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This Bigsby is Pretty Awesome!


L1Picker

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Posted

My Riviera P93 sports the first Bigsby I've ever had. I've never been a trem user...took the trem arms off the few Strats I've owned, and didn't think I'd get much use out of this one either. Boy was I wrong. I love the subtlety of it. It's mild effect sprinkled about here and there adds some nice character. And the roller bridge I put on does wonders for keeping it in tune.

Posted

I couldn't agree with you more. I love my Bigsby equipped guitars. I can't imagine playing live with out a trem of some kind on a guitar. If I would have been a P90 fan I would have jumped all over one of those Riviera P93s. It will be interesting to see how much they run when they are available again. That defintely was a lot of guitar for $500. Glad to hear you are enjoying it.

Posted

Wow...I've been drooling over Bigsby equipped guitars since I started CONSIDERING learning guitar. Well done. Hopefully I can join the ranks soon.

Posted

I have had 4 Bigsby equipped guitars since the early 70's (a Gibson SG, an Epi EmperorII Joe Pass, an Epi Zephyr Blues Deluxe and an Epi 56 Goldtop LP). I had a red Gibson ES335TD that I wish I had put a Bigsby on. I love the sound they make and they look so incredibly cool!!!

BTW 6 string, your Riviera is beautiful...don't ever let it go!

Posted
My Riviera P93 sports the first Bigsby I've ever had. I've never been a trem user...took the trem arms off the few Strats I've owned' date=' and didn't think I'd get much use out of this one either. Boy was I wrong. I love the subtlety of it. It's mild effect sprinkled about here and there adds some nice character. And the roller bridge I put on does wonders for keeping it in tune.

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Try putting one of the taller, American-made Bigsby springs in it. It's even better. More travel, and it snaps back into position better. Did wonders for my Casino!

Posted

My least-favourite trem. I love the look but not the spongy feel and the hassle involved in re-stringing. I put one on my Tele and it's coming off again soon. Big mistake. Had a Bigsby "copy" on an Epi LP Custom too, and didn't like that.

 

I much prefer the maestro; firmer, more direct action, and I find I can get much more control over the pitch, with more subtle movement of the arm. On a Bigsby it seems to take lots of travel to achieve similar bends, and a very exaggerated movement to get a rapid shimmer effect. Much easier with a maestro.

 

I even prefer the Strat system, although it's usually less stable.

Posted

I much prefer the maestro; firmer' date=' more direct action, and I find I can get much more control over the pitch, with more subtle movement of the arm. On a Bigsby it seems to take lots of travel to achieve similar bends, and a very exaggerated movement to get a rapid shimmer effect. Much easier with a maestro.

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I gotta agree with you here. I have a G-400 with a Maestro, and I like the feel of the Maestro over the Bigsby, or any other trem that I use. The Maestro takes less movement to get the effect you are after and the Bigsby is a little spongier feeling. Another thing I like about the Maestro is I can move the arm around 360 degrees, the Bigsby is limited. But, I wouldn't throw the baby out with the bath wash. It just takes a little getting used to the feel of the Bigsby over the Maestro. The Maestro is a cool looking trem though.

 

I have a Strat with a trem and it feels different too, but I get the results I want with it. I had it set up when I bought the guitar so the trem wouldn't throw the guitar out of tune, and it works great for me. I also put a Stetsbar on my Gibby LP and get great results with that also, again a totally different feel and it takes time to get used to each.

 

Lots of choices. It seems to be either a love or hate relationship with a Bigsby. A roller bridge is definitely a must with one IMO.

Posted

My least-favourite trem. I love the look but not the spongy feel and the hassle involved in re-stringing. I put one on my Tele and it's coming off again soon. Big mistake. Had a Bigsby "copy" on an Epi LP Custom too' date=' and didn't like that.

 

I much prefer the maestro; firmer, more direct action, and I find I can get much more control over the pitch, with more subtle movement of the arm. On a Bigsby it seems to take lots of travel to achieve similar bends, and a very exaggerated movement to get a rapid shimmer effect. Much easier with a maestro.

 

I even prefer the Strat system, although it's usually less stable.

 

[/quote']

 

The knife-edge one on my '04 American Strat actually stays in tune really well. Until you break a string, of course.

Posted

My one and only Bigsby (so far):

 

GretschChetAtkinsCountryGentleman.jpg?t=1230055089

 

I just bought a Gibson SG to go with my LP and 335, specifically so I could put a Bigsby on it. If the Palm Pedal goes into production I'll go with that (I'm an old pedal steel player) but as the OP said, I love the subtlety of the Bigsby vibrato.

 

I owned the Country Gent for 25, and restringing was no problem, nor was staying in tune, once I realized that, every time you tune one of the strings up, that rotated the bar and detuned the others. It also did not like slinkies...but I don't like 'em either.

Posted
6string- what roller bridge did you buy? Wanna make sure I get the right one.

 

I got it off Ebay. Here's a link to the seller with some more of the same...

 

Roller Bridge

 

The measurements he gives in the listing matched up so I gave it a shot. It was a direct replacement, is of good quality, and does a fine job for much less than others I've seen available.

Posted

I had Bigsby envy throughout the '60's and '70's. The only trem' I had was on a loaner Firebird, and I really never used it. Now I have one on three Gretsches and a Riviera. Maybe I should play with one for a while.

 

Naw!

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