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j45nick's Profile User Rating: *****

Reputation: 190 Excellent
Group:
Members
Active Posts:
5540 (6.62 per day)
Most Active In:
Gibson Acoustic (5036 posts)
Joined:
05-February 11
Profile Views:
10084
Last Active:
User is online Today, 02:40 PM
Currently:
Viewing Topic: Another boring string post...

My Information

Member Title:
Advanced Member
Age:
66 years old
Birthday:
January 22, 1947
Gender:
Male Male
Location:
south Florida
Interests:
Guitars. Music. Building stuff. Sailing. Politics. Fine wine. My wife. (not necessarily in that order)

Contact Information

E-mail:
Click here to e-mail me

Posts I've Made

  1. In Topic:Guitar picks

    Today, 01:54 PM

    View PostStubee, on 22 May 2013 - 01:40 PM, said:

    I do think that pick style, material, thickness & esoecially your attack are far bigger components of guitar tone than many other things I see bantered about on the Internet.


    Yep.
  2. In Topic:Guitar picks

    Today, 01:30 PM

    View PostMojorule, on 22 May 2013 - 01:13 PM, said:

    On taxi duty in my home town today, I found the best temporary parking spot was next to our big guitar shop. Quelle coincidence! But despite my brilliant parking tactic, there was only time to note that the selection of Gibson acoustics had grown in the last couple of months, and then to peruse the picks. I like 346s and want something other than celluloid, since my old Gibson heavy is too clicky on acoustic. But in 346 form they only had Fender celluloid picks. Everything else was standard shape and size or tiny jazz-sized. No Timbertones (I quite fancy trying a buffalo horn pick from their collection), no Claytons (I wanted an Ultem tripick, and a NuTone which seems only to be available in standard shape, but is supposed to do what Red Bears/Blue Chips do for a lot less money). All of the above advertised as doing something akin to tortoiseshell. No Alaska fingerpicks either. So I bought a standard size/shape Dunlop Ultex because it's the nearest thing to the Clayton Ultem. 1.14 mm. I'll let you know how what it's like.



    As a cheap substitute for Red Bear or Blue Chip, Dunlop Tortex (.88-1.14 mm) aren't bad for very little money. Certainly not the same, but better than the average "clicky" plastic pick, IMHO.
  3. In Topic:Fullers J35 or Southern Jumbo

    Today, 11:36 AM

    View Postjazzpunk67, on 22 May 2013 - 09:43 AM, said:

    I see the angle of the guitar throws it off. I should have rotated it slightly. thanks for pointing that out.

    D



    Sorry, I have this irrational obsession with pickguard placement. Just ask Jeremy Morton at Gibson..... [biggrin]
  4. In Topic:Guitar picks

    Today, 11:34 AM

    Listen to Buc. He is probably more tuned in to pick differences than anyone on this forum.
  5. In Topic:Ray Manzarek

    Today, 11:31 AM

    View Postzombywoof, on 22 May 2013 - 11:05 AM, said:

    What amazed me about Ray was not his keyboards but the way he worked the bass pedals on that Vox Continental.



    That Vox really changed things for touring groups that couldn't practically travel with the a big organ like the Hammond B-3. When I was touring with a group in 1970-'71, we had two electric keyboards: an early RMI Electra-piano, and a Yamaha organ. They were easy to handle in our touring van, and sounded decent in the (mostly) small venues we played, generally the mid-west college "coffee house" circuit.

    When we first went into the recording studio in New York, I had my first hands-on exposure to the Hammond B-3 and Leslie speaker, although I had played "church" organs before, from WW2 folding field foot pump models to smallish consoles. But whoa! That B-3 was (and still is) a different world.

    The Vox Continental had that thin, artificial sound that you associate with early transistor organs, but somehow, it worked in the context of the Doors, probably because of Ray's skill and the general "other-worldliness" of their songs. To this day, I still can't sit through the entire "Strange Days" album without starting to feel uneasy and slightly out of kilter with reality.

    However, it's hard to imagine Garth Hudson playing the opening riff of "Chest Fever" on a Continental.....

Comments

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  1. Photo

    onewilyfool 

    09 May 2013 - 18:01
    Nick, are you in town for the races??? ragic news about Andrew Simpson and the Artemus team.....if you have any spare time, maybe we can get together for some beer and guitar!!
  2. Photo

    ol fred 

    27 Dec 2012 - 08:56
    mirror? so turn of the century
    try this
    http://www.homedepot.com/webapp/wcs/stores/servlet/ProductDisplay?productId=202810435&storeId=10051&langId=-1&catalogId=10053&MERCH=REC-_-SearchPLPHorizontal1-3-_-NA-_-202810435-_-N#.UNxhKaws8wc
  3. Photo

    retrorod 

    01 Nov 2012 - 03:38
    Hey Nick,I know that you are a sailor. With regards to the HMS Bounty tragedy and sinking off Cape Hatteras....what do think that Captains mindset was ,as he steered his crew into disaster? Would like to hear your insight. Rod
  4. Photo

    ol fred 

    12 Jul 2012 - 07:52
    Illegitimi non carborundum
    empty your mailbox
  5. Photo

    onewilyfool 

    16 Feb 2012 - 18:02
    Nick...I'm getting the frets redone on my L-7......they were pretty low and with my finger tips, I need more fret....ahhhh the joys of vintage ownership!
  6. Photo

    onewilyfool 

    11 Feb 2012 - 11:46
    Nick....America's cup is still short several million in San Francisco.....think that's a problem???
  7. Photo

    onewilyfool 

    01 Feb 2012 - 21:34
    Hey Nick...been playing my L-7, these guys really have a nice sound...just wondering how your voyage is going with yours???
  8. Photo

    ol fred 

    02 Dec 2011 - 10:38
    Rescue is in the CA gold country about an hour NW of Sacramento. Was curious about Wily's comment, thought we could add you to the SANSJAM list. Still can, we have players from NY, NJ, Iowa, and AK.
  9. Photo

    ol fred 

    02 Dec 2011 - 10:21
    Nick, where are you located ?
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