I started out using a DAW in recording school (Full Sail) back in the mid 1990's, if you are talking about a Non-dedicated system, I have a few Mac's with Digital Performer's DP5 and Bias Peak loaded onto them. I used Pro Tool's in school but I like DP better, this is probably because I've not been able to afford Pro Tool's so I just never used it after college. The version of DP5 I got has the competitive up-grade that came with some nice Mastering plug-in's, a channel strip, a sweet reverb and some other extra plug-in's that I have little use for. I just do basic one man-one acoustic guitar recordings ATM, I guess these extra plug-ins could be useful in some other format of music or production sound editing.
Yes, I know you can get a M-Audio box with Pro Tool's light on it for next to nothing but the MOTU interface's I have are most likely better than a cheep Pro-sumer set up. I don't have a studio set-up with proper constructed room's so my Tannoy Reveal monitor's are in storage with some other equipment I also own. I do have a good set of AKG 240 headphone's that have never let me down and I have a few usable LDC mic's..... 1 Audio-Technica 4047sv and 2 Studio Project's C1's. Of coarse I got a hand full of Shure SM57's and a few SM58's, every mic locker should have those 2 mic's. I've used a SM57 for everything and gotten good result's with it. I've got some SDC's as well, 3 $200.00(each) Audio Technica 30 Series, one uni and two omni's.... One of the AT omni's stopped working but to tell you the truth I hardly ever use them so it's no big deal right now.
I have a few outboard processors that I don't use much ether but they are very usable unit's. Aphex 107 (discontinued) mic pre and a Drawmer 4 channel Punch Gate (discontinued). I have 2 DBX graphic EQ boxes 1231 and a 131, they are used a lot in my live stage rig, for Time-based processor's I only have a Lexicon MPX200 (discontinued) multi-effect's unit, again this little baby is parked in my live stage rack.
I've got a Tascam 788 work station (discontinued) that stopped working a while back and I just haven't taken it to the shop to be fixed, it's a nice sounding portable dedicated machine. I do have a Fostex MR8 (red, also discontinued) that I got in 2003 or so, again a portable dedicated machine with not so hot pre amp's and a SD card for storage. The Fostex machine is not good for anything more than spoken-word archiving as it is compressed audio however the 788 Tascam unit actually sound's good for what I paid for it.
I also have a Tascam DR2d pocket recorder, witch is a small dedicated recorder that sound's every bit as good as the 788, I have the DR2d mounted on a cheep camera tri-pod and have used it at gig's with an external mic preamped through one of my mixer's. I was very impressed by the DR2d's sound quality so I will defiantly be on the look out for a good stand-alone mic that I can use with it as the on-board stereo pair's are total crap.