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HELLO EPIPHONE---PLEASE MAKE THE RIVIERA AGAIN


sdgails

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I have a 1970 Riviera, just when the transition was being made from Kzoo to Japan. Mine must have been a leftover as it has a set neck (the Jap ones were bolt on's) it has two full sized Schaller made 3 point humbuckers and a standard tail like the tobacco burst shown. Where it gets weird is the toggle switch. It's located on the lower front horn instead of near the controls. The headstock also just says Epiphone, no crown, vine, nothing. Sounds very "Voxy"... like early Kinks (that ain't all bad)

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I have a 1970 Riviera' date=' just when the transition was being made from Kzoo to Japan. Mine must have been a leftover as it has a set neck (the Jap ones were bolt on's) it has two full sized Schaller made 3 point humbuckers and a standard tail like the tobacco burst shown. Where it gets weird is the toggle switch. It's located on the lower front horn instead of near the controls. The headstock also just says Epiphone, no crown, vine, nothing. Sounds very "Voxy"... like early Kinks (that ain't all bad)[/quote']

 

Sounds like it's probably a Matsumoku-made instrument from a bit later than 1970. Full-sized humbuckers were never used on any American-made Epiphone.

 

...and Al's your uncle.

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  • 9 months later...
NOO dont make them again' date=' it makes mine rarer and more unique[/quote']

 

Really do something impressive, Epiphone...bring back these...the last run of Epiphones actually MADE in the USA prior to the recent Wilshires (Nashville/Bozeman-1993/1994)...only 250 Rivieras and I have two of 'em...they also came in cherry red and natural but those are uber-rare-I'd love to also have a cherry red one-...I have two sunburst versions. One is used everyday as a guitar and the other is sealed in its case and sitting in my mother's basement hoping that some day some sucker...ermmm some astute aficionado of vintage guitars offers me money so stupid that I can't resist selling it...I'm not real optimistic though...these really haven't taken off even considering their build quality (Gibson custom shop) and rarity (only 250 ever made)...maybe worth $2200-$2500 and in this economic climate more like about $1800...

 

DSC00916.jpg

 

 

 

Mr.Nelson

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I got mine during the MF blowout' date=' best deal I ever made! Then came the Bigsby, also a black truss rod cover. I have to change out the tuners, the Bigsby added to much weight, and it's unbalanced. A nice set of Grover Rotomatic's should take care of that.

 

The Mini bucker's are some of the coolest pickups out there, twangy as hell too. They should have all their classic guitars available, like Gretsch does IMO...[/quote']

 

if someone's looking for twangy in a regular humbucker sized slot, btw, lace hemi humbuckers do a pretty good job.

 

but i still want a riviera.

or a sheraton 2...

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Nice one' date=' Nelson! Beautiful!! It's interesting they used the 335 and/or "Dot" paint scheme, instead of the (original) Riviera's, though.

Wonder why???

 

CB[/quote']

Thank you...that is a good question. The other Riviera (also from 1993) and an ES-335 (from 1988) I have also have a similar"tear drop"/ "mouse ears" sunburst pattern..The Riviera I kept as a player doesn't have as much "flame" on the front as the one I saved but does have an incredible amount of birds eye in the veneer on the back and the figuring in the neck on the player is also incredible where the ES-335's and saved Riviera's necks are pretty plain...what gets me is that these "USA reissues" were about the same price as a standard ES-335 at the time (I think my first reissue Riviera was $1250 (the player) new when ES-335s were about the same price and the second one I bought in 1999 to sit on was $1475 second hand) so this is why I see ridiculously over-priced reissues as nonsense and exploitation. My very first Riviera (also a sunburst but the other pattern) which I traded for my '65 Casino in 2000 was $335 second hand in 1971. The reason I let it go was because the reissues were so close to the original it didn't make sense to have three of them and someone offered me a straight trade of a 1965 Casino for my 1965 Riviera and I took it...and it was sad because when you have the same guitar for almost thirty years and it's been with you all along you bond with it..it was funny because I didn't think I'd have those feelings and I really did want the Casino but afterward I did have some moments of regret....but I got over them lol

 

Mr.Nelson

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Yeah, it's interesting (to me, anyway) too, that on the photo of Gary's Rivieras, you can see the difference in the ears

of the two verions, as well as the waist taper, differences. The Korean (6-string) having the more rounded (Gibson like)

ears, and a shorter "waist," and the "Elitist" 12-string, having the more tapered/pointed ears and somewhat longer waist,

which is more (or exactly) like the "Kalamazoo" models...as is the "Sunburst" pattern. Another reason I miss the "Elitist"

versions. But, they're both really nice guitars!!

 

CB

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About 6 or 7 years ago' date=' I got a new Riviera XII. (I'll post pictures of it when I figure out how to do it). You can't imagine how badly I wanted to own that guitar. I used to stop off at the music store on my way home from work 3 or 4 times a week, for weeks, til I'd saved up enough to buy it. (About 3 years ago, I also bought a 6 string version. I still have both.)[/quote']SDC10140.jpgSDC10142.jpgSDC10141-1.jpg

I finally figured it out.

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Aside from the cosmetic differences (parallelogram inlays' date=' finish choices, TRC, etc.), you could make yourself a Riviera by changing the pickups on a Dot to mini-hums and putting a Frequensator tailpiece (or a Bigsby) on instead of the stop tailpiece. Otherwise the construction is essentially the same. You'd need some sort of mounting adapter to fit the mini-hums into the larger full-size humbucker routs, but otherwise it would be a simple enough conversion.[/quote']

 

I know I am late posting, but that won't work. First of all no inlays only dots and second the neck is much slimmer on the Riv.

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