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Are there any better/ worse years for a modern J-45? Which year to buy/ not to buy?


Joey Joeyson

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To my mind, if you are a musician rather than a poser, or investor, how a musical instrument SOUNDS is its most important quality, followed closely by its playability.

Thus, playing j-45's until you find one that fulfills your needs would be the best approach, rather than shopping by year of production.

Good luck with your search.

RBSinTo

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Mr. BK777 brings up as very good point.  It is not all about sound but also feel which means nut width, neck carve (shape and thickness) and string spacing at the bridge.   While Bozeman tends to stick with a standard nut width and string spread at the bridge, the shape of the neck can be all over the place in terms of how deep it is.  It comes down to what feels like home to you.  The problem, of course, is finding those specs other than the nut width.  The last time I bought a newish slope shoulder jumbo was three or four years back. It darn near turned me into a nervous wreck as it was the first time I had bought a guitar costing any kind of money sight unseen.   But I was able to find some solace in the fact that going into it the seller had provided me with every spec I needed to allow me translate those numbers into feel.

Edited by zombywoof
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As BK and Zomb have alluded, it’s not really a numbers game as per years. Basically any Bozeman built slope has an equal shot at being great…some are built lighter than others, minutiae of specs vary but ultimately they are all largely hand built, high end instruments, and the natural variables in each piece of tonewood such as density, grain, mass etc which come with all organic matter are likely to make far more difference than model year. 

For example, in 2007/8 my old band had an artist deal with Gibson and ordered (amongst a couple of other bits) three J45 Modern Classics, which are now known as Standards. 
 

The three were so sonically different from one another it was unreal. One was rich, dark and plummy, one more tight and bright with a high end sheen, one balanced and extremely even. They rolled off the production line within a couple of days of each other, and we were all so surprised by each of them when we got them in a room together. 
 

Figuratively speaking, all three were very good guitars, but distinctly different. I think the key advice is to try before you buy if you can, but go by factors such as neck profile and other specs (Sitka Vs Adi, torrefaction Vs traditional curing) that you know are to your taste rather than year of manufacture.

Good luck with your hunt!

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So it means you got to know what you want before you have it!

And how you do that is anyone’s guess. 😆

Once  you have it, there is the matter of setup...phew, strings, case, humidity control, maintenance .......and after all that, it can sound different every time you pick it up.

So, just put my abovementioned 2002 J50 Ren era back in its case and the medium strings I struggled with were fabulous today. The tone was there with lights but........mediums are better but harder to fingerpick. And did I mention the setup and repairs and bone nut and saddle by the best repair guy around turned it from a toad into a princess? I think I will ring him again but he may think I am stalking...

Some people just buy a J45 off the shelf, don’t do anything and are happy as piggies in the trough.

 

BluesKing777.

 

 

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3 hours ago, BluesKing777 said:

 

 

Once  you have it, there is the matter of setup...phew, strings, case, humidity control, maintenance .......and after all that, it can sound different every time you pick it up.

 

Some people just buy a J45 off the shelf, don’t do anything and are happy as piggies in the trough.

 

 

 

My 2003 was pretty nice out of the box.

I eventually changed the saddle. (myself, I've never paid for a setup, it ain't rocket science)

They can sound different on different days, eh?

 

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17 hours ago, Murph said:

 

My 2003 was pretty nice out of the box.

I eventually changed the saddle. (myself, I've never paid for a setup, it ain't rocket science)

They can sound different on different days, eh?

 

 

I could do the setup myself and do a bad job like the previous owner who filed the nut wrong, saddle awful and painted them with tea to make it look old, but forget to stretch the neck...so guess they didn't play it much.

And..if I did it myself, I wouldn't get to go to the workshop, kind of like a guitarist's Santa Cave....😁

First photo is my custom 00 deep body being made, note the famous Italian Moon Spruce top, and the second photo is some lucky fella's guitar that was ordered  (like mine but slothead ) and was about to pick it up, when I had a quick pluck and went home and then came back to order mine.....😃

NPd5u9i.jpg

 


mV1DsJw.jpg

 

BluesKing777.

 

 

Edited by BluesKing777
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25 minutes ago, Murph said:

 

The truth always comes out, if you're just patient...

 

Well, he can SMELL a dodgy fret or a badly cut nut from the doorway, true!

 

While we are friendly, I am his friend but mainly....client!😷

 

But I feel like calling him every time I play a guitar he has ‘perfected’ for me! But so do all the dudes, I suppose, and he goes home and wants to be left alone....😗

 

BluesKing777.

 

 

Edited by BluesKing777
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