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Baked maple vs.ebony


XPAULPITT

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OK. Every time I see people talking about baked maple on here they are comparing it to rosewood, and I understand why. Gibson is using it on models that usually had rosewood. It is said to sound more like ebony. I have never had the chance to play a guitar with an ebony fretboard so I wouldnt know how it compares to baked maple. I have an SG faded with baked maple and I absolutely love it. How does the baked maple compare to ebony?

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OK. Every time I see people talking about baked maple on here they are comparing it to rosewood, and I understand why. Gibson is using it on models that usually had rosewood. It is said to sound more like ebony. I have never had the chance to play a guitar with an ebony fretboard so I wouldnt know how it compares to baked maple. I have an SG faded with baked maple and I absolutely love it. How does the baked maple compare to ebony?

 

It's a different colour.......I love it, I prefer ebony........

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OK.

 

I think it can come close to ebony, depending on the batch of the baked process......Many consumers are preferring it over roswood; less pores......

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I'd have to go with the ebony over the baked maple. It may sound ok, but it just doesn't have that great of the look of either ebony, or regular maple.

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I have SG's with ebony, rosewood and baked maple. but the baked maple is a MM with a maple body and the other all have different pickups so it's not a straight up compare. I find ebony to be silky smooth and snappy where the rosewood is a little rough, I guess the openness of the grain and warmer more rounded sounding, the baked maple comes somewhere in between and I find the neck is very stable doesn't need as much adjusting and the other with the change of seaseons. My number one pick would be ebony.

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OK. Every time I see people talking about baked maple on here they are comparing it to rosewood, and I understand why. Gibson is using it on models that usually had rosewood. It is said to sound more like ebony. I have never had the chance to play a guitar with an ebony fretboard so I wouldnt know how it compares to baked maple. I have an SG faded with baked maple and I absolutely love it. How does the baked maple compare to ebony?

While fender has used maple and while not baked i think that could give a good comparison sound wise! apples to apples any way!

as for it being baked I don't think that,that in itself would do much to change the sound of baked vss non baked ! a lot of wood is kiln dried maybe not baked but high heat scenario any way.SRV had gits with both maple and ebony so that might show some of the differing characteristics!? [rolleyes]

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My take on the sound on a warm to bright scale:

 

(Warmest) .ROSEWOOD, .EBONY, .BAKED MAPLE, .SEALED MAPLE .(Brightest)

 

Sealed Maple meaning Fender maple fretboards with finish on them.

 

Ebony and Baked Maple are close, but I think the Ebony is fairly even low end to high end, while the Baked Maple tends to accentuate the high end.

 

Sealed Maple - even on a HSS Strat (not a single coil at the bridge) the sound tends to be bright.

 

 

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My take on the sound on a warm to bright scale:

 

(Warmest) .ROSEWOOD, .EBONY, .BAKED MAPLE, .SEALED MAPLE .(Brightest)

 

Sealed Maple meaning Fender maple fretboards with finish on them.

 

Ebony and Baked Maple are close, but I think the Ebony is fairly even low end to high end, while the Baked Maple tends to accentuate the high end.

 

Sealed Maple - even on a HSS Strat (not a single coil at the bridge) the sound tends to be bright.

 

 

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I have an Epi Zakk Wylde Camo with the maple fretboard and it is finished with poly I believe. It is an incredibly bright guitar. I thought that it was just the poly making it that bright. I know that the Gibson version of that guitar has an unfinished maple fretboard. I was always curious how different they sounded.

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In terms of sound, the differences between them are so small that its almost not even worth worrying about.. Baked Maple is a bit brighter than Rosewood (so probably closer to Ebony in sound).. But once you add an amp and any sort of gain then those differences become almost nothing.

 

This is a great video that goes into the differences with Rosewood and BM which as mentioned will be similar to an Ebony as a sound comparism..

 

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I had baked maple on my previous Les Paul Classic. I also had the ebony on my previous Les Paul Custom. I must say, the baked maple was a pleasant surprise, both smooth, and solid with good reaction time.

 

As for a sound difference, you'd have to have the keen hearing of a dog to be able to determine any difference. I think there are way too many variables (pick ups, wood, string gauge, nut, and set up) to consider before you'd be able to determine a difference in sound between fret board materials.

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As for a sound difference, you'd have to have the keen hearing of a dog to be able to determine any difference. I think there are way too many variables (pick ups, wood, string gauge, nut, and set up) to consider before you'd be able to determine a difference in sound between fret board materials.

 

Be sure to write the two guys in the video above and tell them they're dogs. . B)

 

Beyond attempting to equalize the electronic variables as they did, you can also play electrics acoustically too.

 

 

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Right. My post came after that post, however, I didn't see the clip.

 

Regardless, I offered an opinion based on my experience. Like I said, it's much easier to notice a difference in the feel of fret board material as opposed to the sound of a fretboard,. And, yes, I was speaking in terms of amplified guitars. I would agree, if you had two identical acoustic guitars with only the fretboard material being different, any difference in sound would be more pronounced.

 

Anyway, I'll be sure to write those two guys in the video. I'm just not sure which one to address as Fido, and which one to address as Rover msp_flapper.gif

 

Be sure to write the two guys in the video above and tell them they're dogs. . B)

 

Beyond attempting to equalize the electronic variables as they did, you can also play electrics acoustically too.

 

 

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Guest farnsbarns

Be sure to write the two guys in the video above and tell them they're dogs. . B)

 

Beyond attempting to equalize the electronic variables as they did, you can also play electrics acoustically too.

 

While I'm a big fan of Cap'n Lee 'n' Chappers (the two guys in the vid) and find their videos to be very informative on the whole, and I rarely disagree with them, I do think they got it wrong on that one. The classic custom is chambered so the maple cap is attached far less rigidly which makes a guitar far brighter sounding. The traditional is not chambered. A far better comparison would have been a chambered standard with a rosewood board.

 

I would bet anyone a year's wages that if Gibson made a classic custom with a rosewood board you couldn't pick it out from baked maple by sound alone.

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