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Date this guitar please.


luctom

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DSC06946_zpsfnja1zhd.jpg

 

Hi...I have had this for 40ish years.I tried a site to date it...said 1955!...I don't think Casinos where in production till '62...any other pics..just let me know. Thanks in advance.Ian

 

PS....lost scratchplate and trem arm years ago!

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This is indeed a really nice guitar.

 

Gotta understand, even if "we" don't need pics, we would want to see them.

 

I'm not too hip on vintage Epiphones, but I learned something already. I didn't know that headstock existed on "American" ones, thought it was only since Japan production. Makes sense it was borrowed from something.

 

Of corse, that's provided it IS an American/Gibson made one.

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This is indeed a really nice guitar.

 

Gotta understand, even if "we" don't need pics, we would want to see them.

 

I'm not too hip on vintage Epiphones, but I learned something already. I didn't know that headstock existed on "American" ones, thought it was only since Japan production. Makes sense it was borrowed from something.

 

Of corse, that's provided it IS an American/Gibson made one.

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Not sure from the angle of the pic, but that headstock looks to me like the "Gibson" style headstock—kind'a like Paul McCartney's '64 Casino has. Lennon and Harrison's '65-'66 Casinos had the longer typical Epiphone headstock.

 

Very nice guitar!

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No...it's not bolted to the wall...hidden bracket! here are a couple more pictures. The general condition is OK, but the finish is not great...the back of the neck has 3/4 cuts??previous owner. The question is..how much restoration is too much? It wouldn't look good if the thing was all shiny. Any opinions welcomed. thanks again Ian.

 

DSC06949_zpssnncelq5.jpg

 

DSC06950_zpskpis2kgq.jpg

 

Edit. the photos look ok..but ,as I say, the finish..esp. back of neck is quite rough.

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I wouldn't "restore" her, per say. I'd keep that aged look/patina about her. Restore as in; making sure everything works like it should, basic cleaning, etc., sure. Don't you dare try refinishing that beauty! [-X

 

...but, that's just my opinion. B)

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I think that finish looks perfect as it is. It makes a change to see this sort of finish as 'original'.

 

Even the Bigsby looks good on there, and I'm not a lover of floating bridges. Do you have the arm? Or will you leave it as is?

 

How does it sound? I'm trying to imagine it.

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Lost the arm long ago...don't even know if it was original.....actually, I've just played it for 1/2 hour..it really deserves to be played more. The back of the neck is rough...cracked lacquer. I may very carefully rub it down with v. fine sandpaper ...!If I can work out sound files...may put a bit up here. thanks again to all. Ian

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Never got around to the date here, eh?

 

Anyway, having NOT seen the back of the neck or more pics (great pics by the way), this might not be worth much: If the neck is THAT rough, it's possible it was sprayed over at one time. Not uncommon, and spraying over a finish tends to make some things worse down the road.

 

The guitar is valuable enough to want the proper advice. It's not only a Gem of a guitar, but worth some money, AND a piece of history. But just to give you an idea of what you are up against, if you mess with that finish, it seems a good chance you can drop the value in half...which seems to me, might "cost" you 1k-3k in monetary value.

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  • 7 months later...

Your early '60s Casino is essentially identical to McCartney's, which he still owns, and it remains his favorite electric guitar. This headstock shape predated the hourglass shape, and was standard on many Kalamazoo-made electrics and acoustics, along with the triangular truss rod cover.

 

My advice would be to only do what is minimally necessary to assure structural integrity. If the back of the neck is so rough that it hampers playability, then it may be wise to have it addressed - but take it to someone with a top notch reputation for a complete assessment, and again, only have done what is minimally needed. It will retain it's greatest value by remaining as original as possible.

 

This guitar is too good (and rare) to screw up, so proceed with caution and thoughtfulness!

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