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a p90 but where?


Stevie Nazarenie

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Now, I don't know much, but of the guitars I have seen with a "mix"...all of them having been made by companies *other* than our Overlords' here, so they shall remain nameless - I always seem to see them in the neck PU slot.

 

That just seems like convention. I have recently played a very nice non Epi with a humbucker in the bridge and a P90 at the neck-the whole guitar being planned that way from the start so windings were well balanced. It was a very dynamic guitar due to this PU config. I'll probably get one someday rigged like that, or perhaps customize one of my existing guitars that way...my Telecaster, built by a company that I shan't mention would really benefiet from that set up I think.

 

P90's are great!

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I have an epi sheraton and an epi lp studio.

in the sheri are two p90s. kent armstrongs

and one KA in the neck position on the lp, with a KA humbuck in the bridge.

 

I love the neck position ... I like the depth, without the mud, and I like the clear and clean mids and highs.. for me, the neck position isn't particularly better than the bridge except when I compare it to a humbuck or small single coil. then it's completely better for me.

 

You do find the neck pos, used quite a bit in blues and jazzier blues.

 

but the bridge p90 is a thing of wonder. big fat huge tone..plenty of highs and plenty of fullness at the same time.

 

It's a great pickup to mix with humbucks in either position.. the KAs are 9K ohms.. which keeps up with humbucks.. but wont outrun a single coil unless you want it to

 

If I were talking to someone first trying them out.. I'd probably recommend neck first.

But, I don't think you can miss!

 

TWANG

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Guitars that are designed as jazz guitars with one pickup almost always use the neck position (Wes Montgomery L-5, f'rinstance, or the late Epi Zephyr Regent); rock guitars (LP and SG juniors) almost always use the bridge.

 

Some early Casinos and Sorrentos had only one pickup in the mid-position, which might be a good compromise.

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but the bridge p90 is a thing of wonder. big fat huge tone..plenty of highs and plenty of fullness at the same time.

 

TWANG

 

No doubt about that. I love that sound! And the versatility! I can sound like a Telecaster or a humbucking Gibson with the bridge P90 in either my SG or Wildkat. Just a little roll off of the tone and wala! Easy to go from faux-jazz to Black Sabbath in just a parsec. :D

 

P90's are the bomb. Or something like that.

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well i have just made my decision by the hardware i have. i think knowing the nature of p90's i will be wanting both but on a budget i've had to decide on one for now. i've never even played a guitar with them but i'm sure they'll suit my style. i can make up some gain with a pickup booster if needed. i have a place in a guitar for either humbucker but i've just noticed i have space in a strat copy for one at the bridge too. so i'll go for the bridge for now. i was after a strat with p90's too so i can try it in that guitar and see if i like the sound on that one.:D/

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Come to think of it, Gibson also had some single pickup ES-330s with one P-90 in the middle.

 

I've had (and will again) a Strat copy with a P-90 at the bridge. That with the middle pickup was one of the best sounds I ever got out of a guitar. Seems like it had a series/parallel switch...maybe those two in series is the sound I was thinking about. If you're interested in that you could just twist the leads of those two pickups together in different ways to see which sounds you want to use before soldering anything. It's worth investigating.

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It's funny, I keep going back to the Goldtop, even though I love the sound of the SD Pearlies in my other Epi LP. The bridge is crystal clear and can go from Tele to Rock growl with picking techniques and a roll off on the tone. The neck is a ZZ Top sound that's great for blues.

 

webP7240143.jpg

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I'm in the Neck camp, on this one. In a guitar with both hummer and P-90, for me (personally) I prefer

the P-90 to be at the neck, because being in the rhythm or "bass" pickup position, it's less prone to

being "muddy," than a Humbucker. More articulate, and a bit "rounder" in tone, too. P-90's work well

in both positions, obviously...but, If I had to choose only one, that's where I'd put it.

 

CB

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Hey Dave, nice Goldtop. Mine will be here Tuesday. I needed something different, and not a big fan of Fender.

I already have a set of Duncan replacement P90's on order. I wanted something with a little more "Bite" for my blues leads, but didn't want to go for the $$$ for a Gibson. Besides, it was hard enough finding an Epi 56.

Back to the subject, I'd also vote for the P90 in the Neck. Blues just seem to sound better coming from the Neck position.

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=D> oh my i never thought it could be said but i just got my mean 90 bridge gold pickup and i'm luke warm on it. not remarkable clean and ok dirty. but nothing super special! i prefer the dream 180 i just wired in at the neck. it's a bit p90-ish anyway but a little more what i wanted. it's splittable so it's on a par with it tone wise although the dream is louder than the p90 when in humm mode and too quiet when spilt. i can't think what i need to do there. =D> i think i need a sit down as i've inhailed some solder fumes... =D>
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