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I love my 339


57classic

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Every time I play my 339 I am amazed! The range of tones blows me away. The complexity of harmonics is indescribable. Sounds that I have been trying to get for years on other guitars, including a 2001 LP Classic w/57 & 57+ which I sold to get the 339, I finally can. I'm getting to the point where I'm not sure I'll get a LP Standard for the tone, maybe just because I love them. I know the 339 isn't a LP but it is a lot that the LP isn't. I posted this because only those who have 339's and play them would understand the way I feel about this guitar.

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Every time I play my 339 I am amazed! The range of tones blows me away. The complexity of harmonics is indescribable. Sounds that I have been trying to get for years on other guitars, including a 2001 LP Classic w/57 & 57+ which I sold to get the 339, I finally can. I'm getting to the point where I'm not sure I'll get a LP Standard for the tone, maybe just because I love them. I know the 339 isn't a LP but it is a lot that the LP isn't. I posted this because only those who have 339's and play them would understand the way I feel about this guitar.

 

I hear ya 57classic.

Can't get enough of my 339.

Love my LP's too, just different.

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Went from LPs to SGs to hollowbodies, including a 339. LPs now seem rather boring, although I've kept them (as well as the SGs) as they do offer something different. Seems like if you've got a guitar you once really liked, it's better to keep it if at all possible, as that particular mood may come around again from time to time.

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Went from LPs to SGs to hollowbodies, including a 339. LPs now seem rather boring, although I've kept them (as well as the SGs) as they do offer something different. Seems like if you've got a guitar you once really liked, it's better to keep it if at all possible, as that particular mood may come around again from time to time.

I agree with you but my Les Paul, although beautiful and good to play, never had that certain something. I changed amps, tubes and pickups and I could never find IT with that guitar.

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I agree 100%. I have to force myself to play my other guitars. My 339 just sounds good played so many different ways. I started taking lessons to learn to play lead better. I have always been a chord guy and needed to advance. My instructor and the owner of the local music store played my 339 and both were wowed by it. something magical about that model.

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Ha! I just responded to your other thread and mentioned that I was 5'8" which is the reason I got the 339. Then I read your post here. Too funny.

 

I love my 339! The Memphis Tone Circuit is very sweet and it's a very versatile guitar. I love getting that fat BB King tone of it. Congrats dponzi on your new 339. You'll love it more as you play it more. I love the antique red finish.

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  • 2 weeks later...

Every time I play my 339 I am amazed! The range of tones blows me away. The complexity of harmonics is indescribable. Sounds that I have been trying to get for years on other guitars, including a 2001 LP Classic w/57 & 57+ which I sold to get the 339, I finally can. I'm getting to the point where I'm not sure I'll get a LP Standard for the tone, maybe just because I love them. I know the 339 isn't a LP but it is a lot that the LP isn't. I posted this because only those who have 339's and play them would understand the way I feel about this guitar.

 

I hear what you're saying bro'. I have the cousin to the ES-339, i.e. the CS-336, and I find the same thing with this guitar as you were saying about

your ES-339. [thumbup] Keep on playin'.

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  • 3 months later...

I hear what you're saying bro'. I have the cousin to the ES-339, i.e. the CS-336, and I find the same thing with this guitar as you were saying about

your ES-339. [thumbup] Keep on playin'.

I've had my 339 for three months now and I hardly play my other guitars now. I agree with other posters in saying that the sounds I get from the es-339 are sounds and tones I've been looking for, for a long time. I've got them now. This is an awesome, awesome guitar. I start playing it and literally can't stop. When I have a limited time to play, I use my Les Paul, knowingt that I'll end up running late if I start with my 339.

 

Yes, the 339 is that good. I can't believe my LP is now my backup guitar.

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I have actually sold my 89 LP (my Number 1)that you see as my avatar. On a lark, I was looking over eBay for bargains one late night and saw an ES-339 cherry for the "BIK" price of $1499.00. I knew it was a bit high but, the guitar came with all of the case candy and something just made me pull the trigger that night. I spent about a week worrying about the guitar arriving with a headstock crack or just not being in the same condition as it was advertised.

 

The guitar arrived at 8pm on a Thursday evening. It was still cold here in New York but, the anticipation wouldn't allow me to wait a few hours for the guitar to reach room temperature. I opened the guitar case and was immediately hit with that "New Guitar Smell". Even though the guitar is a 2007, the previous owner stated he bought the guitar as an investment that he now knew would not escalate the way he planned. It was stored in the case in a temperature controlled room.

 

From the moment I took the guitar in my hands and tuned it I have not really put it down. It is the type of guitar that you find yourself doodling on while watching your favorite TV show. I have used it for rehearsals and shows and have not been disappointed. I have replaced the tuners with Gold Grovers. I have also replaced the bridge and tailpiece with Gibson TP-6 and ABR-1 both in gold. I will be replacing the pickup covers with gold ones in the near future.

 

The big transition has been that this ES-339 has made me re-think my tone. I used a Fender Twin Reverb from 1979-2004. I then moved to a Line 6, Flextone (both with Les Pauls) for the amp modeling. Now with the acquisition of the ES-339 I have gone back yo Fender. I have purchased a 70's silverface "MusicMaster" bass amp which supplies my power. I picked up a new "Champ XD" because it does use tubes but has a great Fender sound in it's modeling arsenal. So, I plug the ES-339 directly into the Champ. From the line out of the Champ I go into the MusicMaster so the exact modeling sound is amplified through the Music Master. Live, both guitars are mic'd left and right which gives me a very rich and wide sound. Although, some clubs which have larger stages, I do have some problems hearing my guitar from the amps, it sounds wonderful through the monitors, mixed in with the rest of the band...

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