. All I know is it nailed my idea of that "vintage guitar" tone.

 

Wish I could have afforded it, but I'd need about $350 more than my current guitar funds allow and the assholes at Guitar Center wouldn't budge on the price.

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